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About Numbered Notation

The numbers are the notes of a scale

Numbered notation (jianpu, 简谱) writes a melody as numbers instead of notes on a staff. You do not need to read music: take one small step at a time and press Play on any example to hear it while each number lights up. Sound only starts when you press Play.

Instead of notes on a staff, each note is a number from 1 to 7. They are the seven steps of the scale you already know: do re mi fa sol la ti. After 7 the scale starts again at 1.

The seven numbers with their names. Press Play and say each name as its number lights up.
Sing along: do re mi fa sol, and back down to do.

If you can sing do re mi, you can already sing every number from 1 to 7. Tap or click any number to hear just that note.

“1=C” tells you where to start

At the top left of the sheet you will see something like 1=C. It means the number 1 (do) is the note C, and every other number counts up from there. 1=G means do is G, so the whole tune sits a little higher. Nothing else changes: the same numbers make the same shape, only higher or lower.

1=C: do is C.
1=G: the same numbers, starting higher.

Not sure where C is? On a piano it is the white key just left of the two black keys. Or ignore the letter and start on any note that is comfortable for your voice: the tune only has to keep its shape. The − and + key buttons on a hymn page shift the key for you.

Dots make a note higher or lower

A dot above a number means one octave higher. A dot below means one octave lower. Two dots mean two octaves. No dot is the middle range, where most of a tune lives. The name stays the same; only the height changes.

The same number at three heights: dot below, no dot, dot above.
A tune that climbs: it starts on a low sol and ends on a high do.

How long each note lasts

Tap your foot at a steady pace: each tap is a beat. A plain number lasts one beat, so you sing a new number on every tap. Dashes, lines and dots change that.

A plain number is one beat

Four numbers, four beats: one number for each tap.

A dash holds the note longer

Each dash adds one beat. The 5 lasts two beats and the 3 lasts four.

A line underneath makes it shorter

One line is half a beat, so two underlined numbers share one beat. (Two lines are a quarter of a beat.)

A dot after makes it half as long again

A dot after a number adds half its length. The first 5 lasts a beat and a half, and the short 3 fills the rest of the second beat.

0 means rest

A 0 is silence for one beat. Keep counting and keep tapping, but do not sing. Dashes after a 0 make the silence longer, just as they hold a note longer.

Sing 1 3 5, stay quiet for one beat, then come back down. Rests light up too, so you can feel the pause.

Bar lines and the time signature

Tall lines cut the music into bars, each holding the same number of beats. The two small numbers at the start, like 4/4 or 3/4, say how many: 4/4 is four beats in every bar, 3/4 is three. The first beat of each bar is the strongest, so lean on it a little. A double line with a thick edge marks the end.

4/4: count 1 2 3 4, 1 2 3 4. The first beat of each bar sounds a little louder.
3/4: count 1 2 3, 1 2 3, the lilt of a waltz.

Curves: ties and slurs

A curve over numbers joins them. If it joins two of the same number, it is a tie: sing the note once and hold it for both. If it joins different numbers, it is a slur: sing them all on one syllable, gliding from one to the next.

A tie: the 5 is sung once and held across the bar line, six beats in all.
A slur: “Him” is sung on two notes, 3 then 2.

The words sit under the numbers

Each number gets one syllable, written right underneath it. A short dash after part of a word means the word carries on under the next number. If a number has nothing under it, it belongs to a curve or a dash: keep singing the syllable you are on.

Read left to right, one syllable for each number: Twin-kle, twin-kle, lit-tle star.

Repeat signs and 1. 2. endings

A bar line with two dots, :|, means go back and sing that part again, from the matching |: sign (or from the start if there is none). Sometimes the repeat has two endings. Sing ending 1. the first time; on the repeat, skip it and sing ending 2. instead.

Play it: you hear the 1. ending, the repeat, then the 2. ending. Watch the highlight jump back.

Minor keys: “6=A”

A song in a minor key, which usually sounds more serious or tender, is labeled like 6=A instead of 1=C. It means the number 6 (la) is the home note, here A. The numbers keep their usual names; the tune simply feels at home on 6 and often ends there. 6=A uses the same notes as 1=C.

It starts and ends on 6 (la), the home note. Listen to the darker colour.

Put it together: a line of a hymn

This is the first line of hymn 8, “Praise God, from whom all blessings flow”, written in numbered notation. Try the slow tempo first, and sing the words as each number lights up.

1=G in 4/4. Three silent beats, then “Praise” on beat 4. The dots under 7, 6 and 5 mean those notes dip one octave lower.

Check yourself

Four quick questions, with no score and no pressure. Tap an answer to see right away why it is right or wrong. You can always try another answer.

Tap the number that is held the longest.

Tap the 5 that is one octave higher than the first 5.

What does a 0 mean?

Under 1=G, which note is the number 1?

Try it on a hymn

You opened this from a hymn that has a Numbered view, so you can try it right now.

  1. Look at the top left of the sheet: the key, such as 1=D, and the time signature, such as 3/4.
  2. Find the first number and sing it. Then follow the numbers from left to right with the words underneath, one syllable for each number. Press Play in the player to hear the recording while you follow.
  3. Letters above the numbers (C, G7) are chords for a guitarist or pianist. Ignore them while you learn the tune.
  4. To be guided, open the Learn tab and press Play. Under Display, set Learn notation to Numbered (or choose Numbered on the Lead Sheet tab first). For hymns that have numbered lines, each line of numbers scrolls into view in time with the recording while a bouncing ball follows the words; other hymns show the piano notation there. The Speed menu slows it down.

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基督已经得胜

盼望与豫备

Chinese909
1
看哪!世上的国已成了
我主基督的国!
众圣欢呼因祂作王,
永永远远坐宝座!
千千万万立即响应,
和声爆发同歌讴!
基督已经得胜!
 
得胜!得胜!阿利路亚!
得胜!得胜!阿利路亚!
得胜!得胜!阿利路亚!
基督已经得胜!
2
那古蛇,大龙,
就是魔鬼已经被摔下去,
撒但和他的使者
不能再迷惑设骗局,
我们颂赞之声
如同雷鸣将主永高举。
基督已经得胜!
3
‘救恩、能力、国度,
并祂基督的权柄到了!
因那昼夜控告我们弟兄的
已被摔倒,’
如今召会正在地上
执行天上的宣告,
基督已经得胜!
4
我们胜过那控告者,
因为宝血有功效,
借着口中的话,
我们宣告:
‘一切都成了!’
我们虽至于死,
魂生命也不爱惜计较。
基督已经得胜!
5
哦!弟兄们,姊妹们,
请听天上又发声音:
‘巴比伦倾倒,
倾倒了!’
─怎能不令人欢欣。
我们已从她出来,
何等有福又可庆幸!
基督已经得胜!
6
奥秘大巴比伦,
她乃是众淫妇的母亲,
我们极其憎恶
她所装满的污秽邪淫;
但神已加倍罚她,
因此我们灵欢欣,
基督已经得胜!
7
救恩、荣耀、权能,
都属我们的神,
赞美主!祂凭真实公义,
讨罪伸冤,审判了淫妇。
看!
那烧她的烟直往上冒,
让我们欢呼!
基督已经得胜!
8
‘神的众仆,无论大小,
当赞美神,’祂嘱咐;
如同众水的声音,
又如雷鸣,群众同欢呼:
‘阿利路亚!
我们的神全能者
作王作主!’
基督已经得胜!
9
现在我们应当欢喜
快乐向神归荣耀;
羔羊婚娶时候到了,
新妇也已豫备好,
蒙了救恩穿上
光明洁白的细麻义袍,
基督已经得胜!
10
魔鬼身在火湖,
这是约翰目睹的事实,
今后不要怕他信口雌黄,
或造谣生事,
大胆宣告他的判辞,
是圣徒得胜之路!
基督已经得胜!
11
看哪!最大的奇景─
新耶路撒冷由天降!
基督新妇妆饰整齐
模成基督的模样;
神人调和建造一起
显出神荣耀形像,
基督已经得胜!
12
这是神在人间支搭帐幕,
神人永同住,
神的圣洁、荣耀,
从人身上完全的显出!
听哪!主在宣告:
‘都成了!’
神已心满意足,
基督已经得胜!
 
阿利路亚!阿利路亚!
阿利路亚!阿利路亚!
阿利路亚!阿利路亚!
基督已经得胜!

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