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Meine Lieder

Über die Zahlennotation

Die Zahlennotation (auch Jianpu oder 简谱 genannt) schreibt jede Melodienote als Zahl von 1 bis 7 statt als Note auf einem Notensystem. Die Zahl zeigt die Stellung der Note in der Tonleiter des Liedes -- nicht ihre genaue Tonhöhe --, sodass dieselbe Melodie unabhängig von der gesungenen Tonart gleich aussieht.

Innerhalb einer Oktave entsprechen die Zahlen 1 2 3 4 5 6 7 den bekannten Solmisationssilben Do Re Mi Fa Sol La Ti. Ein Punkt über einer Zahl hebt sie um eine Oktave an; ein Punkt darunter senkt sie um eine Oktave ab -- ohne Punkt bleibt es bei der mittleren, so geschriebenen Oktave.

Eine einzelne Zahl dauert einen Schlag. Ein Bindestrich (-) direkt nach einer Zahl hält dieselbe Note einen weiteren Schlag lang. Ein Strich unter einer Zahl verkürzt sie dagegen -- ein Strich ist ein halber Schlag, zwei Striche ein viertel Schlag. Eine 0 ist eine Pause: ein Schlag Stille.

Die Angabe oben auf dem Notenblatt, zum Beispiel "1=C" oder "1=Ab", zeigt, auf welcher Tonhöhe die Stufe 1 ("Do") liegt. Ein Lied in Moll trägt stattdessen die Angabe "6=X" -- Stufe 6 ("La") ist dann der eigentliche Grundton. Akkordsymbole über den Noten (wie "C" oder "G7") werden immer mit ihren gewohnten Buchstabennamen geschrieben, nie als Zahlen.

Bei der Angabe "1=C" klingen die Zahlen 1 2 3 4 5 6 7 als C D E F G A B. Bei "1=G" klingen dieselben Zahlen dagegen als G A B C D E F# -- gleiche Form, andere Tonart.

Grace there is my every debt to pay

Assurance and Joy of Salvation General

English344
1
Grace there is my every debt to pay,
Blood to wash my every sin away,
Pow’r to keep me spotless day by day,
In Christ for me.

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Karen

Stanwood, WA, United States

Aug 10, 2026

I very much appreciate the explanation of how this “song without words” was composed.

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Sven Ljungholm

Liverpool, Merseyside, United Kingdom

Nov 27, 2019

In 1889, Herbert (Booth), then commanding the Army through¬out the British Isles, was requested to compose a song for the Christmas Number of All the World. On a dark November night of that year the Major (Richard Slater) was sent to the Commandant to get the song. It was not ready and the need of copy was urgent. The Commandant was pacing up and down the room. Within him was still sounding the melody of the "song without words". Some verses had been composed but no chorus. As the Commandant paced to and fro there came slowly together the words—

Herbert Booth (youngest son of William) had sought the songwriting help of Richard Slater.

The Major (Slater), at the request of the Commandant, played the tune upon the organ. "There was a halt"—writes the Major—"and then the vague feeling took a definite form in the clear-cut line—

Blood to wash my every sin away ;

which was again followed by hesitation, difficulty and effort. The tune still went on, and as the notes rose and fell the third line, with an eager hand, was hastily put on paper—

Power to keep me spotless day by day,

and, with a feeling of triumph won, the closing words were added— For me, for me.

And thus that wonderful chorus grew and went forth from the darkness of that November night to carry light and hope and warmth, with soul comfort to tens of thousands."

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Sven Ljungholm

Liverpool, United Kingdom

Okt 15, 2018

In 1889, Herbert (Booth), then commanding the Army through¬out the British Isles, was requested to compose a song for the Christmas Number of All the World. On a dark November night of that year the Major (Richard Slater) was sent to the Commandant to get the song. It was not ready and the need of copy was urgent. The Commandant was pacing up and down the room. Within him was still sounding the melody of the "song without words". Some verses had been composed but no chorus. As the Commandant paced to and fro there came slowly together the words—

The Founder’s Home

Barnet was historically interesting. A Wars of the Roses battle had been fought there and The Salvation Army's Founder, William Booth, had lived at nearby Hadley Wood. We sometimes took visitors to see it. It was at Hadley Wood that Booth (youngest son of William) had sought the songwriting help of Richard Slater, who must have lived reasonably close. Possibly inaccurately I often imagined Slater walking along the footpath by the railway line. That historically-recorded evening had seen the completion of Herbert's song 'Grace there is my Every Debt to Pay'.

The Major (Slater), at the request of the Commandant, played the tune upon the organ. "There was a halt"—writes the Major—"and then the vague feeling took a definite form in the clear-cut line—

Blood to wash my every sin away ;

which was again followed by hesitation, difficulty and effort. The tune still went on, and as the notes rose and fell the third line, with an eager hand, was hastily put on paper—

Power to keep me spotless day by day,

and, with a feeling of triumph won, the closing words were added— For me, for me.

And thus that wonderful chorus grew and went forth from the darkness of that November night to carry light and hope and warmth, with soul comfort to tens of thousands."

Weiterlesen