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About Numbered Notation

The numbers are the notes of a scale

Numbered notation (jianpu, 简谱) writes a melody as numbers instead of notes on a staff. You do not need to read music: take one small step at a time and press Play on any example to hear it while each number lights up. Sound only starts when you press Play.

Instead of notes on a staff, each note is a number from 1 to 7. They are the seven steps of the scale you already know: do re mi fa sol la ti. After 7 the scale starts again at 1.

The seven numbers with their names. Press Play and say each name as its number lights up.
Sing along: do re mi fa sol, and back down to do.

If you can sing do re mi, you can already sing every number from 1 to 7. Tap or click any number to hear just that note.

“1=C” tells you where to start

At the top left of the sheet you will see something like 1=C. It means the number 1 (do) is the note C, and every other number counts up from there. 1=G means do is G, so the whole tune sits a little higher. Nothing else changes: the same numbers make the same shape, only higher or lower.

1=C: do is C.
1=G: the same numbers, starting higher.

Not sure where C is? On a piano it is the white key just left of the two black keys. Or ignore the letter and start on any note that is comfortable for your voice: the tune only has to keep its shape. The − and + key buttons on a hymn page shift the key for you.

Dots make a note higher or lower

A dot above a number means one octave higher. A dot below means one octave lower. Two dots mean two octaves. No dot is the middle range, where most of a tune lives. The name stays the same; only the height changes.

The same number at three heights: dot below, no dot, dot above.
A tune that climbs: it starts on a low sol and ends on a high do.

How long each note lasts

Tap your foot at a steady pace: each tap is a beat. A plain number lasts one beat, so you sing a new number on every tap. Dashes, lines and dots change that.

A plain number is one beat

Four numbers, four beats: one number for each tap.

A dash holds the note longer

Each dash adds one beat. The 5 lasts two beats and the 3 lasts four.

A line underneath makes it shorter

One line is half a beat, so two underlined numbers share one beat. (Two lines are a quarter of a beat.)

A dot after makes it half as long again

A dot after a number adds half its length. The first 5 lasts a beat and a half, and the short 3 fills the rest of the second beat.

0 means rest

A 0 is silence for one beat. Keep counting and keep tapping, but do not sing. Dashes after a 0 make the silence longer, just as they hold a note longer.

Sing 1 3 5, stay quiet for one beat, then come back down. Rests light up too, so you can feel the pause.

Bar lines and the time signature

Tall lines cut the music into bars, each holding the same number of beats. The two small numbers at the start, like 4/4 or 3/4, say how many: 4/4 is four beats in every bar, 3/4 is three. The first beat of each bar is the strongest, so lean on it a little. A double line with a thick edge marks the end.

4/4: count 1 2 3 4, 1 2 3 4. The first beat of each bar sounds a little louder.
3/4: count 1 2 3, 1 2 3, the lilt of a waltz.

Curves: ties and slurs

A curve over numbers joins them. If it joins two of the same number, it is a tie: sing the note once and hold it for both. If it joins different numbers, it is a slur: sing them all on one syllable, gliding from one to the next.

A tie: the 5 is sung once and held across the bar line, six beats in all.
A slur: “Him” is sung on two notes, 3 then 2.

The words sit under the numbers

Each number gets one syllable, written right underneath it. A short dash after part of a word means the word carries on under the next number. If a number has nothing under it, it belongs to a curve or a dash: keep singing the syllable you are on.

Read left to right, one syllable for each number: Twin-kle, twin-kle, lit-tle star.

Repeat signs and 1. 2. endings

A bar line with two dots, :|, means go back and sing that part again, from the matching |: sign (or from the start if there is none). Sometimes the repeat has two endings. Sing ending 1. the first time; on the repeat, skip it and sing ending 2. instead.

Play it: you hear the 1. ending, the repeat, then the 2. ending. Watch the highlight jump back.

Minor keys: “6=A”

A song in a minor key, which usually sounds more serious or tender, is labeled like 6=A instead of 1=C. It means the number 6 (la) is the home note, here A. The numbers keep their usual names; the tune simply feels at home on 6 and often ends there. 6=A uses the same notes as 1=C.

It starts and ends on 6 (la), the home note. Listen to the darker colour.

Put it together: a line of a hymn

This is the first line of hymn 8, “Praise God, from whom all blessings flow”, written in numbered notation. Try the slow tempo first, and sing the words as each number lights up.

1=G in 4/4. Three silent beats, then “Praise” on beat 4. The dots under 7, 6 and 5 mean those notes dip one octave lower.

Check yourself

Four quick questions, with no score and no pressure. Tap an answer to see right away why it is right or wrong. You can always try another answer.

Tap the number that is held the longest.

Tap the 5 that is one octave higher than the first 5.

What does a 0 mean?

Under 1=G, which note is the number 1?

Try it on a hymn

You opened this from a hymn that has a Numbered view, so you can try it right now.

  1. Look at the top left of the sheet: the key, such as 1=D, and the time signature, such as 3/4.
  2. Find the first number and sing it. Then follow the numbers from left to right with the words underneath, one syllable for each number. Press Play in the player to hear the recording while you follow.
  3. Letters above the numbers (C, G7) are chords for a guitarist or pianist. Ignore them while you learn the tune.
  4. To be guided, open the Learn tab and press Play. Under Display, set Learn notation to Numbered (or choose Numbered on the Lead Sheet tab first). For hymns that have numbered lines, each line of numbers scrolls into view in time with the recording while a bouncing ball follows the words; other hymns show the piano notation there. The Speed menu slows it down.

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I take Thy promise, Lord, in all its length

Experience of Christ Trusting Him

New Tunes575
1
I take Thy promise, Lord, in all its length,
And breadth and fullness, as my daily strength;
Into life’s future fearless I may gaze,
For, Savior, Thou art with me all the days.
2
Days may be coming fraught with loss and change,
New scenes surround my life and fancies strange;
I thank Thee that no day can ever break,
Savior, when Thou wilt leave me or forsake.
3
There may be days of darkness and distress,
When sin has power to tempt, and care to press,
Yet in the darkest day I will not fear,
For, ’mid the shadows, Thou wilt still be near.
4
Days there may be of joy and deep delight,
When earth seems fairest, and her skies most bright,
Then draw me closer to Thee, lest I rest
Elsewhere, my Savior, than upon Thy breast.
5
And all the other days that make my life,
Marked by no special joy or grief or strife,
Days filled with quiet duties, trivial care,
Burdens too small for other hearts to share;
6
Spend Thou these days with me, all shall be Thine,
So shall the darkest hour with glory shine.
Then when these earthly years have passed away,
Let me be with Thee in the perfect day.

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ZC

Rohnert Park, CA, United States

May 1, 2026

Today is a day filled with quiet duties and trivial care, after some recent days of darkness and distress. This song is such a sweet reminder that He is with us on the darkest and joyous days as well as these ordinary days.

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Nelson Liu

Boston, MA, United States

Nov 16, 2019

Thou art with me all the days!

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Jared Huang

Austin, TX, United States

Oct 5, 2019

Yet in the darkest day I will not fear,
For, ’mid the shadows, Thou wilt still be near.
Lord Jesus we love You.

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Ivie McMillan

Denton, TX

Jun 26, 2016

Thank You Lord, You are near and with us all our days. Amen.

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William Jeng

Irvine, CA, United States

Apr 11, 2015

What a great reminder!! Everything else will fail, except His promise :)

When times get rough, He is always there for us.
Praise Him no matter what we are going through in life,
The Lord wants us to enjoy Him in both peaks & valleys!

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Elaine Taylor

Canada

Nov 10, 2013

The words were written by H.L.R. Deck. My old sheet music says "From F.C. Goudimel" and is also a different tune (C_DEF_E_DC_BC
E_FGA_G_FEDCD---
etc). Rich!

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Ernesto G. Florendo

Zamboanga City, Philippines

Nov 30, 2012

The Lord be praised. I have gone through deep distresses for some time now. And the truths expressed in the hymn catches what is in my heart. I was singing just parts of two stanzas... Then I searched the net and found your site. Thanks for your ministry.

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Arne Teigland

Moorhead, Minnesota, United States

Jun 14, 2012

I love this hymn too. A friend sang it at our wedding 43 years ago, and I have turned to it often. The tune used here is different from the one I know from the old IVCF "Hymns". But this also has a stanza (#2) that "Hymns" doesn't include. I'm grateful to have found this site. Can anyone tell me the background to this song?

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Henna

Pleasanton, CA, United States

Aug 19, 2010

I really enjoy verse 4 because it reminds us that we always need the Lord. It's easy to forget Him on the days that we "don't need" Him; when we are happy and our lives are going well. However, these are the days we need to most remember to draw near to the Lord!

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Cinta

Sby, East Java, Indonesia

Dec 12, 2009

The lyrics is a great encouragement for me...

Thanks!

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