Skip to content
hymnal.net
hymnal.net
My Songs

About Numbered Notation

The numbers are the notes of a scale

Numbered notation (jianpu, 简谱) writes a melody as numbers instead of notes on a staff. You do not need to read music: take one small step at a time and press Play on any example to hear it while each number lights up. Sound only starts when you press Play.

Instead of notes on a staff, each note is a number from 1 to 7. They are the seven steps of the scale you already know: do re mi fa sol la ti. After 7 the scale starts again at 1.

The seven numbers with their names. Press Play and say each name as its number lights up.
Sing along: do re mi fa sol, and back down to do.

If you can sing do re mi, you can already sing every number from 1 to 7. Tap or click any number to hear just that note.

“1=C” tells you where to start

At the top left of the sheet you will see something like 1=C. It means the number 1 (do) is the note C, and every other number counts up from there. 1=G means do is G, so the whole tune sits a little higher. Nothing else changes: the same numbers make the same shape, only higher or lower.

1=C: do is C.
1=G: the same numbers, starting higher.

Not sure where C is? On a piano it is the white key just left of the two black keys. Or ignore the letter and start on any note that is comfortable for your voice: the tune only has to keep its shape. The − and + key buttons on a hymn page shift the key for you.

Dots make a note higher or lower

A dot above a number means one octave higher. A dot below means one octave lower. Two dots mean two octaves. No dot is the middle range, where most of a tune lives. The name stays the same; only the height changes.

The same number at three heights: dot below, no dot, dot above.
A tune that climbs: it starts on a low sol and ends on a high do.

How long each note lasts

Tap your foot at a steady pace: each tap is a beat. A plain number lasts one beat, so you sing a new number on every tap. Dashes, lines and dots change that.

A plain number is one beat

Four numbers, four beats: one number for each tap.

A dash holds the note longer

Each dash adds one beat. The 5 lasts two beats and the 3 lasts four.

A line underneath makes it shorter

One line is half a beat, so two underlined numbers share one beat. (Two lines are a quarter of a beat.)

A dot after makes it half as long again

A dot after a number adds half its length. The first 5 lasts a beat and a half, and the short 3 fills the rest of the second beat.

0 means rest

A 0 is silence for one beat. Keep counting and keep tapping, but do not sing. Dashes after a 0 make the silence longer, just as they hold a note longer.

Sing 1 3 5, stay quiet for one beat, then come back down. Rests light up too, so you can feel the pause.

Bar lines and the time signature

Tall lines cut the music into bars, each holding the same number of beats. The two small numbers at the start, like 4/4 or 3/4, say how many: 4/4 is four beats in every bar, 3/4 is three. The first beat of each bar is the strongest, so lean on it a little. A double line with a thick edge marks the end.

4/4: count 1 2 3 4, 1 2 3 4. The first beat of each bar sounds a little louder.
3/4: count 1 2 3, 1 2 3, the lilt of a waltz.

Curves: ties and slurs

A curve over numbers joins them. If it joins two of the same number, it is a tie: sing the note once and hold it for both. If it joins different numbers, it is a slur: sing them all on one syllable, gliding from one to the next.

A tie: the 5 is sung once and held across the bar line, six beats in all.
A slur: “Him” is sung on two notes, 3 then 2.

The words sit under the numbers

Each number gets one syllable, written right underneath it. A short dash after part of a word means the word carries on under the next number. If a number has nothing under it, it belongs to a curve or a dash: keep singing the syllable you are on.

Read left to right, one syllable for each number: Twin-kle, twin-kle, lit-tle star.

Repeat signs and 1. 2. endings

A bar line with two dots, :|, means go back and sing that part again, from the matching |: sign (or from the start if there is none). Sometimes the repeat has two endings. Sing ending 1. the first time; on the repeat, skip it and sing ending 2. instead.

Play it: you hear the 1. ending, the repeat, then the 2. ending. Watch the highlight jump back.

Minor keys: “6=A”

A song in a minor key, which usually sounds more serious or tender, is labeled like 6=A instead of 1=C. It means the number 6 (la) is the home note, here A. The numbers keep their usual names; the tune simply feels at home on 6 and often ends there. 6=A uses the same notes as 1=C.

It starts and ends on 6 (la), the home note. Listen to the darker colour.

Put it together: a line of a hymn

This is the first line of hymn 8, “Praise God, from whom all blessings flow”, written in numbered notation. Try the slow tempo first, and sing the words as each number lights up.

1=G in 4/4. Three silent beats, then “Praise” on beat 4. The dots under 7, 6 and 5 mean those notes dip one octave lower.

Check yourself

Four quick questions, with no score and no pressure. Tap an answer to see right away why it is right or wrong. You can always try another answer.

Tap the number that is held the longest.

Tap the 5 that is one octave higher than the first 5.

What does a 0 mean?

Under 1=G, which note is the number 1?

Try it on a hymn

You opened this from a hymn that has a Numbered view, so you can try it right now.

  1. Look at the top left of the sheet: the key, such as 1=D, and the time signature, such as 3/4.
  2. Find the first number and sing it. Then follow the numbers from left to right with the words underneath, one syllable for each number. Press Play in the player to hear the recording while you follow.
  3. Letters above the numbers (C, G7) are chords for a guitarist or pianist. Ignore them while you learn the tune.
  4. To be guided, open the Learn tab and press Play. Under Display, set Learn notation to Numbered (or choose Numbered on the Lead Sheet tab first). For hymns that have numbered lines, each line of numbers scrolls into view in time with the recording while a bouncing ball follows the words; other hymns show the piano notation there. The Speed menu slows it down.

Open this guide as its own page

Download limit reached

There is a fountain filled with blood

Gospel The Blood

English1006
1
There is a fountain filled with blood
Drawn from Immanuel’s veins;
And sinners, plunged beneath that flood,
Lose all their guilty stains:
Lose all their guilty stains,
Lose all their guilty stains;
And sinners, plunged beneath that flood,
Lose all their guilty stains.
2
The dying thief rejoiced to see
That fountain in his day;
And there may I, though vile as he,
Wash all my sins away:
Wash all my sins away,
Wash all my sins away;
And there may I, though vile as he,
Wash all my sins away.
3
Dear dying Lamb, Thy precious blood
Shall never lose its power,
Till all the ransomed ones of God
Be saved, to sin no more:
Be saved, to sin no more,
Be saved, to sin no more;
Till all the ransomed ones of God,
Be saved to sin no more.
4
E’er since by faith I saw the stream
Thy flowing wounds supply,
Redeeming love has been my theme,
And shall be till I die:
And shall be till I die,
And shall be till I die;
Redeeming love has been my theme,
And shall be till I die.
5
When this poor lisping, stammering tongue
Lies silent in the grave,
Then in a nobler, sweeter song,
I’ll sing Thy power to save:
I’ll sing Thy power to save,
I’ll sing Thy power to save;
Then in a nobler, sweeter song,
I’ll sing Thy power to save.

Delete Comment

Delete this comment? This cannot be undone.

Crystal Dimello

Norman, OK, United States

Oct 5, 2021

This song is beautiful!!

Read more
Vickie L. Hall

Birmingham, AL, United States

Sep 26, 2021

Love to sing to the Lord my savior. I cry on these beautiful lyrics. Thank you. Hallelujah he knows me by name my name is written in the book of Life.

Read more
Mutikwa Kalunga

Kabwe, Central, Zambia

Jun 4, 2021

Praise be to God!!! ❤ This song gives me courage.

Read more
Abbi

Huntsville, TX, United States

May 17, 2021

I remember this hymn as a child sung in church with "Bigmomma" with no understanding of God, no worries as a child; I hated to hear the song. Now, some years later, it's one of my favorites, I belt it out in troublesome times with joy, thankfulness, and humility. Thank God for the fountain.

Read more
Tadd Huff

Summerville, South Carolina, United States

Apr 21, 2021

Brother William Cowper, a devote man prone to episodes of mental illness and depression wrote this beautiful hymn. Which is one of my favorites of all time. GOD breathed these wonderful words of praise into his soul - GOD isn't looking for superstars. In fact, GOD only uses broken things. It was a broken law that cried for a broken Saviour. It is a broken Saviour that looks for a broken heart. For only could a broken heart receive a crucified Saviour. Blessings, Love, and Light through Christ Jesus the LORD. ✝️❤🕯📖🙏🕊💒

Read more
Victoria Nyae

Philadelphia, PA, United States

Apr 4, 2021

Yes theres a fountain filled with blood that wash my sins away. Thank you Lord for your blood

Read more
Yendu Morris

Cape Coast, Central Region, Ghana

Mar 28, 2021

It's that time of the year again to ponder over the sacrificial life and death of Jesus and no hymn does it better than this one! I'm so moved to be blessed by this hynm again tonight!

Read more
Claudine

Forest Hill, MD, United States

Feb 19, 2021

Thank you Deb for sharing the additional stanzas🥺🙏... and Elisabeth for sharing your beautiful family story. Wow. What a blessing.

Read more
Rose

Bergen, NJ, United States

Feb 2, 2021

I love this song so much. When I here are sing this song, I feel so peaceful.

Read more
Deb

Seattle, WA, United States

Jan 22, 2021

This is my favorite hymn! I have a copy of Olney Hymns. There are two additional stanzas that are left off of current hymnals.

6. Lord I believe thou hast prepared
(Unworthy though I be)
For me a blood-bought free reward,
A golden harp for me.

7. ‘Tis strung, and tuned, for endless years,
And formed by power divine;
To sound to God the Father’s ears
No other name but thine.

Read more