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About Numbered Notation

The numbers are the notes of a scale

Numbered notation (jianpu, 简谱) writes a melody as numbers instead of notes on a staff. You do not need to read music: take one small step at a time and press Play on any example to hear it while each number lights up. Sound only starts when you press Play.

Instead of notes on a staff, each note is a number from 1 to 7. They are the seven steps of the scale you already know: do re mi fa sol la ti. After 7 the scale starts again at 1.

The seven numbers with their names. Press Play and say each name as its number lights up.
Sing along: do re mi fa sol, and back down to do.

If you can sing do re mi, you can already sing every number from 1 to 7. Tap or click any number to hear just that note.

“1=C” tells you where to start

At the top left of the sheet you will see something like 1=C. It means the number 1 (do) is the note C, and every other number counts up from there. 1=G means do is G, so the whole tune sits a little higher. Nothing else changes: the same numbers make the same shape, only higher or lower.

1=C: do is C.
1=G: the same numbers, starting higher.

Not sure where C is? On a piano it is the white key just left of the two black keys. Or ignore the letter and start on any note that is comfortable for your voice: the tune only has to keep its shape. The − and + key buttons on a hymn page shift the key for you.

Dots make a note higher or lower

A dot above a number means one octave higher. A dot below means one octave lower. Two dots mean two octaves. No dot is the middle range, where most of a tune lives. The name stays the same; only the height changes.

The same number at three heights: dot below, no dot, dot above.
A tune that climbs: it starts on a low sol and ends on a high do.

How long each note lasts

Tap your foot at a steady pace: each tap is a beat. A plain number lasts one beat, so you sing a new number on every tap. Dashes, lines and dots change that.

A plain number is one beat

Four numbers, four beats: one number for each tap.

A dash holds the note longer

Each dash adds one beat. The 5 lasts two beats and the 3 lasts four.

A line underneath makes it shorter

One line is half a beat, so two underlined numbers share one beat. (Two lines are a quarter of a beat.)

A dot after makes it half as long again

A dot after a number adds half its length. The first 5 lasts a beat and a half, and the short 3 fills the rest of the second beat.

0 means rest

A 0 is silence for one beat. Keep counting and keep tapping, but do not sing. Dashes after a 0 make the silence longer, just as they hold a note longer.

Sing 1 3 5, stay quiet for one beat, then come back down. Rests light up too, so you can feel the pause.

Bar lines and the time signature

Tall lines cut the music into bars, each holding the same number of beats. The two small numbers at the start, like 4/4 or 3/4, say how many: 4/4 is four beats in every bar, 3/4 is three. The first beat of each bar is the strongest, so lean on it a little. A double line with a thick edge marks the end.

4/4: count 1 2 3 4, 1 2 3 4. The first beat of each bar sounds a little louder.
3/4: count 1 2 3, 1 2 3, the lilt of a waltz.

Curves: ties and slurs

A curve over numbers joins them. If it joins two of the same number, it is a tie: sing the note once and hold it for both. If it joins different numbers, it is a slur: sing them all on one syllable, gliding from one to the next.

A tie: the 5 is sung once and held across the bar line, six beats in all.
A slur: “Him” is sung on two notes, 3 then 2.

The words sit under the numbers

Each number gets one syllable, written right underneath it. A short dash after part of a word means the word carries on under the next number. If a number has nothing under it, it belongs to a curve or a dash: keep singing the syllable you are on.

Read left to right, one syllable for each number: Twin-kle, twin-kle, lit-tle star.

Repeat signs and 1. 2. endings

A bar line with two dots, :|, means go back and sing that part again, from the matching |: sign (or from the start if there is none). Sometimes the repeat has two endings. Sing ending 1. the first time; on the repeat, skip it and sing ending 2. instead.

Play it: you hear the 1. ending, the repeat, then the 2. ending. Watch the highlight jump back.

Minor keys: “6=A”

A song in a minor key, which usually sounds more serious or tender, is labeled like 6=A instead of 1=C. It means the number 6 (la) is the home note, here A. The numbers keep their usual names; the tune simply feels at home on 6 and often ends there. 6=A uses the same notes as 1=C.

It starts and ends on 6 (la), the home note. Listen to the darker colour.

Put it together: a line of a hymn

This is the first line of hymn 8, “Praise God, from whom all blessings flow”, written in numbered notation. Try the slow tempo first, and sing the words as each number lights up.

1=G in 4/4. Three silent beats, then “Praise” on beat 4. The dots under 7, 6 and 5 mean those notes dip one octave lower.

Check yourself

Four quick questions, with no score and no pressure. Tap an answer to see right away why it is right or wrong. You can always try another answer.

Tap the number that is held the longest.

Tap the 5 that is one octave higher than the first 5.

What does a 0 mean?

Under 1=G, which note is the number 1?

Try it on a hymn

You opened this from a hymn that has a Numbered view, so you can try it right now.

  1. Look at the top left of the sheet: the key, such as 1=D, and the time signature, such as 3/4.
  2. Find the first number and sing it. Then follow the numbers from left to right with the words underneath, one syllable for each number. Press Play in the player to hear the recording while you follow.
  3. Letters above the numbers (C, G7) are chords for a guitarist or pianist. Ignore them while you learn the tune.
  4. To be guided, open the Learn tab and press Play. Under Display, set Learn notation to Numbered (or choose Numbered on the Lead Sheet tab first). For hymns that have numbered lines, each line of numbers scrolls into view in time with the recording while a bouncing ball follows the words; other hymns show the piano notation there. The Speed menu slows it down.

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In God’s green pastures feeding

Experience of God As the Shepherd

1
In God’s green pastures feeding by His cool waters lie;
Soft in the evening walk my Lord and I,
All the sheep of His pasture
Fare so wondrously fine; His sheep am I.
 
Sisters: Waters cool,
Brothers: In the valley;
Sisters: Pastures green,
Brothers: On the mountain,
Sisters: In the evening
Brothers: In the evening
Everyone: Walk my Lord and I.
 
Sisters: Dark the night,
Brothers: In the valley,
Sisters: Rough the way,
Brothers: On the mountain,
Sisters: Step by step...
Brothers: Step by step.
Everyone: My Lord and I.
2
Through the streets of the city in the darkness of the night,
Far from the fold, He heard my lonely cry.
Now I sit at His table in the palace of light;
His sheep am I.

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Margie

Warner Robins, GA, United States

Feb 24, 2020

I am 63 years old. My dad pastored, on Sunday nights the teens would go to a members house for fellowship, games and food. Being a PK I got to go. At the age of 9, I was riding in the Coopers station wagon with them and 6 teenagers to their house. We were singing this song when we crossed a RR track with a train coming. Mr & Mrs Cooper died, and the teenager in the very back were killed. As I’m going through my parents belongings I come across the newspaper articles. My mind immediately goes to this song. Soothing in the tragedy. Peaceful in the memories.

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Annetta

Westminster, MD, United States

Jan 19, 2020

My mom used to sing this when I was a little girl. One of my best memories of her, since her passing in 97. I cherish all that was good in her.

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Rachel

York, SC, United States

Nov 5, 2019

I learned this song originally in piano lessons. It was in The Sacred Music songbook. I later sang it at youth camp.

When I had children, I sang this nightly as a lullaby to them. And now I sing it as a lullaby to my great grandchildren.

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Andy Mercer

Bedford, TX, United States

Sep 10, 2019

You can find this song in a song book called "Making Melody," published by Scripture Memory Fellowship, P. O. Box 550232, Dallas, TX 75355

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Jill I'Anson

Poatina, Tasmania, Australia

May 25, 2019

I was out walking this morning in our beautiful picturesque Christian Village called Poatina, tucked under the mountain range of the Western Teirs but in the other direction, gazing over the valleys. Like Eirween I thrilled to the site of the luscious green valleys, the glorious scenery and sheep & cattle grazing in the meadows - this song also came to mind many years ago when my dear deceased sister and I sang together. I came back & looked it up on the computer to refresh me with those beautiful words - thanks!

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Carol

Jacksonville, FL, United States

Mar 13, 2019

The year was 1960. I was 15. I was at camp Sunnybrook in PA for a weekend retreat with my church in Endicott NY. A youth leader at the camp spoke about the importance of allowing Christ to be involved in our life decisions, and namely to chose who we will marry, - if we will marry. Although Jesus was my Savior, I did not know Him as the Lord of my life until that weekend. I gave Him my list of wants and told Him I wanted what He wanted for me more than what I wanted for me. I asked Him that day to pick my husband if He wanted me to marry. That was the weekend I met a tall lanky boy I had no interest in but who later became my husband. June 13, 2019 will mark 55 years together. I praise God that He is faithful to hear our prayers and to work the ingredients of our lives together for our good and His glory. Blessings.

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Eirwen

Swansea, United Kingdom

Nov 15, 2018

Travelling on the Heart of Wales railway line this morning - through the gentle valleys, glorious scenery and sheep grazing in the meadows - the first half of this beautiful song came to mind from so many years ago. Thank you so much for this precious, gentle reminder of our Saviour’s love for us!

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Joanna😀

Singapore

Oct 15, 2018

God is our Shepherd! He is our God! 😀😀Trust in Him!

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Edna Walters

Kingston, Jamaica

Jul 16, 2018

Thank you, thank you, thank you for posting this song. For years I have been trying to find it (I must be in your parents age group as we sang it at our local Intervarsity Christian Fellowship meetings when I was an older teen and young adult.. Amazingly everyone I've sung it to over recent years never ever heard it before. So, I am now in the process of putting together a programme the Lord has laid on my heart and this song once more it came into my spirit. I thought I would check one more time to see if it was on line. I believe the Lord led me to do so as I have done so over the years and found nothing. Thank you. God bless you.

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Lulu

England, United Kingdom

Feb 26, 2018

Remembering my parents' favourite song! I heard this beautiful hymn when they sang duet in the Church! How I wish I can turn the time back so I can hear my mom and dad singing this song again. Tis music in my soul! God is good all the time.

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