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About Numbered Notation

The numbers are the notes of a scale

Numbered notation (jianpu, 简谱) writes a melody as numbers instead of notes on a staff. You do not need to read music: take one small step at a time and press Play on any example to hear it while each number lights up. Sound only starts when you press Play.

Instead of notes on a staff, each note is a number from 1 to 7. They are the seven steps of the scale you already know: do re mi fa sol la ti. After 7 the scale starts again at 1.

The seven numbers with their names. Press Play and say each name as its number lights up.
Sing along: do re mi fa sol, and back down to do.

If you can sing do re mi, you can already sing every number from 1 to 7. Tap or click any number to hear just that note.

“1=C” tells you where to start

At the top left of the sheet you will see something like 1=C. It means the number 1 (do) is the note C, and every other number counts up from there. 1=G means do is G, so the whole tune sits a little higher. Nothing else changes: the same numbers make the same shape, only higher or lower.

1=C: do is C.
1=G: the same numbers, starting higher.

Not sure where C is? On a piano it is the white key just left of the two black keys. Or ignore the letter and start on any note that is comfortable for your voice: the tune only has to keep its shape. The − and + key buttons on a hymn page shift the key for you.

Dots make a note higher or lower

A dot above a number means one octave higher. A dot below means one octave lower. Two dots mean two octaves. No dot is the middle range, where most of a tune lives. The name stays the same; only the height changes.

The same number at three heights: dot below, no dot, dot above.
A tune that climbs: it starts on a low sol and ends on a high do.

How long each note lasts

Tap your foot at a steady pace: each tap is a beat. A plain number lasts one beat, so you sing a new number on every tap. Dashes, lines and dots change that.

A plain number is one beat

Four numbers, four beats: one number for each tap.

A dash holds the note longer

Each dash adds one beat. The 5 lasts two beats and the 3 lasts four.

A line underneath makes it shorter

One line is half a beat, so two underlined numbers share one beat. (Two lines are a quarter of a beat.)

A dot after makes it half as long again

A dot after a number adds half its length. The first 5 lasts a beat and a half, and the short 3 fills the rest of the second beat.

0 means rest

A 0 is silence for one beat. Keep counting and keep tapping, but do not sing. Dashes after a 0 make the silence longer, just as they hold a note longer.

Sing 1 3 5, stay quiet for one beat, then come back down. Rests light up too, so you can feel the pause.

Bar lines and the time signature

Tall lines cut the music into bars, each holding the same number of beats. The two small numbers at the start, like 4/4 or 3/4, say how many: 4/4 is four beats in every bar, 3/4 is three. The first beat of each bar is the strongest, so lean on it a little. A double line with a thick edge marks the end.

4/4: count 1 2 3 4, 1 2 3 4. The first beat of each bar sounds a little louder.
3/4: count 1 2 3, 1 2 3, the lilt of a waltz.

Curves: ties and slurs

A curve over numbers joins them. If it joins two of the same number, it is a tie: sing the note once and hold it for both. If it joins different numbers, it is a slur: sing them all on one syllable, gliding from one to the next.

A tie: the 5 is sung once and held across the bar line, six beats in all.
A slur: “Him” is sung on two notes, 3 then 2.

The words sit under the numbers

Each number gets one syllable, written right underneath it. A short dash after part of a word means the word carries on under the next number. If a number has nothing under it, it belongs to a curve or a dash: keep singing the syllable you are on.

Read left to right, one syllable for each number: Twin-kle, twin-kle, lit-tle star.

Repeat signs and 1. 2. endings

A bar line with two dots, :|, means go back and sing that part again, from the matching |: sign (or from the start if there is none). Sometimes the repeat has two endings. Sing ending 1. the first time; on the repeat, skip it and sing ending 2. instead.

Play it: you hear the 1. ending, the repeat, then the 2. ending. Watch the highlight jump back.

Minor keys: “6=A”

A song in a minor key, which usually sounds more serious or tender, is labeled like 6=A instead of 1=C. It means the number 6 (la) is the home note, here A. The numbers keep their usual names; the tune simply feels at home on 6 and often ends there. 6=A uses the same notes as 1=C.

It starts and ends on 6 (la), the home note. Listen to the darker colour.

Put it together: a line of a hymn

This is the first line of hymn 8, “Praise God, from whom all blessings flow”, written in numbered notation. Try the slow tempo first, and sing the words as each number lights up.

1=G in 4/4. Three silent beats, then “Praise” on beat 4. The dots under 7, 6 and 5 mean those notes dip one octave lower.

Check yourself

Four quick questions, with no score and no pressure. Tap an answer to see right away why it is right or wrong. You can always try another answer.

Tap the number that is held the longest.

Tap the 5 that is one octave higher than the first 5.

What does a 0 mean?

Under 1=G, which note is the number 1?

Try it on a hymn

You opened this from a hymn that has a Numbered view, so you can try it right now.

  1. Look at the top left of the sheet: the key, such as 1=D, and the time signature, such as 3/4.
  2. Find the first number and sing it. Then follow the numbers from left to right with the words underneath, one syllable for each number. Press Play in the player to hear the recording while you follow.
  3. Letters above the numbers (C, G7) are chords for a guitarist or pianist. Ignore them while you learn the tune.
  4. To be guided, open the Learn tab and press Play. Under Display, set Learn notation to Numbered (or choose Numbered on the Lead Sheet tab first). For hymns that have numbered lines, each line of numbers scrolls into view in time with the recording while a bouncing ball follows the words; other hymns show the piano notation there. The Speed menu slows it down.

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From the north where God is dwelling

Experience of God As the Wind, Cloud, Fire, and Electrum

English1201
1
From the north where God is dwelling
Comes a rushing, stormy gale.
Now the mighty Spirit blowing
All our being does assail.
We are stirred to our foundations—
How this wind awakens us!
Thus we’re open for God’s dealings,
And the cloud descends on us.
2
With the cloud we have His presence
Sweetly hov’ring over us;
So enveloped by His nearness;
In the Lord we put our trust.
But the cloud brings with it fire
To consume our selfish lusts;
That as ashes something higher
May be added into us.
3
Then from out the flashing fire
Comes th’ electrum glowing bright.
God as gold and man as silver
Now are mingled. What a sight!
This bright metal, O Lord Jesus,
Is Thyself, Lamb-God sublime.
O Lord, work Thyself within us
Till th’ electrum in us shines.
4
By our passing through this cycle,
Living creatures we become
To express the life of Jesus;
He with whom we’ve been made one.
We express Him as a human,
As a man so good and fine;
Balanced, normal, never striving;
Fully human, yet divine.
5
We express Him as a lion
Conquering every enemy;
As an ox obedient, lowly,
Faithful in His ministry.
We express Him as an eagle,
So transcendent, soaring high;
Never held by fear or flatter,
He above it all does fly.
6
Hallelujah! What a figure
Of the way God deals with us!
From the wind, cloud, fire, electrum,
To the creatures glorious:
As the man, the ox and lion,
As the eagle—all the four
Will be our complete expression
As we eat Him more and more.

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John T. C. Kan

Chicago, IL, United States

Jun 28, 2021

With the cloud we have His presence
Sweetly hov’ring over us;
So enveloped by His nearness;
In the Lord we put our trust.

Thank the Lord for the vision of Ezekiel unveiled by the ministry of the age. The gale wind, God’s dealings, awakens us, but if there were no the cloud, the presence of the Lord leading His people, there could be no fire, the burning away of the dross of man’s selfish lusts, there could be no electrum, the mingling of God and man, there could be no living creatures, man, the lion, the ox, the eagle to accomplish God’s eternal purpose, New Jerusalem

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Victoria L.

Abuja, FCT, Nigeria

Oct 12, 2017

Lord, You are more than our feeble minds can grasp. Thank You indeed, Lord for the process of the wind, cloud and fire and the shining alloy. All these is to enliven us, making us living creatures for Your purpose. Praise You Lord. Amen.

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Deborah

Round Rock, Texas, United States

Mar 12, 2017

Lord, thank You for expounding Your word through this song.

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