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About Numbered Notation

The numbers are the notes of a scale

Numbered notation (jianpu, 简谱) writes a melody as numbers instead of notes on a staff. You do not need to read music: take one small step at a time and press Play on any example to hear it while each number lights up. Sound only starts when you press Play.

Instead of notes on a staff, each note is a number from 1 to 7. They are the seven steps of the scale you already know: do re mi fa sol la ti. After 7 the scale starts again at 1.

The seven numbers with their names. Press Play and say each name as its number lights up.
Sing along: do re mi fa sol, and back down to do.

If you can sing do re mi, you can already sing every number from 1 to 7. Tap or click any number to hear just that note.

“1=C” tells you where to start

At the top left of the sheet you will see something like 1=C. It means the number 1 (do) is the note C, and every other number counts up from there. 1=G means do is G, so the whole tune sits a little higher. Nothing else changes: the same numbers make the same shape, only higher or lower.

1=C: do is C.
1=G: the same numbers, starting higher.

Not sure where C is? On a piano it is the white key just left of the two black keys. Or ignore the letter and start on any note that is comfortable for your voice: the tune only has to keep its shape. The − and + key buttons on a hymn page shift the key for you.

Dots make a note higher or lower

A dot above a number means one octave higher. A dot below means one octave lower. Two dots mean two octaves. No dot is the middle range, where most of a tune lives. The name stays the same; only the height changes.

The same number at three heights: dot below, no dot, dot above.
A tune that climbs: it starts on a low sol and ends on a high do.

How long each note lasts

Tap your foot at a steady pace: each tap is a beat. A plain number lasts one beat, so you sing a new number on every tap. Dashes, lines and dots change that.

A plain number is one beat

Four numbers, four beats: one number for each tap.

A dash holds the note longer

Each dash adds one beat. The 5 lasts two beats and the 3 lasts four.

A line underneath makes it shorter

One line is half a beat, so two underlined numbers share one beat. (Two lines are a quarter of a beat.)

A dot after makes it half as long again

A dot after a number adds half its length. The first 5 lasts a beat and a half, and the short 3 fills the rest of the second beat.

0 means rest

A 0 is silence for one beat. Keep counting and keep tapping, but do not sing. Dashes after a 0 make the silence longer, just as they hold a note longer.

Sing 1 3 5, stay quiet for one beat, then come back down. Rests light up too, so you can feel the pause.

Bar lines and the time signature

Tall lines cut the music into bars, each holding the same number of beats. The two small numbers at the start, like 4/4 or 3/4, say how many: 4/4 is four beats in every bar, 3/4 is three. The first beat of each bar is the strongest, so lean on it a little. A double line with a thick edge marks the end.

4/4: count 1 2 3 4, 1 2 3 4. The first beat of each bar sounds a little louder.
3/4: count 1 2 3, 1 2 3, the lilt of a waltz.

Curves: ties and slurs

A curve over numbers joins them. If it joins two of the same number, it is a tie: sing the note once and hold it for both. If it joins different numbers, it is a slur: sing them all on one syllable, gliding from one to the next.

A tie: the 5 is sung once and held across the bar line, six beats in all.
A slur: “Him” is sung on two notes, 3 then 2.

The words sit under the numbers

Each number gets one syllable, written right underneath it. A short dash after part of a word means the word carries on under the next number. If a number has nothing under it, it belongs to a curve or a dash: keep singing the syllable you are on.

Read left to right, one syllable for each number: Twin-kle, twin-kle, lit-tle star.

Repeat signs and 1. 2. endings

A bar line with two dots, :|, means go back and sing that part again, from the matching |: sign (or from the start if there is none). Sometimes the repeat has two endings. Sing ending 1. the first time; on the repeat, skip it and sing ending 2. instead.

Play it: you hear the 1. ending, the repeat, then the 2. ending. Watch the highlight jump back.

Minor keys: “6=A”

A song in a minor key, which usually sounds more serious or tender, is labeled like 6=A instead of 1=C. It means the number 6 (la) is the home note, here A. The numbers keep their usual names; the tune simply feels at home on 6 and often ends there. 6=A uses the same notes as 1=C.

It starts and ends on 6 (la), the home note. Listen to the darker colour.

Put it together: a line of a hymn

This is the first line of hymn 8, “Praise God, from whom all blessings flow”, written in numbered notation. Try the slow tempo first, and sing the words as each number lights up.

1=G in 4/4. Three silent beats, then “Praise” on beat 4. The dots under 7, 6 and 5 mean those notes dip one octave lower.

Check yourself

Four quick questions, with no score and no pressure. Tap an answer to see right away why it is right or wrong. You can always try another answer.

Tap the number that is held the longest.

Tap the 5 that is one octave higher than the first 5.

What does a 0 mean?

Under 1=G, which note is the number 1?

Try it on a hymn

You opened this from a hymn that has a Numbered view, so you can try it right now.

  1. Look at the top left of the sheet: the key, such as 1=D, and the time signature, such as 3/4.
  2. Find the first number and sing it. Then follow the numbers from left to right with the words underneath, one syllable for each number. Press Play in the player to hear the recording while you follow.
  3. Letters above the numbers (C, G7) are chords for a guitarist or pianist. Ignore them while you learn the tune.
  4. To be guided, open the Learn tab and press Play. Under Display, set Learn notation to Numbered (or choose Numbered on the Lead Sheet tab first). For hymns that have numbered lines, each line of numbers scrolls into view in time with the recording while a bouncing ball follows the words; other hymns show the piano notation there. The Speed menu slows it down.

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榮耀基督親愛救主

經歷基督 作生命

Chinese382*
1
榮耀基督,親愛救主,
你是神的榮耀顯出!
原是永遠無限的神,
竟作時間有限的人。
 
榮耀基督,大神化身,
奧妙、豐富,享受不盡!
聖中之聖,人中之人,
在我靈裡作我福分!
2
神的豐盛藏你裡面,
神的榮耀從你彰顯;
前在肉身成功救贖,
今成那靈與我聯屬。
3
凡父所有全由你承,
凡你所是都歸於靈;
靈進我靈作你實際,
使你成為我的經歷。
4
靈今藉你生命活話,
在我裡面將你實化;
接受這話,接觸這靈,
你就作了我的供應。
5
靈裡敬拜,靈裡瞻仰,
如鏡返照你的榮光,
我就變成你的形狀,
使你從我得著顯彰。
6
惟有如此纔能成聖,
必須如此纔能得勝;
捨此無法摸著生命,
捨此無路可以屬靈。
7
藉此你靈浸透全人,
到處是你,到處是神!
我就脫離天然自我,
與眾聖徒作神居所。

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Ann Chiang

Taipei, Taiwan

Jun 8, 2025

神成為人,為要使人在生命、性情,但不在神格上,成為神。
榮耀基督,親愛救主,聖中之聖,人中之人,在我靈裏,作我福分。
在祂裏面,全房聯結一起,長成在主裏的聖殿;我們也在祂裏面同被建造,成為神在靈裏的居所。

Read more
胡耀津

Nantou, Taiwan

May 4, 2025

晨晨進入聖言,人得甦醒;時時經歷內住的基督,那麼就是聽過數十次的詩歌,會讓你有新的感覺,有新的心思,靈裡有新的呼應,這些不但是字句的新領悟,更能讓我們在生命的新樣式中生活行動,對內住的基督有更美妙的經歷。

感謝我們的神,是常新的神!

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Zhi Han

Lexington, MA, United States

Oct 15, 2023

到处是你,到处是神!哈利路亚

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迦勒林

台南市

Apr 16, 2023

主加強!

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郭勝隆

桃園市, Taiwan

Apr 16, 2023

經過過程之三一神,在我靈裡作看福分。

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雪盈姊妹

May 29, 2022

借此你灵浸透全人,
到处是你,到处是神!
Amen!

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黃弟兄

United States

Oct 24, 2021

榮耀基督,大神化身,
奧妙、豐富,享受不盡!
聖中之聖,人中之人,
在我靈裡作我福分!

Read more
Charlotte Yu

Taipei, Taiwan

Oct 10, 2021

親愛的主耶穌
凡父所有全由你承,
凡你所是都歸於靈;
靈進我靈作你實際,
使你成為我的經歷。
靈裡敬拜,靈裡瞻仰,
如鏡返照你的榮光,
我就變成你的形狀,
使你從我得著顯彰。

Read more
徐千祐

New Taipei, Taiwan

Jul 11, 2021

神成為人,為要使人在生命、性情,但不在神格上成為神。

榮耀基督,親愛救主,聖中之聖。人中之人,在我靈裏,做我福分。

Read more
洪傳承

高雄, Taiwan

Aug 23, 2020

浸透我

Read more