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About Numbered Notation

The numbers are the notes of a scale

Numbered notation (jianpu, 简谱) writes a melody as numbers instead of notes on a staff. You do not need to read music: take one small step at a time and press Play on any example to hear it while each number lights up. Sound only starts when you press Play.

Instead of notes on a staff, each note is a number from 1 to 7. They are the seven steps of the scale you already know: do re mi fa sol la ti. After 7 the scale starts again at 1.

The seven numbers with their names. Press Play and say each name as its number lights up.
Sing along: do re mi fa sol, and back down to do.

If you can sing do re mi, you can already sing every number from 1 to 7. Tap or click any number to hear just that note.

“1=C” tells you where to start

At the top left of the sheet you will see something like 1=C. It means the number 1 (do) is the note C, and every other number counts up from there. 1=G means do is G, so the whole tune sits a little higher. Nothing else changes: the same numbers make the same shape, only higher or lower.

1=C: do is C.
1=G: the same numbers, starting higher.

Not sure where C is? On a piano it is the white key just left of the two black keys. Or ignore the letter and start on any note that is comfortable for your voice: the tune only has to keep its shape. The − and + key buttons on a hymn page shift the key for you.

Dots make a note higher or lower

A dot above a number means one octave higher. A dot below means one octave lower. Two dots mean two octaves. No dot is the middle range, where most of a tune lives. The name stays the same; only the height changes.

The same number at three heights: dot below, no dot, dot above.
A tune that climbs: it starts on a low sol and ends on a high do.

How long each note lasts

Tap your foot at a steady pace: each tap is a beat. A plain number lasts one beat, so you sing a new number on every tap. Dashes, lines and dots change that.

A plain number is one beat

Four numbers, four beats: one number for each tap.

A dash holds the note longer

Each dash adds one beat. The 5 lasts two beats and the 3 lasts four.

A line underneath makes it shorter

One line is half a beat, so two underlined numbers share one beat. (Two lines are a quarter of a beat.)

A dot after makes it half as long again

A dot after a number adds half its length. The first 5 lasts a beat and a half, and the short 3 fills the rest of the second beat.

0 means rest

A 0 is silence for one beat. Keep counting and keep tapping, but do not sing. Dashes after a 0 make the silence longer, just as they hold a note longer.

Sing 1 3 5, stay quiet for one beat, then come back down. Rests light up too, so you can feel the pause.

Bar lines and the time signature

Tall lines cut the music into bars, each holding the same number of beats. The two small numbers at the start, like 4/4 or 3/4, say how many: 4/4 is four beats in every bar, 3/4 is three. The first beat of each bar is the strongest, so lean on it a little. A double line with a thick edge marks the end.

4/4: count 1 2 3 4, 1 2 3 4. The first beat of each bar sounds a little louder.
3/4: count 1 2 3, 1 2 3, the lilt of a waltz.

Curves: ties and slurs

A curve over numbers joins them. If it joins two of the same number, it is a tie: sing the note once and hold it for both. If it joins different numbers, it is a slur: sing them all on one syllable, gliding from one to the next.

A tie: the 5 is sung once and held across the bar line, six beats in all.
A slur: “Him” is sung on two notes, 3 then 2.

The words sit under the numbers

Each number gets one syllable, written right underneath it. A short dash after part of a word means the word carries on under the next number. If a number has nothing under it, it belongs to a curve or a dash: keep singing the syllable you are on.

Read left to right, one syllable for each number: Twin-kle, twin-kle, lit-tle star.

Repeat signs and 1. 2. endings

A bar line with two dots, :|, means go back and sing that part again, from the matching |: sign (or from the start if there is none). Sometimes the repeat has two endings. Sing ending 1. the first time; on the repeat, skip it and sing ending 2. instead.

Play it: you hear the 1. ending, the repeat, then the 2. ending. Watch the highlight jump back.

Minor keys: “6=A”

A song in a minor key, which usually sounds more serious or tender, is labeled like 6=A instead of 1=C. It means the number 6 (la) is the home note, here A. The numbers keep their usual names; the tune simply feels at home on 6 and often ends there. 6=A uses the same notes as 1=C.

It starts and ends on 6 (la), the home note. Listen to the darker colour.

Put it together: a line of a hymn

This is the first line of hymn 8, “Praise God, from whom all blessings flow”, written in numbered notation. Try the slow tempo first, and sing the words as each number lights up.

1=G in 4/4. Three silent beats, then “Praise” on beat 4. The dots under 7, 6 and 5 mean those notes dip one octave lower.

Check yourself

Four quick questions, with no score and no pressure. Tap an answer to see right away why it is right or wrong. You can always try another answer.

Tap the number that is held the longest.

Tap the 5 that is one octave higher than the first 5.

What does a 0 mean?

Under 1=G, which note is the number 1?

Try it on a hymn

You opened this from a hymn that has a Numbered view, so you can try it right now.

  1. Look at the top left of the sheet: the key, such as 1=D, and the time signature, such as 3/4.
  2. Find the first number and sing it. Then follow the numbers from left to right with the words underneath, one syllable for each number. Press Play in the player to hear the recording while you follow.
  3. Letters above the numbers (C, G7) are chords for a guitarist or pianist. Ignore them while you learn the tune.
  4. To be guided, open the Learn tab and press Play. Under Display, set Learn notation to Numbered (or choose Numbered on the Lead Sheet tab first). For hymns that have numbered lines, each line of numbers scrolls into view in time with the recording while a bouncing ball follows the words; other hymns show the piano notation there. The Speed menu slows it down.

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1
I was going down
From Jerusalem to Jericho,
Towards that cursed town,
Exchanging peace for pain and sorrow.
 
Then the robbers came
Stripped me and beat me, left me half dead.
Stuck here, bruised and lame
Will this wretched road be my deathbed?
 
Can somebody help me?
I’m hurting! I’m dying! Does anyone care?
I have an urgent need!
But sadly it seems that no one is aware.
2
Wait, a priest I see!
Descending like me. My case he’ll claim!
He passes by me,
Then comes a Levite and does the same.
 
I thought they would help me!
They seemed to serve God and to honor His name.
Religion is empty!
It cannot heal me. All my wounds still remain.
3
A Samaritan
Comes upon me and observes my plight.
Moved with compassion
He treats my wounds, binding them just right.
 
Lord Jesus You found me!
You poured oil and wine on my wounds, them to heal!
You put me on Your beast!
At last! Here is kindness and tenderness real.
4
Now I’m in the inn,
The church, with all those under Your care.
And now I begin
To find some others still in despair.
 
Lord, bring in more wounded!
Those without the Spirit and the life divine.
That they could be added,
And at Your return, the same care You would find.

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Saint

May 12, 2025

You care Lord. You care. Thank you Jesus.

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Antipas Vadje

Pepease/abetifi, Eastern Region, Ghana

Aug 11, 2020

A wonderful song. Many at times, religion has interpreted the story of the Good Samaritan to be like do good to your brothers in times of need. BUT we need to see that this is beyond good and bad. This is a matter of the divine life. Hallelujah! We were wounded and our Saviour brought us into the inn (Church). He has and is still caring for our wounds. At last, we are or will be healed. Here is kindness and tenderness real. Lord cause many to come into the inn. Keep us under your care!!! Praise the Lord!!!!

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Cosette

Gainesville, Florida, United States

Apr 4, 2020

I really appreciate this song because it shows us that they only way to get to the the Church, our refuge, our safe haven, our real home, is through Christ alone. Religion cannot offer us what we need to satisfy the eternity in our hearts (Ecclesiastes 3:11), but rather only God, the truly eternal one, can be this satisfaction to us. Praise the Lord, He brought us into the Church where our wounds are healed and where we can be with God's family!

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Livingstone

United States

Aug 18, 2019

Thank you Lord Jesus!

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Lucas Costa

Belo Horizonte, MG, Brazil

Dec 14, 2018

We were dead in sins, condemned by the law. But hallelujah for our Man-Savior!

He found us!
He saved us!
He gave us His Spirit and life divine!
He brought us to the church!

He loved us, now we just need to love Him and express Him to others, so that they can experience Jesus Christ as the Man-Savior!

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Sarah Anne

Ochtrup, Munster, Germany

Dec 2, 2018

i love this song: we act like this at times with our ; nearest and dearest: family: thanks hymnal. netGod bless

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