Aller au contenu
hymnal.net
hymnal.net
Mes chants

À propos de la notation chiffrée

Les chiffres sont les notes d'une gamme

La notation chiffrée (jianpu, 简谱) note une mélodie avec des chiffres plutôt qu'avec des notes sur une portée. Pas besoin de savoir lire la musique : avancez une petite étape à la fois et appuyez sur Écouter sous un exemple pour l'entendre pendant que chaque chiffre s'allume. Le son ne démarre que lorsque vous appuyez sur Écouter.

Au lieu de notes sur une portée, chaque note est un chiffre de 1 à 7. Ce sont les sept degrés de la gamme que vous connaissez déjà : do ré mi fa sol la si. Après le 7, la gamme recommence au 1.

Les sept chiffres avec leur nom. Appuyez sur Écouter et dites chaque nom quand son chiffre s'allume.
Chantez avec : do ré mi fa sol, puis redescendez jusqu'au do.

Si vous savez chanter do ré mi, vous savez déjà chanter chaque chiffre de 1 à 7. Touchez ou cliquez sur un chiffre pour entendre cette seule note.

« 1=C » indique où commencer

En haut à gauche de la partition, vous verrez par exemple 1=C. Cela signifie que le chiffre 1 (do) est la note C, et que tous les autres chiffres montent à partir de là. 1=G signifie que do est G : toute la mélodie est un peu plus haute. Rien d'autre ne change : les mêmes chiffres dessinent la même forme, simplement plus haut ou plus bas.

1=C : do est C.
1=G : les mêmes chiffres, en partant plus haut.

Vous ne savez pas où est le C ? Au piano, c'est la touche blanche juste à gauche des deux touches noires. Ou ignorez la lettre et commencez sur une note confortable pour votre voix : la mélodie doit seulement garder sa forme. Les boutons − et + de la tonalité, sur la page d'un cantique, la déplacent pour vous.

Les points montent ou descendent une note

Un point au-dessus d'un chiffre signifie une octave plus haut. Un point en dessous signifie une octave plus bas. Deux points : deux octaves. Sans point, c'est le registre médian, où se trouve l'essentiel d'une mélodie. Le nom reste le même ; seule la hauteur change.

Le même chiffre à trois hauteurs : point en dessous, sans point, point au-dessus.
Une mélodie qui monte : elle commence sur un sol grave et finit sur un do aigu.

Combien de temps dure chaque note

Battez la mesure du pied à allure régulière : chaque battement est un temps. Un chiffre simple dure un temps : vous chantez donc un nouveau chiffre à chaque battement. Les tirets, les traits et les points modifient cela.

Un chiffre simple dure un temps

Quatre chiffres, quatre temps : un chiffre par battement.

Un tiret prolonge la note

Chaque tiret ajoute un temps. Le 5 dure deux temps et le 3 en dure quatre.

Un trait en dessous la raccourcit

Un trait vaut un demi-temps : deux chiffres soulignés se partagent donc un temps. (Deux traits valent un quart de temps.)

Un point après l'allonge de moitié

Un point après un chiffre ajoute la moitié de sa durée. Le premier 5 dure un temps et demi, et le 3 court complète le second temps.

0 signifie silence

Un 0 est un temps de silence. Continuez à compter et à battre la mesure, mais ne chantez pas. Les tirets après un 0 allongent le silence, comme ils allongent une note.

Chantez 1 3 5, faites silence un temps, puis redescendez. Les silences s'allument aussi, pour que vous sentiez la pause.

Barres de mesure et indication de mesure

Les traits verticaux découpent la musique en mesures qui contiennent toutes le même nombre de temps. Les deux petits chiffres du début, comme 4/4 ou 3/4, indiquent combien : 4/4, c'est quatre temps par mesure, 3/4 trois. Le premier temps de chaque mesure est le plus fort : appuyez-vous un peu dessus. Une double barre à bord épais marque la fin.

4/4 : comptez 1 2 3 4, 1 2 3 4. Le premier temps de chaque mesure sonne un peu plus fort.
3/4 : comptez 1 2 3, 1 2 3, comme une valse.

Courbes : liaisons de prolongation et de phrasé

Une courbe au-dessus des chiffres les relie. Si elle relie deux fois le même chiffre, c'est une liaison de prolongation : chantez la note une seule fois et tenez-la pour les deux. Si elle relie des chiffres différents, c'est une liaison de phrasé : chantez-les tous sur une seule syllabe, en glissant de l'un à l'autre.

Une liaison de prolongation : le 5 est chanté une fois et tenu au-delà de la barre de mesure, six temps en tout.
Une liaison de phrasé : « Lui » est chanté sur deux notes, 3 puis 2.

Les paroles sont sous les chiffres

Chaque chiffre reçoit une syllabe, écrite juste en dessous. Un petit tiret après un morceau de mot signifie que le mot continue sous le chiffre suivant. Si un chiffre n'a rien en dessous, il appartient à une courbe ou à un tiret : continuez la syllabe en cours.

À lire de gauche à droite, une syllabe par chiffre : Ah ! vous di-rai-je, Ma-man.

Signes de reprise et fins 1. 2.

Une barre de mesure avec deux points, :|, signifie : revenez en arrière et chantez cette partie une seconde fois, depuis le signe |: correspondant (ou depuis le début s'il n'y en a pas). Parfois la reprise a deux fins. Chantez la fin 1. la première fois ; à la reprise, sautez-la et chantez la fin 2. à la place.

Écoutez-le : vous entendez la fin 1., la reprise, puis la fin 2. Regardez la surbrillance revenir en arrière.

Tonalités mineures : « 6=A »

Un chant en mode mineur, qui sonne en général plus grave ou plus tendre, porte une indication comme 6=A au lieu de 1=C. Elle signifie que le chiffre 6 (la) est la note d'attache, ici A. Les chiffres gardent leur nom habituel ; la mélodie se sent chez elle sur le 6 et y finit souvent. 6=A utilise les mêmes notes que 1=C.

Elle commence et finit sur le 6 (la), la note d'attache. Écoutez la couleur plus sombre.

Tout ensemble : une ligne de cantique

Voici la première ligne du cantique 8, « Praise God, from whom all blessings flow », en notation chiffrée. Essayez d'abord le tempo lent, et chantez les paroles au moment où chaque chiffre s'allume.

1=G à 4/4. Trois temps de silence, puis « Praise » sur le temps 4. Les points sous 7, 6 et 5 signifient que ces notes descendent d'une octave.

Testez-vous

Quatre questions rapides, sans score et sans pression. Touchez une réponse pour voir tout de suite pourquoi elle est juste ou fausse. Vous pouvez toujours essayer une autre réponse.

Touchez le chiffre qui est tenu le plus longtemps.

Touchez le 5 qui est une octave plus haut que le premier 5.

Que signifie un 0 ?

Avec 1=G, quelle note est le chiffre 1 ?

À essayer sur un cantique

Vous avez ouvert ceci depuis un cantique qui a une vue Numérotée : vous pouvez donc essayer tout de suite.

  1. Regardez en haut à gauche de la partition : la tonalité, comme 1=D, et l'indication de mesure, comme 3/4.
  2. Trouvez le premier chiffre et chantez-le. Puis suivez les chiffres de gauche à droite avec les paroles en dessous, une syllabe par chiffre. Appuyez sur Lecture dans le lecteur pour entendre l'enregistrement pendant que vous suivez.
  3. Les lettres au-dessus des chiffres (C, G7) sont des accords pour guitare ou piano. Ignorez-les pendant que vous apprenez la mélodie.
  4. Pour être guidé, ouvrez l'onglet Apprendre et appuyez sur Lecture. Sous Affichage, réglez la notation du mode Apprendre sur Numérotée (ou choisissez d'abord Numérotée dans l'onglet Grille d'accords). Pour les cantiques qui ont des lignes chiffrées, chaque ligne de chiffres défile à l'écran en rythme avec l'enregistrement pendant qu'une balle rebondissante suit les paroles ; les autres cantiques y montrent la notation piano. Le menu Vitesse permet de ralentir.

Ouvrir ce guide dans sa propre page

Limite de téléchargement atteinte

How pleasant is the sound of praise

Praise of the Lord His Redemption

English113
1
How pleasant is the sound of praise!
It well becomes the saints of God;
Should we refuse our songs to raise,
The stones might tell our shame abroad.
2
For Him Who washed us in His blood,
Let us our sweetest songs prepare;
He sought us wandering far from God,
And now preserves us by His care.
3
One string there is of sweetest tone,
Reserved for sinners saved by grace;
’Tis sacred to one class alone
And touched by one peculiar race.
4
Though angels may with rapture see
How mercy flows in Jesus’ blood,
It is not theirs to prove, as we,
The cleansing virtue of this flood.
5
Though angels praise the heavenly King,
And worship Him as God alone,
We can with exultation sing,
“He wears our nature on the throne.”
6
Lord, we adore Thy wondrous love,
Which brought Thee here to bleed and die
That Thou lost sinners may restore
And to the Father bring them nigh.

Delete Comment

Supprimer ce commentaire ? Cette action est irréversible.

Un Hermano

oct. 24, 2025

1. Children of God, Blameless and Guileless, without Blemish in the Midst of a Crooked and Perverted Generation

In 2:15 Paul speaks of the believers as children of God. This implies regeneration, the new birth. To be a child of God means that we have been born of God, that God has been conceived within us. When we became children of God, God was conceived in our being. This means that when we were born of God in our spirit, we were mingled with Him. God has been conceived within us, and we have been born of Him to become His children.

The expression “children of God” in 2:15 is very rich in its implications. It implies that God has actually been born into us and that we possess His life and nature. Sometimes we may say, “I am just a sinner saved by grace. ” Although this, of course, is true, it is very shallow compared with the revelation in the New Testament. If we know the truth of the Word, we shall not say that we are merely sinners saved by grace. We shall have the boldness to declare, “I am a child of God born of the Spirit! ” No doubt, we are sinners who have been saved by God’s grace. But because we have been born of God, we are now His children. How marvelous!

The Conclusion of the New Testament:

The Believers, Message 112 (LSM) Volume 1

Lire la suite
Un Hermano

oct. 24, 2025

THE ISSUES OF APPLYING GOD’S SALVATION

The issues of applying God’s salvation involve five items. First, the precious blood of Christ cleanses us and deals with our sinful deeds so that we may be justified before God and reconciled to Him. Second, we experience dying together with Christ, which deals with our sinful nature so that we are released from the bondage of sin. Third, the Spirit works in us so that we experience Christ living in us. This means that He is our life practically and that we live together with Him. Fourth, the Spirit works further in us and outwardly disciplines us through “all things” ( Rom. 8:28 ). His inward working together with the outward disciplining constitutes Christ in us, that is, constitutes the element of Christ little by little into our whole being. In this way He conforms us to the image of Christ. Fifth, when we continually experience the putting away of the elements of sin, the flesh, the natural man, the self, and individualism, the element of Christ is constituted into every part of our being, and we are manifested as parts of Christ, as the members of the Body of Christ practically. Eventually, our being will be fully mingled with Christ as one. Christ will become our content, and we will become His expression. This is the manifestation of the Body of Christ.

Five hundred years ago the light that Martin Luther saw in the book of Romans was on justification by faith. Today we need to humbly thank God for showing us that a sinner saved by grace is joined to Christ. God’s salvation in Christ is to work in a sinner to the extent that he becomes a part of Christ. We, as sinners saved by grace, eventually become the Body of Christ, are joined to Christ, and become the mystical Christ, the universal, great man. This is the goal that God’s salvation ultimately attains.

A Record of a Bible Study on Romans
and First and Second Corinthians
Chapter 6 CWWL, 1955, vol. 4 (LSM)

Lire la suite
Un Hermano

oct. 24, 2025

A CONCLUDING WORD

We must very clearly see the divinity and humanity of Christ to be able to understand the mystery of the Divine Trinity. In conclusion, God is three, having three persons—the Father, the Son, and the Spirit—yet He is surely one, being the one God. When we receive any one of the three, we receive all of Them. When we have the Son, we also have the Father and the Spirit; when we have the Spirit, we also have the Father and the Son. Therefore, when the Spirit comes, the consummation of the Father, the Son, and the Spirit comes; the all-inclusive Spirit comes. As such a Spirit, Christ fills all and includes all. And as the Spirit, Christ comes into us to be our enjoyment.

Here I would like to refer to two hymns. The first one is Hymns, #113, a hymn on praising the Lord as our Redeemer. The climax of this hymn is in stanza 5:

Though angels praise the heavenly King,
And worship Him as God alone,
We can with exultation sing,
“He wears our nature on the throne. ”

Another hymn is Hymns, #132, which is also on praising the Lord for His humanity. This hymn is full of life, full of the Spirit, and full of experience. Stanza 1 says,

Lo! in heaven Jesus sitting,
Christ the Lord is there enthroned;
As the man by God exalted,
With God’s glory He is crowned.

Then stanzas 4 through 6 deal with life, the Spirit, and experience:

He as God with man is mingled,
God in man is testified;
He as man with God is blended,
Man in God is glorified.
From the Glorified in heaven
The inclusive Spirit came;
All of Jesus’ work and Person
Doth this Spirit here proclaim.
With the Glorified in heaven
Is the Church identified;
By the Spirit of this Jesus
Are His members edified.
The hymn reaches its climax in stanza 7:
Lo! a man is now in heaven
As the Lord of all enthroned;
This is Jesus Christ our Savior,
With God’s glory ever crowned!

Nearly none of the eighteen points that we have mentioned above were written as a hymn. There are over ten thousand hymns in Christianity, but they do not cover these points. Instead, most of them are concerning God’s compassion, God’s holiness, God’s righteousness, God’s power, and even superficial items such as miracles and wonders. Yes, the creeds mention Christ’s being born as a man to save sinners. If we carefully study the New Testament, we will see that Christ became flesh not only to save sinners but, even more, to carry out God’s eternal economy, which is to work God into men that they may become children of God to be the Body of Christ for the expression of the Triune God in eternity. This is the highest goal of God’s becoming flesh.

Most of the hymns they sang are concerning God’s dispensing Himself into us, Christ as our life, and the church as His expression. Fifty years ago our favorite hymn was, “How pleasant is the sound of praise! / It well becomes the saints of God; / Should we refuse our songs to raise, / The stones might tell our shame abroad” (Hymns, #113). But now we do not select it any longer, because its content is low. If I were to show you the hymns that I wrote sixty years ago, you would all feel that they are shallow. However, with my growth in life and my increase in the knowledge of the spiritual truths, hymns that are crystals came out. Poems and songs are the crystallization of our learning and our knowledge of God. I hope that you will learn more and be more equipped, especially concerning the eighteen points covered in this chapter. Then gradually you will be able to write some hymns of high quality. This is a need in the Lord’s recovery.

The Revelation and Vision of God

Chapter 4 CWWL, 1986, vol. 3 (LSM)

Lire la suite
Un Hermano

oct. 24, 2025

THE LIFE OF DIVINITY MINGLED WITH HUMANITY

Stanza 5 of Hymns, #113 says, “Though angels praise the heavenly King, / And worship Him as God alone, / We can with exultation sing, / ‘He wears our nature on the throne. ’” This hymn was written by Thomas Kelly and was translated into Chinese by Brother Watchman Nee. The phrase He wears our nature on the throne is a wonderful expression. Since Christ’s resurrection and ascension there have been many debates among Christians concerning the person of Christ, and one of those debates is whether or not Christ truly has humanity. This was the reason the apostle John wrote his first Epistle. In 4:2-3 he tells us, “Every spirit which confesses that Jesus Christ has come in the flesh is of God, and every spirit which does not confess Jesus is not of God; and this is the spirit of the antiChrist. ” At that time there was a school of Greek philosophy called Gnosticism, which taught that all physical matter was filthy and essentially evil, and since the human flesh is physical, it is also filthy. The influence of Greek philosophy entered the church, and a great heresy called Docetism rose up. Following the teachings of the Gnostics, this heresy advocated that since Christ is holy, He could never have had the defilement of human flesh, and therefore, His body was not real flesh and blood but was merely a deceptive, transient phantasm. Such a heresy undermines not only the Lord’s incarnation but also His redemption and resurrection. According to what the apostle John says, these heretics were antiChrists.

This truth was debated up until the nineteenth century, when orthodox theologians all rejected the heresy of Docetism. It is very strange, however, that today many Christians still believe a form of this teaching. At most, they confess that the Lord Jesus was a man when He was on the earth, but they say that after His resurrection from the dead, He is no longer a man; therefore, the Christ on the throne today is not a man but is only God. In the past a so-called co-worker among us actually said that he did not approve of the last line of stanza 5 in Hymns, #113, which says, “He wears our nature on the throne. ” He considered that Christ on the throne today does not have humanity. The Bible clearly reveals that Christ on the throne still has humanity. Matthew 26:63-64 says that when the Lord Jesus was being judged, the high priest asked Him, “Tell us if You are the Christ, the Son of God. ” The Lord Jesus answered, “You have said rightly. Nevertheless I say to you, From now on you will see the Son of Man sitting at the right hand of Power and coming on the clouds of heaven. ” This indicates that Christ is still the Son of Man after His ascension and will still be the Son of Man at His coming back. Acts 7:55-56 says that when Stephen was being persecuted, he looked intently into heaven and saw the glory of God and Jesus standing at the right hand of God, and he said, “Behold, I see the heavens opened up and the Son of Man standing at the right hand of God. ” This indicates that Christ in the heavens today is still the Son of Man. In Revelation 1:13 the apostle John saw Christ walking as the Son of Man in the midst of the lampstands. Then 14:14 says that when Christ comes again to reap the harvest, He will be the Son of Man sitting on the cloud. Matthew 25:31 says that when Christ returns to sit on the throne of His glory in Jerusalem to judge the nations, He will still be the Son of Man. Furthermore, John 1:51 reveals that He will also be the Son of Man in eternity; at that time the angels of God will ascend and descend on the Son of Man. This shows us that in His ascension, in His heavenly ministry, in His second coming, in His rapturing the believers, in His judging the nations, and in eternity, He is always the Son of Man with humanity. This is the clear revelation of the Bible

The Four Crucial Elements of the Bible:

Christ, the Spirit, Life, and the Church

Chapter 8 CWWL, 1984, vol. 1 (LSM)

Lire la suite