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About Numbered Notation

Numbered Notation (also called Jianpu, 简谱) writes each melody note as a number from 1 to 7 instead of a note on a staff. The number shows the note's position in the song's scale -- not its exact pitch -- so the same tune looks identical no matter what key it's sung in.

Within one octave, the numbers 1 2 3 4 5 6 7 correspond to the familiar do re mi fa sol la ti. A dot above a number raises it an octave higher; a dot below lowers it an octave lower -- no dot means the middle, as-written octave.

A plain number lasts one beat. A dash (-) right after a number holds that same note for one more beat. A line underneath a number shortens it instead -- one line is half a beat, two lines a quarter of a beat. A 0 is a rest: silence for one beat.

The label at the top of the sheet, like "1=C" or "1=Ab", shows which pitch scale degree 1 ("do") is tuned to. A song in a minor key is labeled "6=X" instead -- scale degree 6 ("la") is the true tonic. Chord names printed above the notes (like "C" or "G7") always use their familiar letter names, never numbers.

For example, under a "1=C" heading, the numbers 1 2 3 4 5 6 7 sound as C D E F G A B. Under a "1=G" heading, those very same numbers sound as G A B C D E F# instead -- same shape, different key.

我在拿撒勒人耶穌面前

讚美的話

Chinese19
1
我在拿撒勒人耶穌面前
驚異的站立,
希奇,不潔罪人如我,
祂愛竟然能臨及。
 
何等希奇!何等奇妙!
我要歌唱到萬代,
何等希奇!何等奇妙!
是我救主的大愛!
2
為我祂在園中禱告:
『只要照你的旨意;』
祂無眼淚為己憂傷,
為我流汗如血滴。
3
天使看見就憐恤祂,
從光明之中顯現;
在那極其傷痛晚上,
使祂力量得加添。
4
祂除去我罪與我憂,
將其全歸祂自己;
祂負重擔到各各他,
獨自受苦並受死。
5
當那日與蒙贖的人,
在榮耀裡見祂面,
何等歡樂歌唱祂愛,
一直到千萬億年。

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