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Meine Lieder

Über die Zahlennotation

Die Zahlennotation (auch Jianpu oder 简谱 genannt) schreibt jede Melodienote als Zahl von 1 bis 7 statt als Note auf einem Notensystem. Die Zahl zeigt die Stellung der Note in der Tonleiter des Liedes -- nicht ihre genaue Tonhöhe --, sodass dieselbe Melodie unabhängig von der gesungenen Tonart gleich aussieht.

Innerhalb einer Oktave entsprechen die Zahlen 1 2 3 4 5 6 7 den bekannten Solmisationssilben Do Re Mi Fa Sol La Ti. Ein Punkt über einer Zahl hebt sie um eine Oktave an; ein Punkt darunter senkt sie um eine Oktave ab -- ohne Punkt bleibt es bei der mittleren, so geschriebenen Oktave.

Eine einzelne Zahl dauert einen Schlag. Ein Bindestrich (-) direkt nach einer Zahl hält dieselbe Note einen weiteren Schlag lang. Ein Strich unter einer Zahl verkürzt sie dagegen -- ein Strich ist ein halber Schlag, zwei Striche ein viertel Schlag. Eine 0 ist eine Pause: ein Schlag Stille.

Die Angabe oben auf dem Notenblatt, zum Beispiel "1=C" oder "1=Ab", zeigt, auf welcher Tonhöhe die Stufe 1 ("Do") liegt. Ein Lied in Moll trägt stattdessen die Angabe "6=X" -- Stufe 6 ("La") ist dann der eigentliche Grundton. Akkordsymbole über den Noten (wie "C" oder "G7") werden immer mit ihren gewohnten Buchstabennamen geschrieben, nie als Zahlen.

Bei der Angabe "1=C" klingen die Zahlen 1 2 3 4 5 6 7 als C D E F G A B. Bei "1=G" klingen dieselben Zahlen dagegen als G A B C D E F# -- gleiche Form, andere Tonart.

Gazing on the Lord in glory

Praise of the Lord His Glory

English136
1
Gazing on the Lord in glory,
While our hearts in worship bow,
There we read the wondrous story
Of the cross—its shame and woe.
2
Every mark of dark dishonor
Heaped upon the thorn-crowned brow
All the depths of Thy heart’s sorrow
Told in answ’ring glory now.
3
On that cross, alone, forsaken,
Where no pity’ng eye was found;
Now, to God’s right hand exalted,
With Thy praise the heavens resound.
4
Did Thy God e’en then forsake Thee,
Hide His face from Thy deep need?
In Thy face once marred and smitten,
All His glory now we read.
5
Gazing on it we adore Thee,
Blessed, precious, holy Lord;
Thou the Lamb, alone art worthy—
This be earth’s and heaven’s accord.
6
Rise our hearts, and bless the Father,
Ceaseless song e’en here begun,
Endless praise and adoration
To the Father and the Son.

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Un Hermano

Nov 8, 2025

Just as it is difficult to begin a meeting, it is also difficult to conclude a meeting. If we sing a hymn that is not fitting at the conclusion of a meeting, the meeting will be interrupted. For example, in a Lord’s [584] table meeting, eating the bread and drinking the cup should be followed by worshipping the Father. At that time the saints should have the sense that the Father and the Son are one. Hence, someone should choose a hymn to conclude the section for remembering the Son and begin the section for worshipping the Father. For this we may use stanzas 1 and 6 of Hymns, #136: “Gazing on the Lord in glory, / While our hearts in worship bow, / There we read the wondrous story / Of the cross—its shame and woe... / Rise our hearts, and bless the Father, / Ceaseless song e’en here begun, / Endless praise and adoration / To the Father and the Son. ” After the singing, a brother or a sister should offer a prayer according to the feeling of this hymn and bring the meeting into the section of worshipping the Father.

Concerning the Practice Needed in the Meetings

Chapter 3 CWWL, 1955, vol. 4

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Un Hermano

Nov 8, 2025

We need to be watchful in spirit in the table meeting. We must bless the bread and the cup when the meeting reaches a climax and cannot go any higher. After we bless the bread and the cup and pass them around, there is a need to maintain the spirit with a hymn. We may use Hymns, #136, “Gazing on the Lord in glory, / While our hearts in worship bow, ” or Hymns, #226, “For the bread and for the wine, / For the pledge that seals Him mine. ” In contrast, Hymns, #226 bears a flavor of ritualistic formalities. We must touch the feeling of the meeting. In order to not allow the spirit to be weakened when we pass the bread and cup, we need to select a hymn that can maintain the spirit. At this point the selection of a hymn greatly depends on the prayers offered during the blessing of the bread and the cup. After singing Hymns, #158, someone may bless the bread and the cup, praying, “O Lord, thank You for first remembering us. You shed Your blood and died for us in this wilderness. The bread and the cup show us the story of Your giving up Your life and shedding Your blood for us. The scene of Your crucifixion is before our eyes. You wore a crown of thorns, and Your head was full of bruises. Lord, we thank You. ” Someone else may continue and pray, “Lord, the picture of Your coming down to the earth from heaven to shed Your blood and die for us is vividly before us. ” In such a case it would be good if someone selected Hymns, #95, “O Head once full of bruises, / So full of pain and scorn. ” The hymn selected should be according to the prayer that blessed the bread and the cup.

Guidelines for the Lord's Table Meeting and the Pursuit in Life Chapter 4 CWWL, 1952, vol. 1 (LSM)

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Janet Crawshaw

Sydney, NSW, Australia

Dez 26, 2023

I sang this hymn in my childhood in a small family meeting and I have thought of it often throughout my life. As I prepare to lead a ladies' Bible study group on Revelation and meditate on the scene of chapter 5, the words of this hymn have gained fresh meaning. It's pure worship and praise which will resonate in our hearts until we stand with the great multitude of the redeemed before the throne of God.

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Joanna Smathers

Baton Rouge, Louisiana, United States

Jan 31, 2022

Three of us reading Watchman Nee collected Works vol. 23 are enjoying the Little Flock hymnal. This is a hymn I have never seen or heard. Hopefully we can learn and sing at the table meeting in remembrance of the Lord.

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Chuang

中壢區, 桃園市

Aug 20, 2020

A nice song will inspire our spirit to go with our Lord.

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Ana Lara

United States

Nov 26, 2019

Miss Cenita Thompson was born in 1822 and died in 1909. This hymn first appeared in the 1881 Little Flock Hymn Book. Miss Thompson contributed poems to the periodical “A Voice to the Faithful” and these were published after her death in 1909 as “ Songs of Praise” She resided in Clapham, England for many years along with Miss E. J. Elwood who was also a writer of hymns.

This hymn is on the Lord’s suffering and glory.

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Paul Kuriakose

Kayanad, India

Jul 21, 2017

Inspiring song.

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John Corson

Yass, NSW, Australia

Aug 15, 2014

From my earliest days I have sung this hymn in the morning meeting on sundays. It evokes lovely stirring memories of that wondrous time when we remembered our Lord. Now that I am in my late seventies this hymn and so many like it from the little flock hymn book stir my spirit and bring praise and adoration from my heart to my Saviour Jesus.

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Brent

Calgary, AB, Canada

Feb 3, 2013

This is a beautiful hymn reminding us of the place my Saviour occupies today: seated at the right hand of the Father in glory.

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Dan D Kilcup

Olympia, WA, United States

Aug 25, 2011

Raises the praise in our hearts to our Lord.

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