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Meine Lieder

Über die Zahlennotation

Die Zahlennotation (auch Jianpu oder 简谱 genannt) schreibt jede Melodienote als Zahl von 1 bis 7 statt als Note auf einem Notensystem. Die Zahl zeigt die Stellung der Note in der Tonleiter des Liedes -- nicht ihre genaue Tonhöhe --, sodass dieselbe Melodie unabhängig von der gesungenen Tonart gleich aussieht.

Innerhalb einer Oktave entsprechen die Zahlen 1 2 3 4 5 6 7 den bekannten Solmisationssilben Do Re Mi Fa Sol La Ti. Ein Punkt über einer Zahl hebt sie um eine Oktave an; ein Punkt darunter senkt sie um eine Oktave ab -- ohne Punkt bleibt es bei der mittleren, so geschriebenen Oktave.

Eine einzelne Zahl dauert einen Schlag. Ein Bindestrich (-) direkt nach einer Zahl hält dieselbe Note einen weiteren Schlag lang. Ein Strich unter einer Zahl verkürzt sie dagegen -- ein Strich ist ein halber Schlag, zwei Striche ein viertel Schlag. Eine 0 ist eine Pause: ein Schlag Stille.

Die Angabe oben auf dem Notenblatt, zum Beispiel "1=C" oder "1=Ab", zeigt, auf welcher Tonhöhe die Stufe 1 ("Do") liegt. Ein Lied in Moll trägt stattdessen die Angabe "6=X" -- Stufe 6 ("La") ist dann der eigentliche Grundton. Akkordsymbole über den Noten (wie "C" oder "G7") werden immer mit ihren gewohnten Buchstabennamen geschrieben, nie als Zahlen.

Bei der Angabe "1=C" klingen die Zahlen 1 2 3 4 5 6 7 als C D E F G A B. Bei "1=G" klingen dieselben Zahlen dagegen als G A B C D E F# -- gleiche Form, andere Tonart.

O Jesus, Jesus, dearest Lord

Praise of the Lord Satisfaction with Him

English208
1
O Jesus, Jesus, dearest Lord!
Forgive me if I say,
For very love, Thy sacred name
A thousand times a day.
 
O Jesus, Lord, with me abide;
I rest in Thee, whate’er betide;
Thy gracious smile is my reward;
I love, I love Thee, Lord!
2
I love Thee so I know not how
My transports to control;
Thy love is like a burning fire
Within my very soul.
3
For Thou to me art all in all;
My honor and my wealth;
My heart’s desire, my body’s strength,
My soul’s eternal health.
4
Burn, burn, O love, within my heart,
Burn fiercely night and day,
Till all the dross of earthly loves
Is burned, and burned away.
5
O light in darkness, joy in grief,
O heaven’s life on earth;
Jesus, my love, my treasure, who
Can tell what Thou art worth?
6
What limit is there to this love?
Thy flight, where wilt Thou stay?
On, on! our Lord is sweeter far
Today than yesterday.

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Pearl Odo

Festac, Lagos, Nigeria

Jan 14, 2024

Oh what a love that keeps burning in our soul that even teaches our love to not know our transport

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Anna

Santa Cruz, California, United States

Jan 1, 2024

Thy gracious smile is my reward;

I love, I love Thee, Lord!

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Jim Smith

Mansfield, Ohio, United States

Aug 23, 2023

This song truly is a treasure. This brother who wrote this shares about an intimate relationship of love with God. He keeps saying Lord abide in me. The more we know Christ the more we say abide with me. We must abide so He can abide. His abiding brings us more into His love. We then say “Oh Lord with me abide! ”. I like verse one where it says He is my reward. His very self is my reward!

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Remelyn Busse

Fort Pierce, FL, United States

Jul 7, 2023

Oh LORD JESUS!!!

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Tom

Manchester, United Kingdom

Mar 26, 2023

Very good song

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Edgar De La Cruz

Monterey Park, California, United States

Feb 26, 2023

Oh Lord Jesus we love you!

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Sister

United States

Dez 21, 2022

Lord Jesus graciously smile on us. Amen. Lord Jesus, abide with us. Amen. May we rest in You no matter what, Lord Jesus. Amen.

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Ana Lara

Storrs, Connecticut, United States

Okt 25, 2022

The author of this text, Frederick William Faber, born June 28, 1814, in Carverley, Yorkshire, England, was raised as a strict Calvinist by his Father who was an English clergyman. After Frederick graduated from Oxford University in 1843, he became a minister of the Anglican Church at a small parish in Elten England.

In his younger years Faber strongly opposed the teachings and practices of the Roman Church. However, this was the time when a movement known as the Tractarian or Oxford Movement was strongly influencing the Anglican Church. Whereas the Wesleys and their evangelical followers preached a message of being saved by faith in Christ, a message easily understood by the common masses, leaders of the more sophisticated Tractarian Movement believed that a meaningful religious experience could only be gained through church ceremony and liturgy.

From 1833-1850 the Oxford Movement directed religious England, and at that time Anglicans either joined the Catholic Church or developed a high church party known as the Anglo-Catholics.

Early in his ministry Faber became influenced by the Oxford Movement. After serving just three years as an Anglican minister, he left the Anglican Church and joined the Catholic Church. He became known as Father Wilfrid. Shortly after his secession to the Roman Church Faber noticed the lack of congregational hymnody in this group.

He believed congregational singing was important and influential as he was used to having in the Anglican Church. He made it his life’s mission to write hymns that promoted the history and teachings of the Catholic Church. In all Frederick Faber wrote 150 such hymns before his early death at the age of forty-nine. He was honored by the Pope with a Doctorate of Divinity Degree.

“Faith of Our Fathers” was written by Faber to remind Catholics of their leaders who were martyred during the reign of Henry VIII when England transitioned from Catholic to Anglican. The text first appeared in 1849 in Fabers collection, “Jesus and Mary” or “Catholic Hymns for Singing and Reading. ” He hoped one day England would return to Catholicism.

The tune for this hymn, a melody known as “St. Catherine’s Tune, ” was composed by a Roman Catholic, Henry Hemy, born at New Castle-Upon-Tyne, England, in November 12, 1818. He was an organist and composer at the Church of Tynemouth and in 1854 compiled a Catholic hymnal “ Crown of Jesus. ” It was originally written in honor of Catherine of Alexander, a fourth century martyr. The final eight measures or refrain-“Faith of our fathers, holy faith, we will be true to Thee till death” were added by James G. Walton, when he made a new arrangement and used it for his collection, “Plain Song Music for the Holy Communion Office” published in 1874.

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Sharon Wimer

Sacramento, California, United States

Mai 15, 2022

I love Thee so I know not how
My transport to control
Thy love is like a burning fire
Within my very soul

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Steve Miller

Detroit, Michigan, United States

Mai 2, 2022

We sang this hymn at church yesterday. There were 2 testimonies that I would like to share with everyone:

stanza 5 "O light in darkness, joy in grief,

O heaven's life on earth."

This gives an excellent description of what heaven's life on earth is: it is light in darkness and joy in grief.

-------

Stanza 6 gives another side of the chorus.
In the chorus we rest in Jesus whatever happens.
In the last stanza, we do not stay where we are at.

We keep going on in His love so that or Lord is sweeter today than yesterday.

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