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About Numbered Notation

The numbers are the notes of a scale

Numbered notation (jianpu, 简谱) writes a melody as numbers instead of notes on a staff. You do not need to read music: take one small step at a time and press Play on any example to hear it while each number lights up. Sound only starts when you press Play.

Instead of notes on a staff, each note is a number from 1 to 7. They are the seven steps of the scale you already know: do re mi fa sol la ti. After 7 the scale starts again at 1.

The seven numbers with their names. Press Play and say each name as its number lights up.
Sing along: do re mi fa sol, and back down to do.

If you can sing do re mi, you can already sing every number from 1 to 7. Tap or click any number to hear just that note.

“1=C” tells you where to start

At the top left of the sheet you will see something like 1=C. It means the number 1 (do) is the note C, and every other number counts up from there. 1=G means do is G, so the whole tune sits a little higher. Nothing else changes: the same numbers make the same shape, only higher or lower.

1=C: do is C.
1=G: the same numbers, starting higher.

Not sure where C is? On a piano it is the white key just left of the two black keys. Or ignore the letter and start on any note that is comfortable for your voice: the tune only has to keep its shape. The − and + key buttons on a hymn page shift the key for you.

Dots make a note higher or lower

A dot above a number means one octave higher. A dot below means one octave lower. Two dots mean two octaves. No dot is the middle range, where most of a tune lives. The name stays the same; only the height changes.

The same number at three heights: dot below, no dot, dot above.
A tune that climbs: it starts on a low sol and ends on a high do.

How long each note lasts

Tap your foot at a steady pace: each tap is a beat. A plain number lasts one beat, so you sing a new number on every tap. Dashes, lines and dots change that.

A plain number is one beat

Four numbers, four beats: one number for each tap.

A dash holds the note longer

Each dash adds one beat. The 5 lasts two beats and the 3 lasts four.

A line underneath makes it shorter

One line is half a beat, so two underlined numbers share one beat. (Two lines are a quarter of a beat.)

A dot after makes it half as long again

A dot after a number adds half its length. The first 5 lasts a beat and a half, and the short 3 fills the rest of the second beat.

0 means rest

A 0 is silence for one beat. Keep counting and keep tapping, but do not sing. Dashes after a 0 make the silence longer, just as they hold a note longer.

Sing 1 3 5, stay quiet for one beat, then come back down. Rests light up too, so you can feel the pause.

Bar lines and the time signature

Tall lines cut the music into bars, each holding the same number of beats. The two small numbers at the start, like 4/4 or 3/4, say how many: 4/4 is four beats in every bar, 3/4 is three. The first beat of each bar is the strongest, so lean on it a little. A double line with a thick edge marks the end.

4/4: count 1 2 3 4, 1 2 3 4. The first beat of each bar sounds a little louder.
3/4: count 1 2 3, 1 2 3, the lilt of a waltz.

Curves: ties and slurs

A curve over numbers joins them. If it joins two of the same number, it is a tie: sing the note once and hold it for both. If it joins different numbers, it is a slur: sing them all on one syllable, gliding from one to the next.

A tie: the 5 is sung once and held across the bar line, six beats in all.
A slur: “Him” is sung on two notes, 3 then 2.

The words sit under the numbers

Each number gets one syllable, written right underneath it. A short dash after part of a word means the word carries on under the next number. If a number has nothing under it, it belongs to a curve or a dash: keep singing the syllable you are on.

Read left to right, one syllable for each number: Twin-kle, twin-kle, lit-tle star.

Repeat signs and 1. 2. endings

A bar line with two dots, :|, means go back and sing that part again, from the matching |: sign (or from the start if there is none). Sometimes the repeat has two endings. Sing ending 1. the first time; on the repeat, skip it and sing ending 2. instead.

Play it: you hear the 1. ending, the repeat, then the 2. ending. Watch the highlight jump back.

Minor keys: “6=A”

A song in a minor key, which usually sounds more serious or tender, is labeled like 6=A instead of 1=C. It means the number 6 (la) is the home note, here A. The numbers keep their usual names; the tune simply feels at home on 6 and often ends there. 6=A uses the same notes as 1=C.

It starts and ends on 6 (la), the home note. Listen to the darker colour.

Put it together: a line of a hymn

This is the first line of hymn 8, “Praise God, from whom all blessings flow”, written in numbered notation. Try the slow tempo first, and sing the words as each number lights up.

1=G in 4/4. Three silent beats, then “Praise” on beat 4. The dots under 7, 6 and 5 mean those notes dip one octave lower.

Check yourself

Four quick questions, with no score and no pressure. Tap an answer to see right away why it is right or wrong. You can always try another answer.

Tap the number that is held the longest.

Tap the 5 that is one octave higher than the first 5.

What does a 0 mean?

Under 1=G, which note is the number 1?

Try it on a hymn

You opened this from a hymn that has a Numbered view, so you can try it right now.

  1. Look at the top left of the sheet: the key, such as 1=D, and the time signature, such as 3/4.
  2. Find the first number and sing it. Then follow the numbers from left to right with the words underneath, one syllable for each number. Press Play in the player to hear the recording while you follow.
  3. Letters above the numbers (C, G7) are chords for a guitarist or pianist. Ignore them while you learn the tune.
  4. To be guided, open the Learn tab and press Play. Under Display, set Learn notation to Numbered (or choose Numbered on the Lead Sheet tab first). For hymns that have numbered lines, each line of numbers scrolls into view in time with the recording while a bouncing ball follows the words; other hymns show the piano notation there. The Speed menu slows it down.

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耶穌我主榮耀主

讚美主 祂的愛

Chinese127
1
耶穌我主榮耀王,
你愛何等寬廣!
甘離寶座,親來世界尋迷羊,
誕生馬槽謙卑樣,
又向埃及逃亡,
回加利利,居拿撒勒,歷風霜;
三十三載役於人,
藐視、厭棄難當;
廣傳福音,報告禧年,走四方;
殷勤服事忍飢腸,
困乏休息無床;
美哉、善哉、主愛奇哉,深且長!
2
耶穌我主救世王,
你愛感我衷腸!
客西馬尼備極傷痛,意愴惶;
汗如血點滴地上,
順從父旨不忘;
捨身救世,面如堅石,前行壯;
輕看羞辱和苦難,
忍受罪人頂撞;
背負十架,往各各他,不延宕;
手足被釘,肋受傷,
血、水流出命喪;
美哉、善哉、主愛奇哉,深且長!
3
耶穌我主得勝王,
你愛何等無量!
十架祈禱,憐憫為懷,心何廣;
同釘一賊得生望,
可知救恩無疆;
身負重罪,為神離棄,倍淒涼;
痛徹肺腑,心焦渴,
苦膽、酸醋親嘗;
救贖功成,將靈交神,打勝仗;
由死復活升天上,
代禱猶如馨香;
美哉、善哉、主愛奇哉,深且長!
4
耶穌我主平安王,
你愛豈能測量!
我猶罪人,你已代死,愛明彰;
洗我罪孽,醫我傷,
安慰、憐恤多方;
責備、管教、定我步履、賜我光,
敵雖兇惡不足懼,
救恩為我城牆;
疲乏、軟弱,你加我力,使剛強;
仰望我主在天上,
心被恩感歌唱;
美哉、善哉、主愛奇哉,深且長!

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ともき

Fukuoka, Japan

Jun 28, 2026

主イエスよ、平和の王よ
あなたの愛は計り知れません!
私は罪人ですが、あなたは私の身代わりとなって死んでくださり、その愛はまばゆいばかりに輝いています。
あなたは私の罪を洗い流し、私の傷を癒し、
様々な方法で慰めと慈しみを与えてくださいます。
あなたは私を導き、歩みを定め、光を与えてくださいます。
たとえ敵が猛威を振るっても、私は恐れません。救いこそが私の砦だからです。
疲れ果て、弱っている私を、あなたは強くしてくださいます。
天におられる主を見上げ、私の心は感謝の歌を歌います。
主の愛は美しく、善く、なんと素晴らしいことでしょう。深く、そして永遠に続く愛です!
アーメン

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漁 公

Nov 9, 2022

主啊!你安慰、憐恤多方;

責備、管教、定我步履、賜我光

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Mario

Hong Kong

Jul 4, 2021

Praise our almighty God!

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杨锋

Boston

Mar 22, 2020

感谢主

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Paul Lin

Taipei, Taiwan

Jun 2, 2019

『“主的靈在我身上,因為祂膏了我,叫我傳福音給貧窮的人,差遣我去宣揚被擄的得釋放,瞎眼的得復明,叫那受壓制的得自由,』路四18

『宣揚主悅納人的禧年。”』路四19
『人打我的背,我任他打;人拔我腮頰的鬍鬚,我由他拔;人辱我吐我,我並不掩面。』賽五十6
『主耶和華必幫助我,所以我不抱愧;我硬著臉面好像堅石,我也知道我必不至蒙羞。』賽五十7

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