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About Numbered Notation

The numbers are the notes of a scale

Numbered notation (jianpu, 简谱) writes a melody as numbers instead of notes on a staff. You do not need to read music: take one small step at a time and press Play on any example to hear it while each number lights up. Sound only starts when you press Play.

Instead of notes on a staff, each note is a number from 1 to 7. They are the seven steps of the scale you already know: do re mi fa sol la ti. After 7 the scale starts again at 1.

The seven numbers with their names. Press Play and say each name as its number lights up.
Sing along: do re mi fa sol, and back down to do.

If you can sing do re mi, you can already sing every number from 1 to 7. Tap or click any number to hear just that note.

“1=C” tells you where to start

At the top left of the sheet you will see something like 1=C. It means the number 1 (do) is the note C, and every other number counts up from there. 1=G means do is G, so the whole tune sits a little higher. Nothing else changes: the same numbers make the same shape, only higher or lower.

1=C: do is C.
1=G: the same numbers, starting higher.

Not sure where C is? On a piano it is the white key just left of the two black keys. Or ignore the letter and start on any note that is comfortable for your voice: the tune only has to keep its shape. The − and + key buttons on a hymn page shift the key for you.

Dots make a note higher or lower

A dot above a number means one octave higher. A dot below means one octave lower. Two dots mean two octaves. No dot is the middle range, where most of a tune lives. The name stays the same; only the height changes.

The same number at three heights: dot below, no dot, dot above.
A tune that climbs: it starts on a low sol and ends on a high do.

How long each note lasts

Tap your foot at a steady pace: each tap is a beat. A plain number lasts one beat, so you sing a new number on every tap. Dashes, lines and dots change that.

A plain number is one beat

Four numbers, four beats: one number for each tap.

A dash holds the note longer

Each dash adds one beat. The 5 lasts two beats and the 3 lasts four.

A line underneath makes it shorter

One line is half a beat, so two underlined numbers share one beat. (Two lines are a quarter of a beat.)

A dot after makes it half as long again

A dot after a number adds half its length. The first 5 lasts a beat and a half, and the short 3 fills the rest of the second beat.

0 means rest

A 0 is silence for one beat. Keep counting and keep tapping, but do not sing. Dashes after a 0 make the silence longer, just as they hold a note longer.

Sing 1 3 5, stay quiet for one beat, then come back down. Rests light up too, so you can feel the pause.

Bar lines and the time signature

Tall lines cut the music into bars, each holding the same number of beats. The two small numbers at the start, like 4/4 or 3/4, say how many: 4/4 is four beats in every bar, 3/4 is three. The first beat of each bar is the strongest, so lean on it a little. A double line with a thick edge marks the end.

4/4: count 1 2 3 4, 1 2 3 4. The first beat of each bar sounds a little louder.
3/4: count 1 2 3, 1 2 3, the lilt of a waltz.

Curves: ties and slurs

A curve over numbers joins them. If it joins two of the same number, it is a tie: sing the note once and hold it for both. If it joins different numbers, it is a slur: sing them all on one syllable, gliding from one to the next.

A tie: the 5 is sung once and held across the bar line, six beats in all.
A slur: “Him” is sung on two notes, 3 then 2.

The words sit under the numbers

Each number gets one syllable, written right underneath it. A short dash after part of a word means the word carries on under the next number. If a number has nothing under it, it belongs to a curve or a dash: keep singing the syllable you are on.

Read left to right, one syllable for each number: Twin-kle, twin-kle, lit-tle star.

Repeat signs and 1. 2. endings

A bar line with two dots, :|, means go back and sing that part again, from the matching |: sign (or from the start if there is none). Sometimes the repeat has two endings. Sing ending 1. the first time; on the repeat, skip it and sing ending 2. instead.

Play it: you hear the 1. ending, the repeat, then the 2. ending. Watch the highlight jump back.

Minor keys: “6=A”

A song in a minor key, which usually sounds more serious or tender, is labeled like 6=A instead of 1=C. It means the number 6 (la) is the home note, here A. The numbers keep their usual names; the tune simply feels at home on 6 and often ends there. 6=A uses the same notes as 1=C.

It starts and ends on 6 (la), the home note. Listen to the darker colour.

Put it together: a line of a hymn

This is the first line of hymn 8, “Praise God, from whom all blessings flow”, written in numbered notation. Try the slow tempo first, and sing the words as each number lights up.

1=G in 4/4. Three silent beats, then “Praise” on beat 4. The dots under 7, 6 and 5 mean those notes dip one octave lower.

Check yourself

Four quick questions, with no score and no pressure. Tap an answer to see right away why it is right or wrong. You can always try another answer.

Tap the number that is held the longest.

Tap the 5 that is one octave higher than the first 5.

What does a 0 mean?

Under 1=G, which note is the number 1?

Try it on a hymn

You opened this from a hymn that has a Numbered view, so you can try it right now.

  1. Look at the top left of the sheet: the key, such as 1=D, and the time signature, such as 3/4.
  2. Find the first number and sing it. Then follow the numbers from left to right with the words underneath, one syllable for each number. Press Play in the player to hear the recording while you follow.
  3. Letters above the numbers (C, G7) are chords for a guitarist or pianist. Ignore them while you learn the tune.
  4. To be guided, open the Learn tab and press Play. Under Display, set Learn notation to Numbered (or choose Numbered on the Lead Sheet tab first). For hymns that have numbered lines, each line of numbers scrolls into view in time with the recording while a bouncing ball follows the words; other hymns show the piano notation there. The Speed menu slows it down.

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主到我這裡來

追求與長進

Chinese429
1
主阿,在那清晨, 你去海邊等待彼得;
主阿,在那正午, 你在路上等待保羅;
在我的日子裡, 你忽來到我的生命。
你來臨如強光, 那片光明不能抵擋;
我真無法解釋, 天天疑惑,天天相信,
我真無法解釋, 天天疑惑,天天相信。
2
時走在大草原, 聽見親愛牧者柔聲;
時走在山谷間, 智慧領路暫時離開;
時被帶到海上, 愛我的主竟然睡著。
往前的每一步, 常在冒險、驚喜之中;
從來沒見過祂, 天天糢糊,天天清明,
從來沒見過祂, 天天糢糊,天天清明。
3
每天非我所願, 日子多麼富於挑戰,
不許安逸、自憐, 與人同情,與人同行;
祂供應生命糧、 生命活水、一切動力。
帶人走出黑暗, 多少生命因此轉換;
祂能力來覆庇, 天天怯場,天天強壯,
祂能力來覆庇, 天天怯場,天天強壯。
4
你許凡愛你者, 一生充滿多少矛盾,
似乎不為人知, 卻是誠實,人所共知,
似乎即將喪命, 卻是復活,歡呼得生。
在己裡有痛楚, 在你裡面無量豐富;
瓦器裡有寶貝, 天天羞辱,天天榮耀,
瓦器裡有寶貝, 天天羞辱,天天榮耀。
5
從來不曾估量, 平凡的我得此上好,
以你生命活你, 以你性情行事為人,
天天羅曼蒂克, 多采多姿,可泣可歌。
是你極大憐憫, 今生到我這裡來過;
哦,主阿,謝謝你, 今生到我這裡來過,
哦,主阿,謝謝你, 今生到我這裡來過。

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朱欢

Irvine, California, United States

Aug 16, 2025

是你極大憐憫, 今生到我這裡來過;

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劉振家

石溪, NY, United States

Aug 1, 2024

最近个人一些经历,見证以下的歌詞:
你许凡爱你者, 一生充满多少矛盾,
似乎不为人知, 却是诚实,人所共知,
似乎即将丧命, 却是复活,欢呼得生。
何等真实对主的經历!我在那加我能力者的裡面,凡事都能行。

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Christine

Arcadia, CA, United States

Jul 13, 2023

是你極大憐憫, 今生到我這裡來過;感謝讚美只

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Annie Okey

Irvine, CA, United States

Dec 14, 2022

主阿,谢谢你, 今生到我这里来过。

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郑知音

Singapore

Mar 18, 2021

感谢赞美主!主啊!你来临如强光, 那片光明不能抵挡;阿门!

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Rl

Oregon, United States

May 7, 2020

主阿,謝謝你, 今生到我這裡來過。

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Zeyun

La Jolla, CA, United States

Nov 3, 2018

主啊!到我这里来!充满我!让我们瓦器里有宝贝!

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李明哲

Irvine, CA, United States

Sep 15, 2018

似乎即将丧命,却是复活,欢呼得生!赞美主!

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苑子

Chubei, Hsinchu, Taiwan

Oct 19, 2017

Many thanks...to Jesus.

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高越

圣地亚哥

May 20, 2017

哦,主啊谢谢你,今生到我这里来过。

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