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À propos de la notation chiffrée

La notation chiffrée (aussi appelée Jianpu, 简谱) note chaque son de la mélodie par un chiffre de 1 à 7 plutôt que par une note sur une portée. Le chiffre indique la position de la note dans la gamme du chant -- pas sa hauteur exacte -- de sorte que la même mélodie garde toujours la même apparence, quelle que soit la tonalité chantée.

Au sein d'une même octave, les chiffres 1 2 3 4 5 6 7 correspondent aux syllabes familières do ré mi fa sol la si. Un point au-dessus d'un chiffre le fait monter d'une octave ; un point en dessous le fait descendre d'une octave -- l'absence de point correspond à l'octave médiane, telle qu'écrite.

Un chiffre seul dure un temps. Un tiret (-) juste après un chiffre prolonge cette même note d'un temps supplémentaire. Un trait sous un chiffre le raccourcit au contraire -- un trait vaut un demi-temps, deux traits un quart de temps. Un 0 est un silence : une pause d'un temps.

L'indication en haut de la partition, par exemple "1=C" ou "1=Ab", précise la hauteur du degré 1 (le "do"). Un chant en mineur porte plutôt l'indication "6=X" -- le degré 6 (le "la") est alors la véritable tonique. Les noms d'accords indiqués au-dessus des notes (comme "C" ou "G7") restent toujours écrits avec leurs noms de lettres habituels, jamais sous forme de chiffres.

Par exemple, sous l'indication "1=C", les chiffres 1 2 3 4 5 6 7 correspondent aux notes C D E F G A B. Sous l'indication "1=G", ces mêmes chiffres correspondent plutôt à G A B C D E F# -- même forme, tonalité différente.

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Praise to the Lord, the Almighty

Praise of the Lord His Goodness

English166
1
Praise to the Lord, the Almighty,
the King of creation!
O my soul, praise Him, for He is thy
health and salvation!
All ye who hear,
Now to His temple draw near;
Sing now in glad adoration!
2
Praise to the Lord, who o’er all
things so wondrously reigneth,
Who, as on wings of an eagle,
uplifteth, sustaineth.
Hast thou not seen
How thy desires all have been
Granted in what He ordaineth?
3
Praise to the Lord, who hath fearfully,
wondrously, made thee!
Health hath vouchsafed and, when
heedlessly falling, hath stayed thee.
What need or grief
Ever hath failed of relief?
Wings of His mercy did shade thee.
4
Praise to the Lord, who doth prosper
thy work and defend thee,
Who from the heavens the streams of
His mercy doth send thee.
Ponder anew
What the Almighty can do,
Who with His love doth befriend thee.
5
Praise to the Lord! Oh, let all that
is in me adore Him!
All that hath life and breath, come
now with praises before Him!
Let the Amen
Sound from His people again;
Gladly for aye we adore Him.

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Ana Lara

United States

avr. 16, 2020

Joachim Neander, called the greatest of all German-Calvinist Reformed hymn writers, was born in Bremen, Germany on May 31, 1650. He wrote approximately sixty hymns and composed many tunes most of them being hymns of praise. He was known as a scholar in theology, literature and music as well as pastor of the Reformed Church in Düsseldorf, Germany. “The Julian Dictionary of Hymnology calls this hymn “a magnificent hymn of praise, perhaps the finest production of its author and of the first rank in its class. ” Sadly Joachim Neander died when he was only thirty years old in 1680.

Catherine Winkworth was born in London, England, on September 13, 1827. She was a pioneer in the higher education of women. Miss Winkworth was regarded as one the finest translators of the German language into English. Her translations helped to make German hymns popular in England during the nineteenth century. Miss Winkworth translated several German hymn books which became popular. One of them was “The Chorale Book for England” published in 1863 which contained the translation of this hymn. She also translated “Now Thank We All our God. ”

The tune “Lobe Den Herren” ( “Praise to the Lord” ), first appeared in the “Stralsund Gesanbuch, ” 2nd edition, in 1665. It is said Joachim personally chose this tune for his text, and his words have never been used with any other melody. The tune first appeared in England in the 1904 edition of “Hymns Ancient and Modern. ”

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RV

avr. 10, 2020

Let the Amen sound from His people again!!!

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Tochukwu Nwazota

Abuja, FCT, Nigeria

avr. 10, 2020

Endless worship adoration and praise to the Lord Jesus.

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Heiress of God

FCT, Abuja, Nigeria

mars 22, 2020

Glory to God. All that is within me praise him

The more I praise the more corona goes.

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Hannatu Monday

Lafia, Nasarawa, Nigeria

févr. 23, 2020

The Lord is good! Let all that has breath praise Him! As long as I breathe, I will praise Him!

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Dr Godwin Iko Ayuba

Lagos, Nigeria

févr. 22, 2020

Very inspiring

May God be praised

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Nancy Tipton

Tempe, Arizona, United States

févr. 21, 2020

Amazing song thank you for keeping the message alive today

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Gideon Kofi Antwi(Manofvalour)

Mogadishu

janv. 31, 2020

Praise to the Lord! Oh, Let all that has breathe, come now with praises before Him...

Hymns are timeless!!!

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Georgia

St. Ann, Jamaica

janv. 5, 2020

This song just popped up in me.... I am really excited about this verse.... praise to the Lord, the Almighty,

the King of creation!
O my soul, praise Him, for He is thy
health and salvation!

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Tba

Abuja, Nigeria

janv. 2, 2020

This is the song for this New Season

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