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About Numbered Notation

The numbers are the notes of a scale

Numbered notation (jianpu, 简谱) writes a melody as numbers instead of notes on a staff. You do not need to read music: take one small step at a time and press Play on any example to hear it while each number lights up. Sound only starts when you press Play.

Instead of notes on a staff, each note is a number from 1 to 7. They are the seven steps of the scale you already know: do re mi fa sol la ti. After 7 the scale starts again at 1.

The seven numbers with their names. Press Play and say each name as its number lights up.
Sing along: do re mi fa sol, and back down to do.

If you can sing do re mi, you can already sing every number from 1 to 7. Tap or click any number to hear just that note.

“1=C” tells you where to start

At the top left of the sheet you will see something like 1=C. It means the number 1 (do) is the note C, and every other number counts up from there. 1=G means do is G, so the whole tune sits a little higher. Nothing else changes: the same numbers make the same shape, only higher or lower.

1=C: do is C.
1=G: the same numbers, starting higher.

Not sure where C is? On a piano it is the white key just left of the two black keys. Or ignore the letter and start on any note that is comfortable for your voice: the tune only has to keep its shape. The − and + key buttons on a hymn page shift the key for you.

Dots make a note higher or lower

A dot above a number means one octave higher. A dot below means one octave lower. Two dots mean two octaves. No dot is the middle range, where most of a tune lives. The name stays the same; only the height changes.

The same number at three heights: dot below, no dot, dot above.
A tune that climbs: it starts on a low sol and ends on a high do.

How long each note lasts

Tap your foot at a steady pace: each tap is a beat. A plain number lasts one beat, so you sing a new number on every tap. Dashes, lines and dots change that.

A plain number is one beat

Four numbers, four beats: one number for each tap.

A dash holds the note longer

Each dash adds one beat. The 5 lasts two beats and the 3 lasts four.

A line underneath makes it shorter

One line is half a beat, so two underlined numbers share one beat. (Two lines are a quarter of a beat.)

A dot after makes it half as long again

A dot after a number adds half its length. The first 5 lasts a beat and a half, and the short 3 fills the rest of the second beat.

0 means rest

A 0 is silence for one beat. Keep counting and keep tapping, but do not sing. Dashes after a 0 make the silence longer, just as they hold a note longer.

Sing 1 3 5, stay quiet for one beat, then come back down. Rests light up too, so you can feel the pause.

Bar lines and the time signature

Tall lines cut the music into bars, each holding the same number of beats. The two small numbers at the start, like 4/4 or 3/4, say how many: 4/4 is four beats in every bar, 3/4 is three. The first beat of each bar is the strongest, so lean on it a little. A double line with a thick edge marks the end.

4/4: count 1 2 3 4, 1 2 3 4. The first beat of each bar sounds a little louder.
3/4: count 1 2 3, 1 2 3, the lilt of a waltz.

Curves: ties and slurs

A curve over numbers joins them. If it joins two of the same number, it is a tie: sing the note once and hold it for both. If it joins different numbers, it is a slur: sing them all on one syllable, gliding from one to the next.

A tie: the 5 is sung once and held across the bar line, six beats in all.
A slur: “Him” is sung on two notes, 3 then 2.

The words sit under the numbers

Each number gets one syllable, written right underneath it. A short dash after part of a word means the word carries on under the next number. If a number has nothing under it, it belongs to a curve or a dash: keep singing the syllable you are on.

Read left to right, one syllable for each number: Twin-kle, twin-kle, lit-tle star.

Repeat signs and 1. 2. endings

A bar line with two dots, :|, means go back and sing that part again, from the matching |: sign (or from the start if there is none). Sometimes the repeat has two endings. Sing ending 1. the first time; on the repeat, skip it and sing ending 2. instead.

Play it: you hear the 1. ending, the repeat, then the 2. ending. Watch the highlight jump back.

Minor keys: “6=A”

A song in a minor key, which usually sounds more serious or tender, is labeled like 6=A instead of 1=C. It means the number 6 (la) is the home note, here A. The numbers keep their usual names; the tune simply feels at home on 6 and often ends there. 6=A uses the same notes as 1=C.

It starts and ends on 6 (la), the home note. Listen to the darker colour.

Put it together: a line of a hymn

This is the first line of hymn 8, “Praise God, from whom all blessings flow”, written in numbered notation. Try the slow tempo first, and sing the words as each number lights up.

1=G in 4/4. Three silent beats, then “Praise” on beat 4. The dots under 7, 6 and 5 mean those notes dip one octave lower.

Check yourself

Four quick questions, with no score and no pressure. Tap an answer to see right away why it is right or wrong. You can always try another answer.

Tap the number that is held the longest.

Tap the 5 that is one octave higher than the first 5.

What does a 0 mean?

Under 1=G, which note is the number 1?

Try it on a hymn

You opened this from a hymn that has a Numbered view, so you can try it right now.

  1. Look at the top left of the sheet: the key, such as 1=D, and the time signature, such as 3/4.
  2. Find the first number and sing it. Then follow the numbers from left to right with the words underneath, one syllable for each number. Press Play in the player to hear the recording while you follow.
  3. Letters above the numbers (C, G7) are chords for a guitarist or pianist. Ignore them while you learn the tune.
  4. To be guided, open the Learn tab and press Play. Under Display, set Learn notation to Numbered (or choose Numbered on the Lead Sheet tab first). For hymns that have numbered lines, each line of numbers scrolls into view in time with the recording while a bouncing ball follows the words; other hymns show the piano notation there. The Speed menu slows it down.

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Fresh as the dew of the morning

Comfort in Trials By the Lord of Hope

New Tunes708
1
Fresh as the dew of the morning,
Bringing a sweet rest unheard,
Christ, in the gentle anointing,
Whispers His comforting word:
Stand till the trial is over,
Stand till the tempest is gone,
Stand for the glory of Jesus,
Stand till the kingdom is won.
 
Lord of all hope,
O how sweet is Thy voice,
Making my heart
In Thy presence rejoice.
2
If in the test of my trouble,
Faint be my spirit and heart,
Faith, with the star of hope glimm’ring,
Shall all be taken apart,
May then Thy faith with Thy life-pow’r
Over me hold its full sway
That all Thy riches of glory
Now I may share and for aye.
3
Lord, as the morning sun dawning,
Chase all my darkness away,
And with Thy kind wings of healing
Turn all my night into day.
Come Thou, O come, Lord of comfort,
Come to my sad, weary heart,
Come, O Thou blest hope of glory,
Never, O never depart.

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Ailene

May 21, 2014

...We could not deny the One who had always been faithful to us.

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Marilyn Sharif

Fairfax, VA, United States

Aug 23, 2013

My elderly mother died recently in the morning. After a long, slow decline in her health, over a period of years due to dementia, she experienced a stroke, and then a rapid decline over a period of weeks. During her last day and a half, she experienced acute respiratory distress, which was finally relieved by a respiratory specialist at the hospital. Then she slept peacefully for about six hours. Finally, after being assured she was not alone, she took a deep, relaxed breath as if she were going into a deep sleep. Her nurse said it was one of the most peaceful passings she had ever witnessed. She said she was supposed to be in church that Sunday morning. I assured her that she was in church. The words of this song, Fresh as the dew of the morning, express perfectly my mother's passing into glory to be forever with her Lord Jesus. The Lord was truly there to usher her into His Kingdom (see Psalm 23). Thank You Lord! And, thank You to her nurse that morning. We were truly blessed by your ministry!

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Ernesto Guerrero

Boca Raton, Florida, United States

Dec 19, 2012

This hymn just explained what I experienced this past year (2012)... Truly cherishing and watering. It's also a wonderful song to sing to our Lord and Father. Praise Him!!!

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Sixan Polinar Madarimot

Mandaue City

Oct 7, 2012

Oh Lord Jesus! I really love Thee...

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Mercy Grace Cabural

Iligan City, Philippines

Sep 16, 2012

Amen! Every morning, His grace is always fresh as the dew. And what touches me the most is that, this dew is with the manna. The manna is the supply that we need. Day by day, we need to come to Him and open ourselves to receive His fresh and new dispensing.

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Christopher Roca

Orlando, Florida, United States

Jun 26, 2012

Lord, You are my hope. Lord Jesus, You are my comfort in trials.

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P.C.

Canada

Mar 8, 2012

There may be dry spells in our Christian life with inexplicable circumstances causing our enjoyment of the Lord to fade. At these times, we must realize that the Lord is mercifully calling us, wooing us, beckoning us to come to Him in a deeper way.

The seeker in Song of Songs 3:1 says, "I sought him whom my soul loves; I sought him, but found him not." Sometimes we think the Lord is mad at us, but He simply wants us to 'come away' to the 'cleft of the precipice,' signifying the cross of Christ, which can deliver us from the self introspection.

At these junctures of our lives, may we know the Lord in a deeper and sweeter way by coming to Him in our troubling situations. How long must we wait? That is up to the Lord, but do not cease coming forward. "Stand till the trial is over, stand till the kingdom is won." Our Father is well pleased to give us the kingdom (Luke 12:32) but He wants us continue running until we touch Him.

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Winnie

Mombasa, Coast, Kenya

Feb 10, 2012

A very beautiful song. May God truly bless the administrators of this site.

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Christi

Jackson, MS, United States

Nov 3, 2010

This song brings comfort and consolation to my sad & weary heart.

Thank you for this wonderful website and Much Grace to Run the Race!

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KELVIN

Eldoret, Rift Valley, Kenya

Jun 29, 2009

Uplifting- the piano is great.

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