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About Numbered Notation

The numbers are the notes of a scale

Numbered notation (jianpu, 简谱) writes a melody as numbers instead of notes on a staff. You do not need to read music: take one small step at a time and press Play on any example to hear it while each number lights up. Sound only starts when you press Play.

Instead of notes on a staff, each note is a number from 1 to 7. They are the seven steps of the scale you already know: do re mi fa sol la ti. After 7 the scale starts again at 1.

The seven numbers with their names. Press Play and say each name as its number lights up.
Sing along: do re mi fa sol, and back down to do.

If you can sing do re mi, you can already sing every number from 1 to 7. Tap or click any number to hear just that note.

“1=C” tells you where to start

At the top left of the sheet you will see something like 1=C. It means the number 1 (do) is the note C, and every other number counts up from there. 1=G means do is G, so the whole tune sits a little higher. Nothing else changes: the same numbers make the same shape, only higher or lower.

1=C: do is C.
1=G: the same numbers, starting higher.

Not sure where C is? On a piano it is the white key just left of the two black keys. Or ignore the letter and start on any note that is comfortable for your voice: the tune only has to keep its shape. The − and + key buttons on a hymn page shift the key for you.

Dots make a note higher or lower

A dot above a number means one octave higher. A dot below means one octave lower. Two dots mean two octaves. No dot is the middle range, where most of a tune lives. The name stays the same; only the height changes.

The same number at three heights: dot below, no dot, dot above.
A tune that climbs: it starts on a low sol and ends on a high do.

How long each note lasts

Tap your foot at a steady pace: each tap is a beat. A plain number lasts one beat, so you sing a new number on every tap. Dashes, lines and dots change that.

A plain number is one beat

Four numbers, four beats: one number for each tap.

A dash holds the note longer

Each dash adds one beat. The 5 lasts two beats and the 3 lasts four.

A line underneath makes it shorter

One line is half a beat, so two underlined numbers share one beat. (Two lines are a quarter of a beat.)

A dot after makes it half as long again

A dot after a number adds half its length. The first 5 lasts a beat and a half, and the short 3 fills the rest of the second beat.

0 means rest

A 0 is silence for one beat. Keep counting and keep tapping, but do not sing. Dashes after a 0 make the silence longer, just as they hold a note longer.

Sing 1 3 5, stay quiet for one beat, then come back down. Rests light up too, so you can feel the pause.

Bar lines and the time signature

Tall lines cut the music into bars, each holding the same number of beats. The two small numbers at the start, like 4/4 or 3/4, say how many: 4/4 is four beats in every bar, 3/4 is three. The first beat of each bar is the strongest, so lean on it a little. A double line with a thick edge marks the end.

4/4: count 1 2 3 4, 1 2 3 4. The first beat of each bar sounds a little louder.
3/4: count 1 2 3, 1 2 3, the lilt of a waltz.

Curves: ties and slurs

A curve over numbers joins them. If it joins two of the same number, it is a tie: sing the note once and hold it for both. If it joins different numbers, it is a slur: sing them all on one syllable, gliding from one to the next.

A tie: the 5 is sung once and held across the bar line, six beats in all.
A slur: “Him” is sung on two notes, 3 then 2.

The words sit under the numbers

Each number gets one syllable, written right underneath it. A short dash after part of a word means the word carries on under the next number. If a number has nothing under it, it belongs to a curve or a dash: keep singing the syllable you are on.

Read left to right, one syllable for each number: Twin-kle, twin-kle, lit-tle star.

Repeat signs and 1. 2. endings

A bar line with two dots, :|, means go back and sing that part again, from the matching |: sign (or from the start if there is none). Sometimes the repeat has two endings. Sing ending 1. the first time; on the repeat, skip it and sing ending 2. instead.

Play it: you hear the 1. ending, the repeat, then the 2. ending. Watch the highlight jump back.

Minor keys: “6=A”

A song in a minor key, which usually sounds more serious or tender, is labeled like 6=A instead of 1=C. It means the number 6 (la) is the home note, here A. The numbers keep their usual names; the tune simply feels at home on 6 and often ends there. 6=A uses the same notes as 1=C.

It starts and ends on 6 (la), the home note. Listen to the darker colour.

Put it together: a line of a hymn

This is the first line of hymn 8, “Praise God, from whom all blessings flow”, written in numbered notation. Try the slow tempo first, and sing the words as each number lights up.

1=G in 4/4. Three silent beats, then “Praise” on beat 4. The dots under 7, 6 and 5 mean those notes dip one octave lower.

Check yourself

Four quick questions, with no score and no pressure. Tap an answer to see right away why it is right or wrong. You can always try another answer.

Tap the number that is held the longest.

Tap the 5 that is one octave higher than the first 5.

What does a 0 mean?

Under 1=G, which note is the number 1?

Try it on a hymn

You opened this from a hymn that has a Numbered view, so you can try it right now.

  1. Look at the top left of the sheet: the key, such as 1=D, and the time signature, such as 3/4.
  2. Find the first number and sing it. Then follow the numbers from left to right with the words underneath, one syllable for each number. Press Play in the player to hear the recording while you follow.
  3. Letters above the numbers (C, G7) are chords for a guitarist or pianist. Ignore them while you learn the tune.
  4. To be guided, open the Learn tab and press Play. Under Display, set Learn notation to Numbered (or choose Numbered on the Lead Sheet tab first). For hymns that have numbered lines, each line of numbers scrolls into view in time with the recording while a bouncing ball follows the words; other hymns show the piano notation there. The Speed menu slows it down.

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Chinese163
1
主,你是神的愛子,
是神榮耀形像;
你是聖徒的永分,
我們都得分享。
你是受造首生者,
一切造物之首;
萬有靠你而被造,
也都歸你承受。
2
你是萬有的由來,
萬有存在之祕;
你是萬有的中心,
萬有靠你而立。
你是從死首生者,
一切元始是你;
你是召會榮耀頭,
召會是你身體。
3
父願一切的豐滿,
全都住你裡面;
使你凡事居首位,
凡事得著彰顯。
你已藉死使萬有
全都與神和好,
好將我們呈神前,
聖潔合神所要。
4
神之所是全在你,
你是神的奧祕;
所積智慧與知識
全都居住於你。
你是榮耀的盼望,
現今住我裡面;
在你我們被成全,
使神意足心滿。
5
一切全都是影兒,
惟有你是實際;
我們在你已生根,
現在正被建立。
享受所有你豐富,
成為你的豐滿;
作你身體持守你,
長大因神增添。
6
我們同你藏神內,
你是我們生命;
將來同顯榮耀裡,
盡享你的豐盛。
在你身體-新人裡,
你是一切一切;
包羅萬有的基督,
你何豐富、超越!

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中豪

基隆, Taiwan

Jul 5, 2026

哈利路亞!感謝讚美主!

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謝

花蓮, 台灣省, Taiwan

Jul 20, 2025

這首詩歌實在是太Nice了

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Yiying

嘉義, 市, Taiwan

Dec 15, 2024

你是榮耀的盼望,
現今住我裡面;
在你我們被成全,
使神意足心滿。

Read more
Louise Cheng

Dec 8, 2024

所以,現在活著不再是我,乃是基督在我裡面活著。

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Robert Chang

Kaohsiung, Taiwan

May 12, 2024

包羅萬有的基督,你何其豐富與超越。

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美晶

Butterworth, Penang, Malaysia

Feb 25, 2024

我们同你藏神内,
你是我们生命;
将来同显荣耀里,
尽享你的丰盛。
在你身体-新人里,
你是一切一切;
包罗万有的基督,
你何丰富、超越!

Read more
王弟兄

Japan

Aug 27, 2023

一切全都是影儿,
惟有你是实际;
我们在你已生根,
现在正被建立。
享受所有你丰富,
成为你的丰满;
作你身体持守你,
长大因神增添。

Read more
Melody

Dec 6, 2020

父神一切的豐滿,
全都住你裡面;
使你凡事居首位,
凡事得著彰顯。

Read more
Melody

Dec 6, 2020

在你身體-新人裡,
你是一切一切;
包羅萬有的基督,
你何豐富、超越!

Read more
Miles

Irvine, CA, United States

Dec 6, 2020

你是一切一切;
包羅萬有的基督,
你何豐富、超越!

Read more