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About Numbered Notation

The numbers are the notes of a scale

Numbered notation (jianpu, 简谱) writes a melody as numbers instead of notes on a staff. You do not need to read music: take one small step at a time and press Play on any example to hear it while each number lights up. Sound only starts when you press Play.

Instead of notes on a staff, each note is a number from 1 to 7. They are the seven steps of the scale you already know: do re mi fa sol la ti. After 7 the scale starts again at 1.

The seven numbers with their names. Press Play and say each name as its number lights up.
Sing along: do re mi fa sol, and back down to do.

If you can sing do re mi, you can already sing every number from 1 to 7. Tap or click any number to hear just that note.

“1=C” tells you where to start

At the top left of the sheet you will see something like 1=C. It means the number 1 (do) is the note C, and every other number counts up from there. 1=G means do is G, so the whole tune sits a little higher. Nothing else changes: the same numbers make the same shape, only higher or lower.

1=C: do is C.
1=G: the same numbers, starting higher.

Not sure where C is? On a piano it is the white key just left of the two black keys. Or ignore the letter and start on any note that is comfortable for your voice: the tune only has to keep its shape. The − and + key buttons on a hymn page shift the key for you.

Dots make a note higher or lower

A dot above a number means one octave higher. A dot below means one octave lower. Two dots mean two octaves. No dot is the middle range, where most of a tune lives. The name stays the same; only the height changes.

The same number at three heights: dot below, no dot, dot above.
A tune that climbs: it starts on a low sol and ends on a high do.

How long each note lasts

Tap your foot at a steady pace: each tap is a beat. A plain number lasts one beat, so you sing a new number on every tap. Dashes, lines and dots change that.

A plain number is one beat

Four numbers, four beats: one number for each tap.

A dash holds the note longer

Each dash adds one beat. The 5 lasts two beats and the 3 lasts four.

A line underneath makes it shorter

One line is half a beat, so two underlined numbers share one beat. (Two lines are a quarter of a beat.)

A dot after makes it half as long again

A dot after a number adds half its length. The first 5 lasts a beat and a half, and the short 3 fills the rest of the second beat.

0 means rest

A 0 is silence for one beat. Keep counting and keep tapping, but do not sing. Dashes after a 0 make the silence longer, just as they hold a note longer.

Sing 1 3 5, stay quiet for one beat, then come back down. Rests light up too, so you can feel the pause.

Bar lines and the time signature

Tall lines cut the music into bars, each holding the same number of beats. The two small numbers at the start, like 4/4 or 3/4, say how many: 4/4 is four beats in every bar, 3/4 is three. The first beat of each bar is the strongest, so lean on it a little. A double line with a thick edge marks the end.

4/4: count 1 2 3 4, 1 2 3 4. The first beat of each bar sounds a little louder.
3/4: count 1 2 3, 1 2 3, the lilt of a waltz.

Curves: ties and slurs

A curve over numbers joins them. If it joins two of the same number, it is a tie: sing the note once and hold it for both. If it joins different numbers, it is a slur: sing them all on one syllable, gliding from one to the next.

A tie: the 5 is sung once and held across the bar line, six beats in all.
A slur: “Him” is sung on two notes, 3 then 2.

The words sit under the numbers

Each number gets one syllable, written right underneath it. A short dash after part of a word means the word carries on under the next number. If a number has nothing under it, it belongs to a curve or a dash: keep singing the syllable you are on.

Read left to right, one syllable for each number: Twin-kle, twin-kle, lit-tle star.

Repeat signs and 1. 2. endings

A bar line with two dots, :|, means go back and sing that part again, from the matching |: sign (or from the start if there is none). Sometimes the repeat has two endings. Sing ending 1. the first time; on the repeat, skip it and sing ending 2. instead.

Play it: you hear the 1. ending, the repeat, then the 2. ending. Watch the highlight jump back.

Minor keys: “6=A”

A song in a minor key, which usually sounds more serious or tender, is labeled like 6=A instead of 1=C. It means the number 6 (la) is the home note, here A. The numbers keep their usual names; the tune simply feels at home on 6 and often ends there. 6=A uses the same notes as 1=C.

It starts and ends on 6 (la), the home note. Listen to the darker colour.

Put it together: a line of a hymn

This is the first line of hymn 8, “Praise God, from whom all blessings flow”, written in numbered notation. Try the slow tempo first, and sing the words as each number lights up.

1=G in 4/4. Three silent beats, then “Praise” on beat 4. The dots under 7, 6 and 5 mean those notes dip one octave lower.

Check yourself

Four quick questions, with no score and no pressure. Tap an answer to see right away why it is right or wrong. You can always try another answer.

Tap the number that is held the longest.

Tap the 5 that is one octave higher than the first 5.

What does a 0 mean?

Under 1=G, which note is the number 1?

Try it on a hymn

You opened this from a hymn that has a Numbered view, so you can try it right now.

  1. Look at the top left of the sheet: the key, such as 1=D, and the time signature, such as 3/4.
  2. Find the first number and sing it. Then follow the numbers from left to right with the words underneath, one syllable for each number. Press Play in the player to hear the recording while you follow.
  3. Letters above the numbers (C, G7) are chords for a guitarist or pianist. Ignore them while you learn the tune.
  4. To be guided, open the Learn tab and press Play. Under Display, set Learn notation to Numbered (or choose Numbered on the Lead Sheet tab first). For hymns that have numbered lines, each line of numbers scrolls into view in time with the recording while a bouncing ball follows the words; other hymns show the piano notation there. The Speed menu slows it down.

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O God, th’ eternal Father, Thou

Worship of the Father As the Eternal One

English10
1
O God, th’ eternal Father, Thou,
The uncreated, great I AM!
More ancient than the ancients are,
Before the primal age began!
2
From everlasting Thou art God,
All time and space Thou dost transcend!
The fullness of eternity,
Without beginning, without end!
3
Th’ eternal source of all Thou art,
Before the heavens were decreed!
Thou art the first of all the first,
And e’en the foremost dost precede!
4
Thou art the life that ever lasts,
From age to age Thou endest not!
More lasting than all that which lasts,
Beyond the ultimate Thou art!
5
Thou art the Alpha as the first,
Omega, as the last Thou art!
From start to end Thou hast no lack,
Complete and perfect, wanting not!
6
We praise Thee for Thine endless years,
Extol Thee for Thy boundlessness!
We praise Thee for Thy fullness vast,
Extol Thee for Thy Perfectness!

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Un Hermano

May 20, 2025

THE SON BEING THE FATHER

We need to read the Gospel of John again to find out all the items that the Lord Jesus is to us. John tells us that the Word, who was God, became a man of flesh. Who is this Christ? This Christ is the very God incarnated as a man. He is the complete God and the perfect man, the God-man. Isaiah 9:6 says, “A child is born to us, / A Son is given to us; / And the government / Is upon His shoulder; / And His name will be called / Wonderful Counselor, / Mighty God, / Eternal Father, / Prince of Peace. ” Christ as the very God incarnated to be a man was a child born to us and a Son given to us. The Gospel of John tells us clearly that Christ is the very Son of God, but Isaiah 9:6 does not only tell us that a child is born to us whose name is called Mighty God. Isaiah 9:6 also tells us that a Son is given to us whose name is called Eternal Father.

In John 14 Philip asked the Lord Jesus to show the disciples the Father, and then they would be satisfied. Jesus responded to Philip, “Have I been so long a time with you, and you have not known Me, Philip? He who has seen Me has seen the Father; how is it that you say, Show us the Father? Do you not believe that I am in the Father and the Father is in Me? ” (vv. 9-10). The Father is in the Son, and the Son is the very expression of the Father. The Son cannot be separated from the Father.

Because of the limitation of our human language in describing the mystery of the Divine Trinity, we may say that the Son and the Father are two persons of the Godhead, but we cannot say that They are two separate persons. These are two persons in one reality. You can never separate the Son from the Father. If you do not have the Son, you do not have the Father (1 John 2:23). If you have the Son, you have the Father because the Father is in the Son, and the Son is the very expression, the very embodiment, and the very reality of the Father. In John 10:30 the Lord Jesus said, “I and the Father are one. ”

The Tree of Life

Chapter 3 (LSM)

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Joanna Smathers

Baton Rouge, Louisiana, United States

Apr 4, 2022

Amen, Praise You Father

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Ana Lara

Storrs, Connecticut, United States

Jan 31, 2022

Lowell Mason was born on January 8, 1792 Medfield, MA and died on August 11, 1872, Orange, NJ. He was an American music director and banker who was the leading figure in the 19th century American church music. Lowell composed over 1600 hymn-tunes, many of which are often sung today. His best-known work includes an arrangement of “Joy to the World” and the tune “Bethany, ” which sets the hymn text, “Nearer, My God to Thee. ” Mason also set music to “Mary had a Little Lamb. ”

He is largely credited with introducing music into American public schools, and is considered the first important U. S. music educator. He has also been criticized for helping to largely eliminate the robust tradition of participatory sacred music that flourished in America before his time.

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Tom Combiths

West Lafayette, Indiana, United States

May 3, 2020

Oh, our Father is the Eternal One! We praise and worship you Father, the great I Am. This hymn is wonderful beyond description.

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Bing Shiao

United States

Nov 28, 2017

I like this song really much so that's why I comment it and thanks for the song

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