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About Numbered Notation

The numbers are the notes of a scale

Numbered notation (jianpu, 简谱) writes a melody as numbers instead of notes on a staff. You do not need to read music: take one small step at a time and press Play on any example to hear it while each number lights up. Sound only starts when you press Play.

Instead of notes on a staff, each note is a number from 1 to 7. They are the seven steps of the scale you already know: do re mi fa sol la ti. After 7 the scale starts again at 1.

The seven numbers with their names. Press Play and say each name as its number lights up.
Sing along: do re mi fa sol, and back down to do.

If you can sing do re mi, you can already sing every number from 1 to 7. Tap or click any number to hear just that note.

“1=C” tells you where to start

At the top left of the sheet you will see something like 1=C. It means the number 1 (do) is the note C, and every other number counts up from there. 1=G means do is G, so the whole tune sits a little higher. Nothing else changes: the same numbers make the same shape, only higher or lower.

1=C: do is C.
1=G: the same numbers, starting higher.

Not sure where C is? On a piano it is the white key just left of the two black keys. Or ignore the letter and start on any note that is comfortable for your voice: the tune only has to keep its shape. The − and + key buttons on a hymn page shift the key for you.

Dots make a note higher or lower

A dot above a number means one octave higher. A dot below means one octave lower. Two dots mean two octaves. No dot is the middle range, where most of a tune lives. The name stays the same; only the height changes.

The same number at three heights: dot below, no dot, dot above.
A tune that climbs: it starts on a low sol and ends on a high do.

How long each note lasts

Tap your foot at a steady pace: each tap is a beat. A plain number lasts one beat, so you sing a new number on every tap. Dashes, lines and dots change that.

A plain number is one beat

Four numbers, four beats: one number for each tap.

A dash holds the note longer

Each dash adds one beat. The 5 lasts two beats and the 3 lasts four.

A line underneath makes it shorter

One line is half a beat, so two underlined numbers share one beat. (Two lines are a quarter of a beat.)

A dot after makes it half as long again

A dot after a number adds half its length. The first 5 lasts a beat and a half, and the short 3 fills the rest of the second beat.

0 means rest

A 0 is silence for one beat. Keep counting and keep tapping, but do not sing. Dashes after a 0 make the silence longer, just as they hold a note longer.

Sing 1 3 5, stay quiet for one beat, then come back down. Rests light up too, so you can feel the pause.

Bar lines and the time signature

Tall lines cut the music into bars, each holding the same number of beats. The two small numbers at the start, like 4/4 or 3/4, say how many: 4/4 is four beats in every bar, 3/4 is three. The first beat of each bar is the strongest, so lean on it a little. A double line with a thick edge marks the end.

4/4: count 1 2 3 4, 1 2 3 4. The first beat of each bar sounds a little louder.
3/4: count 1 2 3, 1 2 3, the lilt of a waltz.

Curves: ties and slurs

A curve over numbers joins them. If it joins two of the same number, it is a tie: sing the note once and hold it for both. If it joins different numbers, it is a slur: sing them all on one syllable, gliding from one to the next.

A tie: the 5 is sung once and held across the bar line, six beats in all.
A slur: “Him” is sung on two notes, 3 then 2.

The words sit under the numbers

Each number gets one syllable, written right underneath it. A short dash after part of a word means the word carries on under the next number. If a number has nothing under it, it belongs to a curve or a dash: keep singing the syllable you are on.

Read left to right, one syllable for each number: Twin-kle, twin-kle, lit-tle star.

Repeat signs and 1. 2. endings

A bar line with two dots, :|, means go back and sing that part again, from the matching |: sign (or from the start if there is none). Sometimes the repeat has two endings. Sing ending 1. the first time; on the repeat, skip it and sing ending 2. instead.

Play it: you hear the 1. ending, the repeat, then the 2. ending. Watch the highlight jump back.

Minor keys: “6=A”

A song in a minor key, which usually sounds more serious or tender, is labeled like 6=A instead of 1=C. It means the number 6 (la) is the home note, here A. The numbers keep their usual names; the tune simply feels at home on 6 and often ends there. 6=A uses the same notes as 1=C.

It starts and ends on 6 (la), the home note. Listen to the darker colour.

Put it together: a line of a hymn

This is the first line of hymn 8, “Praise God, from whom all blessings flow”, written in numbered notation. Try the slow tempo first, and sing the words as each number lights up.

1=G in 4/4. Three silent beats, then “Praise” on beat 4. The dots under 7, 6 and 5 mean those notes dip one octave lower.

Check yourself

Four quick questions, with no score and no pressure. Tap an answer to see right away why it is right or wrong. You can always try another answer.

Tap the number that is held the longest.

Tap the 5 that is one octave higher than the first 5.

What does a 0 mean?

Under 1=G, which note is the number 1?

Try it on a hymn

You opened this from a hymn that has a Numbered view, so you can try it right now.

  1. Look at the top left of the sheet: the key, such as 1=D, and the time signature, such as 3/4.
  2. Find the first number and sing it. Then follow the numbers from left to right with the words underneath, one syllable for each number. Press Play in the player to hear the recording while you follow.
  3. Letters above the numbers (C, G7) are chords for a guitarist or pianist. Ignore them while you learn the tune.
  4. To be guided, open the Learn tab and press Play. Under Display, set Learn notation to Numbered (or choose Numbered on the Lead Sheet tab first). For hymns that have numbered lines, each line of numbers scrolls into view in time with the recording while a bouncing ball follows the words; other hymns show the piano notation there. The Speed menu slows it down.

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主是生命種子

靈與生命

Chinese125
1
主是生命種子,
已經撒在我們心裡,
祂要發苗漸漸長大,
長成祂的身量。
祂不需要規條,儀文,
只需活水澆灌;
藉此,包羅萬有生命
就要逐漸成長。
何等奇妙的種子,
就是耶穌我主,
祂撒在我的裡面,
長大並達到成熟。
2
我們許多個別麥粒
不能沾沾自喜,
所有麥粒必須
一起接受搗碎磨細;
直到麥子磨成細麵
並作成一個餅,
所有聖徒相調為一,
模成主的身體。
我們都須被磨細,
直到失去自己,
所有個別麥粒
都模成祂一個身體。
3
種子已種,麥子長成,
細麵是那成品,
我們乃是神的田地
在合一裡長進。
所有生命的長大
是為著建造召會,
讓神和人得一居所
不再無家可歸。
生命是為著建造,
神與人可安息,
在此神與祂子民
大家都和睦同居。
4
神的建造乃在於
精金、寶石和銀子,
為著變化,
細麵需經多少壓榨苦楚!
麥子不能停在細麵階段
自滿自足,
必須經過生命變化
成為金銀寶石。
細麵須經歷痛苦,
纔能變成寶石;
然後建造在一起,
完全達到祂旨意。
5
生命變化完全成熟,
結出一顆珍珠,
簡單、珍貴、包羅萬有、
且是滿有價值。
榮耀之主死而復活,
經過生產之苦,
終於得著召會─新婦,
叫祂心滿意足。
珍珠是祂心所要,
新婦是祂所悅;
這是祂心愛配偶,
單純淨、又寶貝
。
6
願主保守我們靈裡貧窮,
清心向主;
使我們作好土,
生命種子長大,豐富。
直到目標達到,
同被建造,你能滿足,
得著無價至寶─珍珠,
就是你的新婦。
主,倒空我們的靈,
使我們心純淨,
叫我們生命成熟
成為你心愛新婦
。

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Paul Lin

Taipei, Taiwan

Jul 12, 2020

我們若要彀資格作主的新婦,就必須長大,並且要經歷許多的事。成爲新婦比成爲召會更有講究。譬如,小女孩還不彀資格作新婦。她必須長大達到成熟,纔能成爲新婦。她還必須上學,還要學習許多事物。然後男子纔會選她作新婦。

不同的人在考慮選誰作妻子時,會有不同的標準。譬如,有博士學位的人可能要求他的新婦受過高等教育。他會認爲沒有碩士學位的人不彀資格作他的新婦。照樣,那靈對祂新婦的要求也是非常的高。那靈會娶一個沒有成熟的新婦麼?答案當然是否定的。必須等到主的新婦成熟了,完全爲主豫備好了,主纔會來迎娶她。…不要以爲只要我們是召會,就彀資格作新婦。這就好像說,只要是女人,不論年齡大小或成熟與否,都彀資格結婚。不,我們要成爲新婦,必須滿足一些要求。基督徒很容易說,我們都是召會。但是當主耶穌以新郎的身分來到時,我們彀資格作祂的新婦麼?那時主也許會對我們說,我們還不彀資格,我們還需要長大,還需要達到成熟。

你有把握你會被包括而成爲新婦的一部分麼?…我不相信一個只參加主日聚會的人能成爲主新婦的一部分。當主來迎接祂的新婦時,你能說你已經豫備好了麼?你彀資格、成熟了麼?…我們都必須長大並成熟,好叫我們在主來時彀資格被包括而成爲祂新婦的一部分。(哥林多後書生命讀經,二二五至二二七頁。)

新婦豫表召會在其最終的形態裏。…根據馬太二十五章,當主回來時,那些豫備好了的人,要和主一同坐席。這裏豫備好了,就是新婦自己豫備好了,也是神在人身上建造的工作完成,也就是我們在主的生命裏長大成熟。神在我們身上的建造、我們在主生命裏的長大、以及我們在主面前的豫備,這三件事乃是連在一起的。

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