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About Numbered Notation

The numbers are the notes of a scale

Numbered notation (jianpu, 简谱) writes a melody as numbers instead of notes on a staff. You do not need to read music: take one small step at a time and press Play on any example to hear it while each number lights up. Sound only starts when you press Play.

Instead of notes on a staff, each note is a number from 1 to 7. They are the seven steps of the scale you already know: do re mi fa sol la ti. After 7 the scale starts again at 1.

The seven numbers with their names. Press Play and say each name as its number lights up.
Sing along: do re mi fa sol, and back down to do.

If you can sing do re mi, you can already sing every number from 1 to 7. Tap or click any number to hear just that note.

“1=C” tells you where to start

At the top left of the sheet you will see something like 1=C. It means the number 1 (do) is the note C, and every other number counts up from there. 1=G means do is G, so the whole tune sits a little higher. Nothing else changes: the same numbers make the same shape, only higher or lower.

1=C: do is C.
1=G: the same numbers, starting higher.

Not sure where C is? On a piano it is the white key just left of the two black keys. Or ignore the letter and start on any note that is comfortable for your voice: the tune only has to keep its shape. The − and + key buttons on a hymn page shift the key for you.

Dots make a note higher or lower

A dot above a number means one octave higher. A dot below means one octave lower. Two dots mean two octaves. No dot is the middle range, where most of a tune lives. The name stays the same; only the height changes.

The same number at three heights: dot below, no dot, dot above.
A tune that climbs: it starts on a low sol and ends on a high do.

How long each note lasts

Tap your foot at a steady pace: each tap is a beat. A plain number lasts one beat, so you sing a new number on every tap. Dashes, lines and dots change that.

A plain number is one beat

Four numbers, four beats: one number for each tap.

A dash holds the note longer

Each dash adds one beat. The 5 lasts two beats and the 3 lasts four.

A line underneath makes it shorter

One line is half a beat, so two underlined numbers share one beat. (Two lines are a quarter of a beat.)

A dot after makes it half as long again

A dot after a number adds half its length. The first 5 lasts a beat and a half, and the short 3 fills the rest of the second beat.

0 means rest

A 0 is silence for one beat. Keep counting and keep tapping, but do not sing. Dashes after a 0 make the silence longer, just as they hold a note longer.

Sing 1 3 5, stay quiet for one beat, then come back down. Rests light up too, so you can feel the pause.

Bar lines and the time signature

Tall lines cut the music into bars, each holding the same number of beats. The two small numbers at the start, like 4/4 or 3/4, say how many: 4/4 is four beats in every bar, 3/4 is three. The first beat of each bar is the strongest, so lean on it a little. A double line with a thick edge marks the end.

4/4: count 1 2 3 4, 1 2 3 4. The first beat of each bar sounds a little louder.
3/4: count 1 2 3, 1 2 3, the lilt of a waltz.

Curves: ties and slurs

A curve over numbers joins them. If it joins two of the same number, it is a tie: sing the note once and hold it for both. If it joins different numbers, it is a slur: sing them all on one syllable, gliding from one to the next.

A tie: the 5 is sung once and held across the bar line, six beats in all.
A slur: “Him” is sung on two notes, 3 then 2.

The words sit under the numbers

Each number gets one syllable, written right underneath it. A short dash after part of a word means the word carries on under the next number. If a number has nothing under it, it belongs to a curve or a dash: keep singing the syllable you are on.

Read left to right, one syllable for each number: Twin-kle, twin-kle, lit-tle star.

Repeat signs and 1. 2. endings

A bar line with two dots, :|, means go back and sing that part again, from the matching |: sign (or from the start if there is none). Sometimes the repeat has two endings. Sing ending 1. the first time; on the repeat, skip it and sing ending 2. instead.

Play it: you hear the 1. ending, the repeat, then the 2. ending. Watch the highlight jump back.

Minor keys: “6=A”

A song in a minor key, which usually sounds more serious or tender, is labeled like 6=A instead of 1=C. It means the number 6 (la) is the home note, here A. The numbers keep their usual names; the tune simply feels at home on 6 and often ends there. 6=A uses the same notes as 1=C.

It starts and ends on 6 (la), the home note. Listen to the darker colour.

Put it together: a line of a hymn

This is the first line of hymn 8, “Praise God, from whom all blessings flow”, written in numbered notation. Try the slow tempo first, and sing the words as each number lights up.

1=G in 4/4. Three silent beats, then “Praise” on beat 4. The dots under 7, 6 and 5 mean those notes dip one octave lower.

Check yourself

Four quick questions, with no score and no pressure. Tap an answer to see right away why it is right or wrong. You can always try another answer.

Tap the number that is held the longest.

Tap the 5 that is one octave higher than the first 5.

What does a 0 mean?

Under 1=G, which note is the number 1?

Try it on a hymn

You opened this from a hymn that has a Numbered view, so you can try it right now.

  1. Look at the top left of the sheet: the key, such as 1=D, and the time signature, such as 3/4.
  2. Find the first number and sing it. Then follow the numbers from left to right with the words underneath, one syllable for each number. Press Play in the player to hear the recording while you follow.
  3. Letters above the numbers (C, G7) are chords for a guitarist or pianist. Ignore them while you learn the tune.
  4. To be guided, open the Learn tab and press Play. Under Display, set Learn notation to Numbered (or choose Numbered on the Lead Sheet tab first). For hymns that have numbered lines, each line of numbers scrolls into view in time with the recording while a bouncing ball follows the words; other hymns show the piano notation there. The Speed menu slows it down.

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My will is weak, my strength is frail

Experience of Christ Trusting Him

New Tunes578
1
My will is weak, my strength is frail,
And all my hope is nearly gone;
I can but trust Thy working true
To gently hold and lead me on.
2
I’ve tried my best, but still have failed,
E’en as before I’ve failed and erred;
Thy patience is my only trust
To hold and keep me to Thy word.
3
Whene’er my heart is lifted up,
How very near I am to fall;
I dare not do, I dare not think,
I need Thyself in great or small.
4
Thou art my Savior, strength and stay,
O Lord, I come to seek Thy face;
Though I’m the weakest of the weak,
My strength is nothing but Thy grace.

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Marguerite Daehn

Pensacola, FL, United States

Sep 29, 2025

Thank you Lord Jesus for my church family and you never ending comforting Grace 🙏

Read more
Nelson Liu

Irvine, CA, United States

Sep 23, 2024

All my hope is nearly gone. I can but trust Thy working true to gently hold and lead me on. Lord I trust in You!

Read more
Keturrah

Toronto, ON, Canada

May 1, 2024

Every time I listen to this song I am in tears because the first time I found out about the song and listened to it was when one of my friends has gone through a tragedy where she lost her daughter in a car accident. And ever since I cry that God might strengthen her because my strength is nothing and it won’t be enough, but His grace is!!

My will is weak, my strength is frail,
And all my hope is nearly gone;
I can but trust Thy working true
To gently hold and lead me on…

Read more
Maurice Ward

Columbus, Ohio, United States

Feb 3, 2022

Greater power I pray not, deeper death is what I need.

This is not a lament of how weak we are and a yearning for something more to change this about ourselves, but this is a deep realization that we are weak and unable in both what is great and what is small. Therefore, we rejoice in our weaknesses and lay hold of Christ who as our grace is our very strength.

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Fred Northrupp

Crescent City, CA, United States

Jun 26, 2021

I used to think this hymn was a kind of soulish whining until I saw that it was written by Watchman Nee. Now I realize it is the testimony of a person who has lost all confidence in the flesh and I appreciate it and enjoy it much more.

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Sunny Olatunji

Nigeria

Jun 25, 2020

Hallelujah... AMEN

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Dorcas

Los Angeles, CA, United States

Dec 11, 2019

My strength is nothing but thy Grace.

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Sister Vali

Tirana, Albania

Feb 20, 2019

I need Thyself in great or small.

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Jayden

Perth, WA, Australia

Feb 7, 2019

Thank You Lord this age is so wicked and our will is weak and our strength is fail, but thank You Lord we can trust in You, not depend on ourselves but trust in You. Thank You Lord draw us to You more each day.

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Allen In Christ

San Marcos, TX, United States

Feb 1, 2019

No matter what age and what stage we are in the Lord our strength isn’t in ourselves but in His grace. Thousands of failures help us to realize that we utterly need the Lord.

Read more