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About Numbered Notation

The numbers are the notes of a scale

Numbered notation (jianpu, 简谱) writes a melody as numbers instead of notes on a staff. You do not need to read music: take one small step at a time and press Play on any example to hear it while each number lights up. Sound only starts when you press Play.

Instead of notes on a staff, each note is a number from 1 to 7. They are the seven steps of the scale you already know: do re mi fa sol la ti. After 7 the scale starts again at 1.

The seven numbers with their names. Press Play and say each name as its number lights up.
Sing along: do re mi fa sol, and back down to do.

If you can sing do re mi, you can already sing every number from 1 to 7. Tap or click any number to hear just that note.

“1=C” tells you where to start

At the top left of the sheet you will see something like 1=C. It means the number 1 (do) is the note C, and every other number counts up from there. 1=G means do is G, so the whole tune sits a little higher. Nothing else changes: the same numbers make the same shape, only higher or lower.

1=C: do is C.
1=G: the same numbers, starting higher.

Not sure where C is? On a piano it is the white key just left of the two black keys. Or ignore the letter and start on any note that is comfortable for your voice: the tune only has to keep its shape. The − and + key buttons on a hymn page shift the key for you.

Dots make a note higher or lower

A dot above a number means one octave higher. A dot below means one octave lower. Two dots mean two octaves. No dot is the middle range, where most of a tune lives. The name stays the same; only the height changes.

The same number at three heights: dot below, no dot, dot above.
A tune that climbs: it starts on a low sol and ends on a high do.

How long each note lasts

Tap your foot at a steady pace: each tap is a beat. A plain number lasts one beat, so you sing a new number on every tap. Dashes, lines and dots change that.

A plain number is one beat

Four numbers, four beats: one number for each tap.

A dash holds the note longer

Each dash adds one beat. The 5 lasts two beats and the 3 lasts four.

A line underneath makes it shorter

One line is half a beat, so two underlined numbers share one beat. (Two lines are a quarter of a beat.)

A dot after makes it half as long again

A dot after a number adds half its length. The first 5 lasts a beat and a half, and the short 3 fills the rest of the second beat.

0 means rest

A 0 is silence for one beat. Keep counting and keep tapping, but do not sing. Dashes after a 0 make the silence longer, just as they hold a note longer.

Sing 1 3 5, stay quiet for one beat, then come back down. Rests light up too, so you can feel the pause.

Bar lines and the time signature

Tall lines cut the music into bars, each holding the same number of beats. The two small numbers at the start, like 4/4 or 3/4, say how many: 4/4 is four beats in every bar, 3/4 is three. The first beat of each bar is the strongest, so lean on it a little. A double line with a thick edge marks the end.

4/4: count 1 2 3 4, 1 2 3 4. The first beat of each bar sounds a little louder.
3/4: count 1 2 3, 1 2 3, the lilt of a waltz.

Curves: ties and slurs

A curve over numbers joins them. If it joins two of the same number, it is a tie: sing the note once and hold it for both. If it joins different numbers, it is a slur: sing them all on one syllable, gliding from one to the next.

A tie: the 5 is sung once and held across the bar line, six beats in all.
A slur: “Him” is sung on two notes, 3 then 2.

The words sit under the numbers

Each number gets one syllable, written right underneath it. A short dash after part of a word means the word carries on under the next number. If a number has nothing under it, it belongs to a curve or a dash: keep singing the syllable you are on.

Read left to right, one syllable for each number: Twin-kle, twin-kle, lit-tle star.

Repeat signs and 1. 2. endings

A bar line with two dots, :|, means go back and sing that part again, from the matching |: sign (or from the start if there is none). Sometimes the repeat has two endings. Sing ending 1. the first time; on the repeat, skip it and sing ending 2. instead.

Play it: you hear the 1. ending, the repeat, then the 2. ending. Watch the highlight jump back.

Minor keys: “6=A”

A song in a minor key, which usually sounds more serious or tender, is labeled like 6=A instead of 1=C. It means the number 6 (la) is the home note, here A. The numbers keep their usual names; the tune simply feels at home on 6 and often ends there. 6=A uses the same notes as 1=C.

It starts and ends on 6 (la), the home note. Listen to the darker colour.

Put it together: a line of a hymn

This is the first line of hymn 8, “Praise God, from whom all blessings flow”, written in numbered notation. Try the slow tempo first, and sing the words as each number lights up.

1=G in 4/4. Three silent beats, then “Praise” on beat 4. The dots under 7, 6 and 5 mean those notes dip one octave lower.

Check yourself

Four quick questions, with no score and no pressure. Tap an answer to see right away why it is right or wrong. You can always try another answer.

Tap the number that is held the longest.

Tap the 5 that is one octave higher than the first 5.

What does a 0 mean?

Under 1=G, which note is the number 1?

Try it on a hymn

You opened this from a hymn that has a Numbered view, so you can try it right now.

  1. Look at the top left of the sheet: the key, such as 1=D, and the time signature, such as 3/4.
  2. Find the first number and sing it. Then follow the numbers from left to right with the words underneath, one syllable for each number. Press Play in the player to hear the recording while you follow.
  3. Letters above the numbers (C, G7) are chords for a guitarist or pianist. Ignore them while you learn the tune.
  4. To be guided, open the Learn tab and press Play. Under Display, set Learn notation to Numbered (or choose Numbered on the Lead Sheet tab first). For hymns that have numbered lines, each line of numbers scrolls into view in time with the recording while a bouncing ball follows the words; other hymns show the piano notation there. The Tempo menu slows it down without changing the pitch.

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主你於我何其豐富

讚美主 祂的萬有包羅性(約翰福音)

Chinese152
1
主,你於我何其豐富,
你愛說出其度量!
你的自己無限富有,
今在我靈給我享。
2
你乃是話,也就是神,
太初就與神同在;
成為肉身,與人同處,
將神向人說出來。
3
你乃是神真的帳幕,
在你我見神榮耀;
你也是神真的聖殿,
在你裡面神住著。
4
你乃是神獨生愛子,
永遠將父來表明,
使我能有神的生命,
並且有分神性情。
5
你是人子,與我一樣,
確有我們的性情,
使我能作神的兒子,
直到滿有你榮形。
6
你是基督,萬有的主,
是神所膏彌賽亞;
你是萬有,又在萬有,
神人所賴,無限大!
7
你是救主,釘死十架,
從你流出血和水,
使我得蒙神的救贖,
有神生命,成寶貴!
8
你今是那得榮耶穌,
從你降下生命靈;
祂是包羅萬有的靈,
來使我享你豐盛。
9
你是神聖生命之光,
黑暗之中來照亮;
在我心中,帶神照亮,
直到充滿我心房。
10
你是神聖永遠生命,
點活我們死的靈;
你使我們脫離死亡,
享受生命的豐盛。
11
主,你乃是神的實際,
惟你能使神喜悅;
你這實際使我知道
你是如何用不竭。
12
主,你也是惟一道路,
使我進入神自己;
生命之道,實際之路,
將我帶進榮耀裡。
13
主,你又是奇妙復活,
所有死亡全勝過;
使我藉你復活大能,
與你同死並同活。
14
你是神的無瑕羔羊,
救贖為我來作成;
你也是那賜聖靈者,
為著使我得生命。
15
你是杆上所掛銅蛇,
救我脫離致死罪;
你在十架被人舉起,
掌死魔鬼為我毀。
16
你是牧人,又是羊門,
使我脫離律法圈,
藉你我今已得自由,
青草地上嘗甘甜。
17
你的洗滌使我潔淨,
功能如同洗濯盆;
將我保守在你交通,
享你恩愛無窮盡。
18
你是磐石為我裂開,
流出生命的活水;
飲於你這常新水流,
得脫一切的困憊。
19
你是屬天永生泉源,
活水藏在你裡面;
喝了你這永生活水,
不再乾渴到永遠。
20
你是天降生命的糧,
神聖、豐富又盛旺,
帶著你的無限豐富,
時將我靈來餵養。
21
你是我們生命之氣,
給我靈中來呼吸;
靠你生活,憑你行動,
就得享受你自己。
22
你是一粒神聖麥子,
甘願落到死地裡,
結出我們許多子粒,
作你奧秘的身體。
23
你是屬天真葡萄樹,
我們是你的枝子;
住在你裡,與你聯結,
享受一切你所是。
24
你是宇宙真的新郎,
我們是你的新婦;
靈裡與你成為一體,
得享你愛的豐富。
25
你是雅各所見天梯,
藉你天向地而開;
靠你我們作神聖殿,
地聯於天無阻礙。
26
哦主,你是那『我是』的,
應付我們所需要;
享受你作一切一切,
神就因你得榮耀。

此詩可分作五首如下: 一至八節,並二十六節。 一節,九至十三節,並二十六節。 一節,十四至十七節,並二十六節。 一節,十八至二十一節,並二十六節。 一節,二十二至二十五節,並二十六節。

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黃弟兄

United States

Jul 23, 2021

你是天降生命的糧,神聖、豐富又盛旺,

帶著你的無限豐富,時將我靈來餧養。

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马姊妹

北京

May 26, 2019

主啊,将我保守在祢交通里,永享祢恩祢爱!

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