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About Numbered Notation

The numbers are the notes of a scale

Numbered notation (jianpu, 简谱) writes a melody as numbers instead of notes on a staff. You do not need to read music: take one small step at a time and press Play on any example to hear it while each number lights up. Sound only starts when you press Play.

Instead of notes on a staff, each note is a number from 1 to 7. They are the seven steps of the scale you already know: do re mi fa sol la ti. After 7 the scale starts again at 1.

The seven numbers with their names. Press Play and say each name as its number lights up.
Sing along: do re mi fa sol, and back down to do.

If you can sing do re mi, you can already sing every number from 1 to 7. Tap or click any number to hear just that note.

“1=C” tells you where to start

At the top left of the sheet you will see something like 1=C. It means the number 1 (do) is the note C, and every other number counts up from there. 1=G means do is G, so the whole tune sits a little higher. Nothing else changes: the same numbers make the same shape, only higher or lower.

1=C: do is C.
1=G: the same numbers, starting higher.

Not sure where C is? On a piano it is the white key just left of the two black keys. Or ignore the letter and start on any note that is comfortable for your voice: the tune only has to keep its shape. The − and + key buttons on a hymn page shift the key for you.

Dots make a note higher or lower

A dot above a number means one octave higher. A dot below means one octave lower. Two dots mean two octaves. No dot is the middle range, where most of a tune lives. The name stays the same; only the height changes.

The same number at three heights: dot below, no dot, dot above.
A tune that climbs: it starts on a low sol and ends on a high do.

How long each note lasts

Tap your foot at a steady pace: each tap is a beat. A plain number lasts one beat, so you sing a new number on every tap. Dashes, lines and dots change that.

A plain number is one beat

Four numbers, four beats: one number for each tap.

A dash holds the note longer

Each dash adds one beat. The 5 lasts two beats and the 3 lasts four.

A line underneath makes it shorter

One line is half a beat, so two underlined numbers share one beat. (Two lines are a quarter of a beat.)

A dot after makes it half as long again

A dot after a number adds half its length. The first 5 lasts a beat and a half, and the short 3 fills the rest of the second beat.

0 means rest

A 0 is silence for one beat. Keep counting and keep tapping, but do not sing. Dashes after a 0 make the silence longer, just as they hold a note longer.

Sing 1 3 5, stay quiet for one beat, then come back down. Rests light up too, so you can feel the pause.

Bar lines and the time signature

Tall lines cut the music into bars, each holding the same number of beats. The two small numbers at the start, like 4/4 or 3/4, say how many: 4/4 is four beats in every bar, 3/4 is three. The first beat of each bar is the strongest, so lean on it a little. A double line with a thick edge marks the end.

4/4: count 1 2 3 4, 1 2 3 4. The first beat of each bar sounds a little louder.
3/4: count 1 2 3, 1 2 3, the lilt of a waltz.

Curves: ties and slurs

A curve over numbers joins them. If it joins two of the same number, it is a tie: sing the note once and hold it for both. If it joins different numbers, it is a slur: sing them all on one syllable, gliding from one to the next.

A tie: the 5 is sung once and held across the bar line, six beats in all.
A slur: “Him” is sung on two notes, 3 then 2.

The words sit under the numbers

Each number gets one syllable, written right underneath it. A short dash after part of a word means the word carries on under the next number. If a number has nothing under it, it belongs to a curve or a dash: keep singing the syllable you are on.

Read left to right, one syllable for each number: Twin-kle, twin-kle, lit-tle star.

Repeat signs and 1. 2. endings

A bar line with two dots, :|, means go back and sing that part again, from the matching |: sign (or from the start if there is none). Sometimes the repeat has two endings. Sing ending 1. the first time; on the repeat, skip it and sing ending 2. instead.

Play it: you hear the 1. ending, the repeat, then the 2. ending. Watch the highlight jump back.

Minor keys: “6=A”

A song in a minor key, which usually sounds more serious or tender, is labeled like 6=A instead of 1=C. It means the number 6 (la) is the home note, here A. The numbers keep their usual names; the tune simply feels at home on 6 and often ends there. 6=A uses the same notes as 1=C.

It starts and ends on 6 (la), the home note. Listen to the darker colour.

Put it together: a line of a hymn

This is the first line of hymn 8, “Praise God, from whom all blessings flow”, written in numbered notation. Try the slow tempo first, and sing the words as each number lights up.

1=G in 4/4. Three silent beats, then “Praise” on beat 4. The dots under 7, 6 and 5 mean those notes dip one octave lower.

Check yourself

Four quick questions, with no score and no pressure. Tap an answer to see right away why it is right or wrong. You can always try another answer.

Tap the number that is held the longest.

Tap the 5 that is one octave higher than the first 5.

What does a 0 mean?

Under 1=G, which note is the number 1?

Try it on a hymn

You opened this from a hymn that has a Numbered view, so you can try it right now.

  1. Look at the top left of the sheet: the key, such as 1=D, and the time signature, such as 3/4.
  2. Find the first number and sing it. Then follow the numbers from left to right with the words underneath, one syllable for each number. Press Play in the player to hear the recording while you follow.
  3. Letters above the numbers (C, G7) are chords for a guitarist or pianist. Ignore them while you learn the tune.
  4. To be guided, open the Learn tab and press Play. Under Display, set Learn notation to Numbered (or choose Numbered on the Lead Sheet tab first). For hymns that have numbered lines, each line of numbers scrolls into view in time with the recording while a bouncing ball follows the words; other hymns show the piano notation there. The Speed menu slows it down.

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Take time to behold Him

Encouragement For Fellowship with the Lord

New Tunes643
1
Take time to behold Him,
Speak oft with Thy Lord,
Abide in Him always,
And feed on His Word.
Wait thou in His presence,
Submissive and meek,
Forgetting in nothing
His blessing to seek.
2
Take time to behold Him,
The world rushes on;
Spend much time in secret
With Jesus alone.
By looking to Jesus
Like Him thou shalt be;
Thy friends, in thy conduct,
His likeness shall see.
3
Take time to behold Him,
Let Him be thy guide;
And run not before Him
Whatever betide;
In joy or in sorrow
Still follow thy Lord,
And, looking to Jesus,
Still trust in His Word.
4
Take time to behold Him,
Be calm in thy soul,
Each thought and each temper
Beneath His control.
Thus led by His Spirit
To fountains of love,
Thou then shalt be fitted
His mercy to prove.

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Marieth Siku

Houston, Texas, United States

Jan 14, 2018

Take time to behold Him,
Be calm in thy soul,
Each thought and each temper
Beneath His control.
Amen!!!
Such a sweet hymn.

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William Jeng

Irvine, CA, United States

Feb 1, 2016

"Take time behold Him, the world rushes on; spend much time in secret with Jesus alone. By looking to Jesus, like Him thou shalt be; your friends, in your conduct, His likeness shall see."

Recently I've really been touched by the matter of spending time with the Lord. From our local winter retreat, I saw that I must redeem the time, and to redeem my time is to spend time loving Him. Nothing else compares to Him - there is no one else like our dear Lord Jesus. So shouldn't I be spending the most time loving Him, enjoying and conversing with the Lord? I love Him, I've consecrated my college life to Him, so why aren't I giving Him my full attention, my all? It is because I fail, constantly. And often times after I rebelled, I felt so unworthy and disheartened that I run away from Him. But Hallelujah, we can turn back to Him by choosing our spirit at ANY time! Whenever we fail, it's just another opportunity for me to turn back to Him. We need to PAY THE PRICE to take a stand to our soul life, but in the whole New testament we are never told to REPAY anything. The Lord just wants me to love Him, that I'd willingly pay the price to give my time and life to Him. I love You Lord!

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Kieran Ring

Dublin, Ireland

Sep 7, 2015

Dear Lord, lead us to fountains of love...

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Angela Oliva

Irvine, CA, United States

Sep 3, 2015

Oh Lord Jesus I love You! Keep me always in Your presence, in joy or in sorrow.

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William Jeng

Irvine, CA, United States

Sep 1, 2015

Thank You Lord, whenever we fail we can simply turn back to You. Cause us to spend time with You every single day, whatever betide!

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Herber

Alhambra, CA, United States

Jul 23, 2015

Yes Lord, do cause us to take time to behold You. Do grant us a hidden life of beholding You!

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Lisa Chiang

Los Angeles, California, United States

May 18, 2015

Lord, cause us to take time to behold You. Grant us a hidden life of beholding You!

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Steve Miller

Detroit, MI, United States

Dec 1, 2014

William Longstaff was a businessman, and the son of a wealthy English ship owner. He was his church's treasurer.

In June, 1873, D.L. Moody and Ira Sankey came to England to hold evangelistic meetings. They arrived broke, and were hoping their sponsors would have things ready for them, but instead the fellow they counted on had died, and nothing had been done to prepare for the evangelistic team’s arrival. Moody and Sankey scrounged around desperately to have a meeting and had a very meager group of about 50 that showed up. Soon afterwards, William Longstaff used his financial resources and influence to support them, and the small gatherings increased to 20,000 people in London, and was able to go on to Scotland.

He was also good friends with William Booth, founder of the Salvation Army. - extracted from hymnary and gbod

Longstaff heard a sermon on the text, "Be ye holy for I am holy" and wrote down what holiness meant to him. A businessman at heart, Longstaff wrote no flowery or pious-sounding verses but these down-to-earth thoughts.

The hymn appeared in a Christian newspaper in 1882 and was promptly forgotten. But years later gospel composer George Stebbins, who was leading music in India in connection with evangelistic services there, remembered the poem when he was asked if there was a good hymn on living a holy life. Retrieving the newspaper clipping he had saved, he set the poem to music - Great Songs of Faith by Brown & Norton

------------
In the original, the 1st line of each stanza says,
Take time to be holy,
------------------
the original stanza 1, lines 5-6 say:
Make friends of God's children,
help those who are weak,
--------------

In the original stanza 4, line 3 says "motive" instead of "temper"

The last 2 lines originally say:

thou soon shalt be fitted

for service above.

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Rhesa Maghanoy

Iligan City, Philippines

Oct 8, 2014

Thank You, Lord, for this refreshing word. Lord, make this our daily habit, even our living. May we be such persons who would always take time to behold You, persons who would spend time fellowshipping with You. I love You, Lord!

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Samuel Eldwin

Sentul, Bogor, Indonesia

Sep 28, 2014

There is another version that said, take time to be holy. So which is the right one actually.

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