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About Numbered Notation

The numbers are the notes of a scale

Numbered notation (jianpu, 简谱) writes a melody as numbers instead of notes on a staff. You do not need to read music: take one small step at a time and press Play on any example to hear it while each number lights up. Sound only starts when you press Play.

Instead of notes on a staff, each note is a number from 1 to 7. They are the seven steps of the scale you already know: do re mi fa sol la ti. After 7 the scale starts again at 1.

The seven numbers with their names. Press Play and say each name as its number lights up.
Sing along: do re mi fa sol, and back down to do.

If you can sing do re mi, you can already sing every number from 1 to 7. Tap or click any number to hear just that note.

“1=C” tells you where to start

At the top left of the sheet you will see something like 1=C. It means the number 1 (do) is the note C, and every other number counts up from there. 1=G means do is G, so the whole tune sits a little higher. Nothing else changes: the same numbers make the same shape, only higher or lower.

1=C: do is C.
1=G: the same numbers, starting higher.

Not sure where C is? On a piano it is the white key just left of the two black keys. Or ignore the letter and start on any note that is comfortable for your voice: the tune only has to keep its shape. The − and + key buttons on a hymn page shift the key for you.

Dots make a note higher or lower

A dot above a number means one octave higher. A dot below means one octave lower. Two dots mean two octaves. No dot is the middle range, where most of a tune lives. The name stays the same; only the height changes.

The same number at three heights: dot below, no dot, dot above.
A tune that climbs: it starts on a low sol and ends on a high do.

How long each note lasts

Tap your foot at a steady pace: each tap is a beat. A plain number lasts one beat, so you sing a new number on every tap. Dashes, lines and dots change that.

A plain number is one beat

Four numbers, four beats: one number for each tap.

A dash holds the note longer

Each dash adds one beat. The 5 lasts two beats and the 3 lasts four.

A line underneath makes it shorter

One line is half a beat, so two underlined numbers share one beat. (Two lines are a quarter of a beat.)

A dot after makes it half as long again

A dot after a number adds half its length. The first 5 lasts a beat and a half, and the short 3 fills the rest of the second beat.

0 means rest

A 0 is silence for one beat. Keep counting and keep tapping, but do not sing. Dashes after a 0 make the silence longer, just as they hold a note longer.

Sing 1 3 5, stay quiet for one beat, then come back down. Rests light up too, so you can feel the pause.

Bar lines and the time signature

Tall lines cut the music into bars, each holding the same number of beats. The two small numbers at the start, like 4/4 or 3/4, say how many: 4/4 is four beats in every bar, 3/4 is three. The first beat of each bar is the strongest, so lean on it a little. A double line with a thick edge marks the end.

4/4: count 1 2 3 4, 1 2 3 4. The first beat of each bar sounds a little louder.
3/4: count 1 2 3, 1 2 3, the lilt of a waltz.

Curves: ties and slurs

A curve over numbers joins them. If it joins two of the same number, it is a tie: sing the note once and hold it for both. If it joins different numbers, it is a slur: sing them all on one syllable, gliding from one to the next.

A tie: the 5 is sung once and held across the bar line, six beats in all.
A slur: “Him” is sung on two notes, 3 then 2.

The words sit under the numbers

Each number gets one syllable, written right underneath it. A short dash after part of a word means the word carries on under the next number. If a number has nothing under it, it belongs to a curve or a dash: keep singing the syllable you are on.

Read left to right, one syllable for each number: Twin-kle, twin-kle, lit-tle star.

Repeat signs and 1. 2. endings

A bar line with two dots, :|, means go back and sing that part again, from the matching |: sign (or from the start if there is none). Sometimes the repeat has two endings. Sing ending 1. the first time; on the repeat, skip it and sing ending 2. instead.

Play it: you hear the 1. ending, the repeat, then the 2. ending. Watch the highlight jump back.

Minor keys: “6=A”

A song in a minor key, which usually sounds more serious or tender, is labeled like 6=A instead of 1=C. It means the number 6 (la) is the home note, here A. The numbers keep their usual names; the tune simply feels at home on 6 and often ends there. 6=A uses the same notes as 1=C.

It starts and ends on 6 (la), the home note. Listen to the darker colour.

Put it together: a line of a hymn

This is the first line of hymn 8, “Praise God, from whom all blessings flow”, written in numbered notation. Try the slow tempo first, and sing the words as each number lights up.

1=G in 4/4. Three silent beats, then “Praise” on beat 4. The dots under 7, 6 and 5 mean those notes dip one octave lower.

Check yourself

Four quick questions, with no score and no pressure. Tap an answer to see right away why it is right or wrong. You can always try another answer.

Tap the number that is held the longest.

Tap the 5 that is one octave higher than the first 5.

What does a 0 mean?

Under 1=G, which note is the number 1?

Try it on a hymn

You opened this from a hymn that has a Numbered view, so you can try it right now.

  1. Look at the top left of the sheet: the key, such as 1=D, and the time signature, such as 3/4.
  2. Find the first number and sing it. Then follow the numbers from left to right with the words underneath, one syllable for each number. Press Play in the player to hear the recording while you follow.
  3. Letters above the numbers (C, G7) are chords for a guitarist or pianist. Ignore them while you learn the tune.
  4. To be guided, open the Learn tab and press Play. Under Display, set Learn notation to Numbered (or choose Numbered on the Lead Sheet tab first). For hymns that have numbered lines, each line of numbers scrolls into view in time with the recording while a bouncing ball follows the words; other hymns show the piano notation there. The Speed menu slows it down.

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父我讚美你的憐憫

敬拜父 祂的憐憫

Chinese22
1
父,我讚美你的憐憫,
如此高大並深闊;
因著我的軟弱、失敗,
你的憐憫時加多。
我今敬拜、我今敬拜,
你這憐憫抬舉我!
你這憐憫抬舉我!
2
對你憐憫我們驚奇,
如此低就且不移,
竟然臨及我這罪人,
且要維持永無已。
何能使我、何能使我
從這憐憫被遺棄?
3
我們感激你的憐憫,
如此豐富且充足!
因這憐憫、藉著救贖,
你曾豐厚賜眷顧。
捨此何能、捨此何能
使我如此蒙愛護?
4
哦,你憐憫富有感召,
柔細、可愛又甘甜!
藉你忍耐和你恩慈,
正合我需賜恩典。
我們寶貴、我們寶貴
你這憐憫的完全。
5
我今享受你的憐憫,
永遠不舊、永遠新;
每日早晨臨到我身,
猶如甘露施滋潤。
何等甜美、何等甜美,
滿心讚美你憐憫。
6
對你讚美何能止息,
因你憐憫永持久;
你的恩惠、你的眷顧,
全都為我永保守。
可靠憐憫、可靠憐憫,
永不能叫我蒙羞。

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刘依恩

Kch, 砂拉越, Malaysia

Mar 22, 2026

赞美主❤️‍🔥

Read more
柔云

Taiwan

Nov 11, 2025

2025iteros 第四週週三 參讀 [倪柝聲恢復職事過程中信息記錄,第一篇]

在屬靈的追求上有許多的試探,我們的心思、情感和意志都會成為攔阻,太過和不彀都會落在危險裡。

我讀過新約好幾百次,雖然不能說比所有的人都多,但至少比許多人多。我可以找出上百處的經節是彼此相反的,但是我沒有這樣作,因為我的心思是在聖靈的管治底下。

只有神的憐憫纔能彀叫人真正的謙卑下來。有的時候一些小的十字架、小的對付反而會叫人驕傲。只有大的十字架、大的對付纔能叫人謙卑。

有的人太過屬靈,以為主只住在我們的靈裡;但是以弗所三章說,基督因著信住在我們的心裡。(弗三17。)祂不光住在我們的靈裡,更住在我們的心裡;這個是可以感覺得到的。約翰十五章說,基督住在信徒裡,(約十五4~5,)但是那裡並沒有題到是住在他們的心裡。只有以弗所第三章題到,基督乃是住在我們的心裡。有的人太屬靈,以為心算不得甚麼;但是詩篇常題到我們的心。要在屬靈的事上受調整,我們不單要注意靈,也要注意我們的心。

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Tomoki

Fukuoka, Japan

Oct 12, 2025

今、私はあなたの慈しみを享受しています。
決して古くなく、常に新しい。
毎朝私に降り注ぎ、
露のように私を養います。
なんと甘美なことか、なんと甘美なことか、
私の心はあなたの慈しみへの賛美で
満たされています。
アーメン

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Samuel Chang

New Taipei, Taiwan

Nov 24, 2024

"It is Jehovah’s lovingkindness that we are not consumed, / For His compassions do not fail; They are new every morning; / Great is Your faithfulness." (Lamentations 3:22~23)

Read more
張拳訊

Taitung

Nov 24, 2024

阿爸父~向你做完全敞開的器皿

讚美你的憐憫,被你的恩典來浸透

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董小紅

文山區, 台北市, Taiwan

Jun 23, 2024

阿爸父:我讚美你的憐憫,
如此高大並深闊;
因著我的軟弱、失敗,
你的憐憫時加多。
我今敬拜、我今敬拜,
你這憐憫抬舉我!
你這憐憫抬舉我!

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Jack

新南威尔士, Australia

Dec 17, 2023

感谢主!

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辛弟兄

Oct 1, 2023

父的怜悯时加多,父的恩典够我用。

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黃弟兄

Utah, United States

Dec 25, 2022

我今享受你的憐憫,永遠不舊、永遠新;
每日早晨臨到我身,猶如甘露施滋潤。
何等甜美、何等甜美,滿心讚美你憐憫。

Read more
Kiew Soon Lee

Sibu, Sarawak, Malaysia

Jul 10, 2022

父,我赞美你的怜悯,
如此高大并深阔;
因着我的软弱、失败,
你的怜悯时加多。
我今敬拜、我今敬拜,
你这怜悯抬举我!
你这怜悯抬举我!

Read more