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我的詩歌列表

關於簡譜

數字就是音階中的音

簡譜(Jianpu,简谱)用數字而不是五線譜上的音符來記錄旋律。不需要先學過樂理:一次學一個小步驟,並在任何例子上按播放,邊聽邊看每個數字依序亮起。只有按下播放才會發出聲音。

簡譜不用五線譜上的音符,每個音都寫成 1 到 7 的數字。它們就是你早已熟悉的音階七個級:do re mi fa sol la ti。7 之後,音階又從 1 重新開始。

七個數字和它們的唱名。按播放,每當數字亮起就唱出它的唱名。
跟著唱:do re mi fa sol,再唱回 do。

只要會唱 do re mi,就已經會唱 1 到 7 的每一個數字。點一下任何數字,就能單獨聽到那個音。

「1=C」告訴你從哪裡開始

譜面左上方會看到像 1=C 這樣的標示,這叫做首調:數字 1(do)就是 C 音,其他數字都由它往上數。1=G 表示 do 是 G,整首曲子就高了一些。其他都不變:同樣的數字畫出同樣的旋律形狀,只是整體變高或變低。

1=C:do 就是 C。
1=G:同樣的數字,從較高的音開始。

找不到 C?在鋼琴上,它是兩個黑鍵左邊的那個白鍵。你也可以不管字母,從自己嗓音舒適的音開始唱:旋律只要保持形狀就好。詩歌頁面上的 − 和 + 調號按鈕可以幫你移調。

圓點讓音變高或變低

數字上方加一點表示高八度,下方加一點表示低八度,兩點就是兩個八度。沒有圓點就是中音區,也就是大部分旋律所在的音域。唱名不變,只是音高改變。

同一個數字的三種高度:下方加點、不加點、上方加點。
一段往上爬的旋律:從低音 sol 開始,到高音 do 結束。

每個音唱多久

用腳穩穩地打拍子,每打一下就是一拍。單獨的數字是一拍,所以每打一下就唱一個新的數字。增時線、減時線和附點會改變這個長度。

單獨的數字是一拍

四個數字、四拍:每打一下拍子唱一個數字。

增時線(短橫線)讓音拉長

每一條短橫線多加一拍。5 唱兩拍,3 唱四拍。

下方的減時線讓音變短

一條底線是半拍,所以兩個帶底線的數字合起來是一拍。(兩條底線是四分之一拍。)

附點讓音延長一半

數字後面的附點再加上它一半的長度。第一個 5 唱一拍半,短短的 3 補滿第二拍。

0 表示休止符

0 是休止符,停頓一拍。繼續數拍子、繼續打拍子,但不要唱。0 後面的增時線會讓停頓變長,就像它讓音拉長一樣。

唱 1 3 5,安靜一拍,再唱下來。休止符也會亮起,讓你感受到停頓。

小節線與拍號

直立的線把音樂分成一個個小節,每個小節的拍數都一樣。開頭的兩個小數字叫拍號,例如 4/4 或 3/4,說明每小節有幾拍:4/4 是每小節四拍,3/4 是三拍。每小節的第一拍最強,唱的時候稍微加重。一條粗細並列的雙線表示結束。

4/4:數 1 2 3 4,1 2 3 4。每小節的第一拍聽起來稍微大聲一點。
3/4:數 1 2 3,1 2 3,像圓舞曲的感覺。

弧線:延音線與連音線

數字上方的弧線把它們連在一起。如果連接的是兩個相同的數字,這是延音線:只唱一次,並把兩個音的長度合起來唱。如果連接的是不同的數字,這是連音線:這些音唱在同一個字上,從一個音滑到下一個音。

延音線:5 只唱一次,延續過小節線,一共六拍。
連音線:「祂」這個字唱兩個音,先 3 再 2。

歌詞寫在數字下面

每個數字對應一個音節(中文是一個字),寫在它的正下方。字詞中間的短橫線表示這個詞還沒唱完,下一個數字繼續唱。如果某個數字下面沒有字,它屬於弧線或增時線:繼續唱目前那個字。

由左到右閱讀,每個數字對應一個字:一閃一閃亮晶晶。

反復記號與 1. 2. 結尾

帶兩個圓點的小節線 :| 表示回頭,從對應的 |: 記號(如果沒有,就從頭)再唱一遍。有時反復會有兩個結尾:第一次唱第 1 結尾;反復時跳過它,改唱第 2 結尾。

播放看看:你會聽到第 1 結尾、反復,再接第 2 結尾。注意亮起的位置會跳回去。

小調:「6=A」

小調的歌聽起來通常比較莊重或溫柔,譜面標示的是像 6=A 這樣的記號,而不是 1=C。它表示數字 6(la)是主音,這裡是 A。數字的唱名不變;旋律只是以 6 為歸宿,常常也在 6 結束。6=A 與 1=C 使用相同的音。

從 6(la)開始,也在 6 結束,也就是主音。聽聽它比較暗的色彩。

綜合練習:一句詩歌

這是詩歌第 8 首「Praise God, from whom all blessings flow」第一句的簡譜寫法。先用慢速試試,每當一個數字亮起就唱出對應的歌詞。

1=G,4/4 拍。先休止三拍,第 4 拍唱「Praise」。7、6、5 下方的圓點表示這幾個音低八度。

自我檢測

四個小問題,不計分也沒有壓力。點選答案就能立刻看到對錯的原因,隨時都可以改選別的答案。

點選持續最久的數字。

點選比第一個 5 高八度的 5。

0 是什麼意思?

在 1=G 之下,數字 1 是哪個音?

在詩歌上試試看

你是從有簡譜檢視的詩歌打開這份指南的,所以現在就可以試試。

  1. 看看譜面左上方:調號,例如 1=D,以及拍號,例如 3/4。
  2. 找到第一個數字,把它唱出來。然後由左到右跟著數字,看下面的歌詞,每個數字唱一個字。按播放器裡的播放,邊看邊聽錄音。
  3. 數字上方的字母(C、G7)是給吉他或鋼琴用的和弦。學旋律的時候可以先不管它們。
  4. 想要有人帶著你唱,請打開學習頁籤並按播放。在顯示裡把學習記譜法設為簡譜(或先在和弦譜頁籤選簡譜)。有簡譜行的詩歌,每一行數字會隨著錄音捲動到畫面上,同時跳動的小球跟著歌詞走;其他詩歌則會在那裡顯示鋼琴譜。用速度選單可以放慢。

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Jesus, I my cross have taken

Consecration Following the Lord

English460
1
Jesus, I my cross have taken,
All to leave and follow Thee;
Destitute, despised, forsaken,
Thou, from hence, my all shalt be.
Perish every fond ambition,
All I’ve sought, and hoped, and known;
Yet how rich is my condition,
God and Christ are still my own!
2
Let the world despise and leave me,
They have left my Savior, too;
Human hearts and looks deceive me;
Thou art not, like man, untrue;
And, while Thou shalt smile upon me,
God of wisdom, love, and might,
Foes may hate, and friends disown me;
Show Thy face, and all is bright.
3
Man may trouble and distress me,
’Twill but drive me to Thy breast;
Life with trials hard may press me,
Christ will bring me sweeter rest.
O ’tis not in grief to harm me,
While Thy love is left to me;
O ’twere not in joy to charm me,
Were that joy unmixed with Thee.
4
Haste then on from grace to glory,
Armed by faith and winged by prayer;
God’s eternal day’s before thee,
God’s own hand shall guide thee there.
Soon shall close thy earthly mission,
Swift shall pass thy pilgrim days,
Hope shall change to glad fruition,
Faith to sight, and prayer to praise.

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Un Hermano

四月 29, 2026

SUFFERING FOR THE BODY

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This process of obtaining Christ, as revealed in verse 10 , is to know Him by knowing the power of His resurrection. However, if we would know the power of Christ’s resurrection, we must share in His sufferings and know the fellowship of His sufferings.

In a very real sense, Christ’s sufferings have not yet been completed. When some hear this, they may say, “Christ died, was buried, and was resurrected once for all. Now He is on the throne. How can you say that His sufferings have not been completed? ” Consider Paul’s word in Colossians 1:24 : “I now rejoice in my sufferings on your behalf and fill up on my part that which is lacking of the afflictions of Christ in my flesh for His Body, which is the church. ” To be sure, Christ is on the throne, but there is still a lack with respect to His sufferings. As the Head, Christ’s sufferings are complete. But the sufferings of Christ for the Body are not yet finished. Such sufferings are also called “His sufferings. ” Furthermore, in Colossians 1:24 Paul regarded his own sufferings as the filling up of what is lacking of Christ’s sufferings for His Body. For this reason Paul indicates in Philippians 3:10 that we need to share in Christ’s sufferings. The sufferings of Christ for His Body are still going on, and we need to share in them. When Christ was on earth, He suffered. As those who follow Him, we must share in His sufferings for His Body. If we would know Christ by experiencing the power of His resurrection, we must share His sufferings. The process of obtaining Christ is related to His resurrection, His sufferings, and His death. To know Him we must share His sufferings and be conformed to His death that we may experience the power of His resurrection.

Life-study of Philippians
Message 52 To Obtain Christ by Experiencing
the Power of His Resurrection
(LSM)

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St Savior

Lagos, Lagos Mainland, Nigeria

三月 25, 2026

This hymn always melts my heart spirit and soul , it gives me joy to know that I'm born into Christ family

It teaches me about life after death with Christ Jesus. heaven and hell is real hymns are always melodious making you feel to be consecrated all time

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Zechariah Peter

Igbesa, Ogun N, Nigeria

十二月 30, 2023

my song of more commitment to serve YAH .

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Adekanmi Godwin Asegun

Lagos, Nigeria

五月 11, 2022

Very deep hymn. I have known the tune for more than 40 years without the lyrics. I thank God my Choristers recently rendered it during our Sunday congregational worship and since then my spirit has cleaved to it. My spirit is being reawakened for deeper consecration. Praise God, Hallelujah !

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Claire

Chicago, IL, United States

八月 6, 2021

Haste then on from grace to glory,
Armed by faith and winged by prayer;
God’s eternal day’s before thee,
God’s own hand shall guide thee there.
Amen, thank You Lord for this beautiful song

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Chisom Elendu

Delta, Warri, Nigeria

八月 2, 2020

Very nice song

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Istifanus Ariko

Kaduna., Nigeria

十一月 20, 2018

The self life must be strip off to give Jesus the best living-life He desires and deserves from me!

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Valerie

Tavares, FL, United States

一月 19, 2018

I read the author was abandoned by his father at an early age. You would not know it by this beautiful song.

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Steven Ritland

Houston, MO, United States

九月 19, 2016

I'm so glad I found this hymn again. I remember it from many years ago, and was reminded of it by the September 6 reading in "Springs in the Valley" by Mrs. Cowman. A B Simpson said it played a part in his entire consecration to the Lord. I love the words, I suppose because I can identify with them so completely. Praise the Lord for giving such a wonderful song!

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Steve Miller

Detroit, MI, United States

十一月 26, 2014

Henry Francis Lyte was the 2nd son of Thomas and Anna Lyte. He was born at Ednam, Scotland. Lyte's father was described as a "ne-er do-well ... more interested in fishing and shooting than in facing up to his family responsibilities". He deserted the family shortly after making arrangements for his two oldest sons to attend Portora Royal School; and Anna moved to London, where both she and her youngest son died.

The headmaster at Portora, Dr. Robert Burrowes, recognized Henry Lyte's ability, paid the boy’s fees, and "welcomed him into his own family during the holidays." Lyte was effectively an adopted son.

After studying at Trinity College, Dublin and with very limited training for the ministry, Lyte took Anglican holy orders in 1815, and for some time he held a curacy in Taghmon. Lyte's "sense of vocation was vague at this early stage. Perhaps he felt an indefinable desire to do something good in life." However, in about 1816, Lyte experienced an evangelical conversion. In attendance on a dying priest, the latter convinced Lyte that both had earlier been mistaken in not having taken the Epistles of St. Paul "in their plain and literal sense." Lyte says of him, "He died happy under the belief that though he had deeply erred, there was One whose death and sufferings would atone for his delinquencies, and be accepted for all that he had incurred;" and concerning himself he adds: "I was greatly affected by the whole matter, and brought to look at life and its issue with a different eye than before; and I began to study my Bible, and preach in another manner than I had previously done."

Lyte began to study the Bible "and preach in another manner," following the example of four or five local clergymen whom he had previously laughed at and considered "enthusiastic rhapsodists."

In 1817 Lyte became a curate in Marazion, Cornwall, and there met and married Anne Maxwell, daughter of a well-known Scottish-Irish family. She was 31, seven years older than her husband and a "keen Methodist." Furthermore, she "could not match her husband's good looks and personal charm." Nevertheless, the marriage was happy and successful.

About 1824, Lyte moved to Lower Brixham, a Devon fishing village. Almost immediately, Lyte joined the schools committee, and two months later he became its chairman. Also in 1824, Lyte established the first Sunday school in the Torbay area and created a Sailors' Sunday School. Although religious instruction was given there, the primary object of both was educating children and seamen for whom other schooling was virtually impossible. Each year Lyte organized an Annual Treat for the 800-1000 Sunday school children, which included a short religious service followed by tea and sports in the field.

Shortly after Lyte's arrival in Brixham, the minister attracted such large crowds that the church had to be enlarged—the resulting structure later described by his grandson as "a hideous barn-like building." Lyte added to his clerical income by taking resident pupils into his home, including the blind brother of Robert Gascoyne-Cecil, later British prime minister.

Lyte was a tall and "unusually handsome" man, "slightly eccentric but of great personal charm, a man noted for his wit and human understanding, a born poet and an able scholar." He was an expert flute player and according to his great-grandson always had his flute with him. Lyte spoke Latin, Greek, and French; enjoyed discussing literature; and was knowledgeable about wild flowers. At a former military hospital at Berry Head, Lyte built a magnificent library—largely of theology and old English poetry—described in his obituary as "one of the most extensive and valuable in the West of England."

Nevertheless, Lyte was also able to identify with his parish of fishermen, visiting them at their homes and on board their ships in harbor, supplying every vessel with a Bible, and compiling songs and a manual of devotions for use at sea. In theology Lyte was a conservative evangelical who believed that that man's nature was totally corrupt. Lyte frequently rose at 6 AM and prayed for two or more hours before breakfast.

In politics, Lyte was a Conservative who feared revolt among the irreligious poor. He publicly opposed Catholic Emancipation by speaking against it in several Devon towns, stating that he preferred Catholics to be "emancipated from priests and from the power of the factious and turbulent demagogues of Ireland." Lyte, a friend of Samuel Wilberforce, also opposed slavery, organizing an 1833 petition to Parliament requesting it be abolished in Great Britain.

In poor health throughout his life, Lyte suffered various respiratory illnesses and often visited continental Europe in attempts to check their progress. In 1835 Lyte sought appointment as the vicar of Crediton but was rejected because of his increasingly debilitating asthma and bronchitis. In 1839, when only 46, Lyte wrote a poem entitled "Declining Days." Lyte also grew discouraged when numbers of his congregation (including in 1846, nearly his entire choir) left him for Dissenter congregations, especially the Plymouth Brethren, after Lyte expressed High Church sympathies and leaned toward the Oxford Movement. - Wikipedia and Dictionary of Hymnology by Julian

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In the original, the last line of stanza 1 and the 4th line of stanza 3 say "heav'n" instead of Christ. The last stanza original says, "Heav'n's eternal day's" instead of "God's".

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Following stanza 2 above, there is an additional stanza, which, I think, is good for personal devotion, but not for a general church meeting, because lines 1-2 of it are not something to be prayed lightly.

2a Go, then, earthly fame and treasure!
Come, disaster, scorn and pain!
In Thy service, pain is pleasure;
with Thy favor, loss is gain.
I have called Thee, “Abba, Father”;
I have set my heart on Thee:
Storms may howl, and clouds may gather,
all must work for good to me.
---------------------
There is an additional stanza following stanza 3 above:
3a Take, my soul, thy full salvation;
rise o'er sin, and fear, and care;
Joy to find in every station
something still to do or bear:
Think what Spirit dwells within thee;
what a Father's smile is thine;
What a Savior died to win thee,
child of heaven, shouldst thou repine?

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