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About Numbered Notation

The numbers are the notes of a scale

Numbered notation (jianpu, 简谱) writes a melody as numbers instead of notes on a staff. You do not need to read music: take one small step at a time and press Play on any example to hear it while each number lights up. Sound only starts when you press Play.

Instead of notes on a staff, each note is a number from 1 to 7. They are the seven steps of the scale you already know: do re mi fa sol la ti. After 7 the scale starts again at 1.

The seven numbers with their names. Press Play and say each name as its number lights up.
Sing along: do re mi fa sol, and back down to do.

If you can sing do re mi, you can already sing every number from 1 to 7. Tap or click any number to hear just that note.

“1=C” tells you where to start

At the top left of the sheet you will see something like 1=C. It means the number 1 (do) is the note C, and every other number counts up from there. 1=G means do is G, so the whole tune sits a little higher. Nothing else changes: the same numbers make the same shape, only higher or lower.

1=C: do is C.
1=G: the same numbers, starting higher.

Not sure where C is? On a piano it is the white key just left of the two black keys. Or ignore the letter and start on any note that is comfortable for your voice: the tune only has to keep its shape. The − and + key buttons on a hymn page shift the key for you.

Dots make a note higher or lower

A dot above a number means one octave higher. A dot below means one octave lower. Two dots mean two octaves. No dot is the middle range, where most of a tune lives. The name stays the same; only the height changes.

The same number at three heights: dot below, no dot, dot above.
A tune that climbs: it starts on a low sol and ends on a high do.

How long each note lasts

Tap your foot at a steady pace: each tap is a beat. A plain number lasts one beat, so you sing a new number on every tap. Dashes, lines and dots change that.

A plain number is one beat

Four numbers, four beats: one number for each tap.

A dash holds the note longer

Each dash adds one beat. The 5 lasts two beats and the 3 lasts four.

A line underneath makes it shorter

One line is half a beat, so two underlined numbers share one beat. (Two lines are a quarter of a beat.)

A dot after makes it half as long again

A dot after a number adds half its length. The first 5 lasts a beat and a half, and the short 3 fills the rest of the second beat.

0 means rest

A 0 is silence for one beat. Keep counting and keep tapping, but do not sing. Dashes after a 0 make the silence longer, just as they hold a note longer.

Sing 1 3 5, stay quiet for one beat, then come back down. Rests light up too, so you can feel the pause.

Bar lines and the time signature

Tall lines cut the music into bars, each holding the same number of beats. The two small numbers at the start, like 4/4 or 3/4, say how many: 4/4 is four beats in every bar, 3/4 is three. The first beat of each bar is the strongest, so lean on it a little. A double line with a thick edge marks the end.

4/4: count 1 2 3 4, 1 2 3 4. The first beat of each bar sounds a little louder.
3/4: count 1 2 3, 1 2 3, the lilt of a waltz.

Curves: ties and slurs

A curve over numbers joins them. If it joins two of the same number, it is a tie: sing the note once and hold it for both. If it joins different numbers, it is a slur: sing them all on one syllable, gliding from one to the next.

A tie: the 5 is sung once and held across the bar line, six beats in all.
A slur: “Him” is sung on two notes, 3 then 2.

The words sit under the numbers

Each number gets one syllable, written right underneath it. A short dash after part of a word means the word carries on under the next number. If a number has nothing under it, it belongs to a curve or a dash: keep singing the syllable you are on.

Read left to right, one syllable for each number: Twin-kle, twin-kle, lit-tle star.

Repeat signs and 1. 2. endings

A bar line with two dots, :|, means go back and sing that part again, from the matching |: sign (or from the start if there is none). Sometimes the repeat has two endings. Sing ending 1. the first time; on the repeat, skip it and sing ending 2. instead.

Play it: you hear the 1. ending, the repeat, then the 2. ending. Watch the highlight jump back.

Minor keys: “6=A”

A song in a minor key, which usually sounds more serious or tender, is labeled like 6=A instead of 1=C. It means the number 6 (la) is the home note, here A. The numbers keep their usual names; the tune simply feels at home on 6 and often ends there. 6=A uses the same notes as 1=C.

It starts and ends on 6 (la), the home note. Listen to the darker colour.

Put it together: a line of a hymn

This is the first line of hymn 8, “Praise God, from whom all blessings flow”, written in numbered notation. Try the slow tempo first, and sing the words as each number lights up.

1=G in 4/4. Three silent beats, then “Praise” on beat 4. The dots under 7, 6 and 5 mean those notes dip one octave lower.

Check yourself

Four quick questions, with no score and no pressure. Tap an answer to see right away why it is right or wrong. You can always try another answer.

Tap the number that is held the longest.

Tap the 5 that is one octave higher than the first 5.

What does a 0 mean?

Under 1=G, which note is the number 1?

Try it on a hymn

You opened this from a hymn that has a Numbered view, so you can try it right now.

  1. Look at the top left of the sheet: the key, such as 1=D, and the time signature, such as 3/4.
  2. Find the first number and sing it. Then follow the numbers from left to right with the words underneath, one syllable for each number. Press Play in the player to hear the recording while you follow.
  3. Letters above the numbers (C, G7) are chords for a guitarist or pianist. Ignore them while you learn the tune.
  4. To be guided, open the Learn tab and press Play. Under Display, set Learn notation to Numbered (or choose Numbered on the Music tab first). For hymns that have numbered lines, each line of numbers scrolls into view in time with the recording while a bouncing ball follows the words; other hymns show the piano notation there. The Tempo menu slows it down without changing the pitch.

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With the kisses of Your mouth

Experience of Christ Loving Him

New Songs365
1
With the kisses of Your mouth,
Have You kissed me, Lord.
From Your kisses flows a fountain,
From a depth unknown.
Gently tempered by Your touching
Of my deepest chords,
My heart’s renewed with gladness,
And my love o’erflows.
2
Let me kiss You, drink You deeper,
Fully satisfy
All the longings deep within me,
For Your presence nigh,
And a deeper, sweeter union,
Of Your life with mine
That our natures fully mingled,
Would our hearts entwine.
3
Ever increase, Lord, within me,
My desire for You.
Let Your kisses ever kiss me,
And that I’d kiss You.
Dear Lord Jesus, may I ever be,
So betrothed to You.
May I love You, always love You,
And respond to You.
May I love You, always love You,
And respond to You.

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Silverio Donggay Jr.

Alkhor, Doha, Qatar

Sep 12, 2013

How sweet is the kisses of our LORD... we feel the freshness of life...thank You. LORD JESUS, I Love You...

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Helen Mataki

Feilding, New Zealand

Dec 1, 2012

Oh Lord may I always live You and respond to You.

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Deirdre Colburn

Vista, CA, United States

Dec 5, 2011

What a blessed new hymn! Few there be who know this intimate walk with the One Most Beautiful, Jesus. He keeps calling me back to Him daily. I surfed onto this wonderful site looking for lyrics to another hymn. Gracias, Ricardo de Bolivia, por traducirlo tambien!!!

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Brooke Balzano

Thousand Oaks, CA, United States

Dec 2, 2011

What a deep and rich song this is. Who is the author??? Christ for sure. This is the experience we as children of God should pray for daily. Life as it is, full of so much adversity. This love will exclude all but His divine love.

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Celia

Moreno Valley, CA, United States

Nov 21, 2011

There is absolutely nothing better than the kisses of our Lord Jesus. From His kisses flows the fountains of living waters that refresh, and renew my being. Definetly there is no anxiety when I am tempered by His kisses. No fear, only life divine!

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Ricardo Quiroz

Bolivia

Nov 6, 2011

What a lovely hymn!! I want intensely what this hymn says!! I want His kisses!! I want to turn to His love, left my enjoyments and let Him kiss me more!! Lord Jesus, my Jesus! I love You!!

I couldn't resist! Here is the translation without metric:

Con los besos de Tu boca

1. Con los besos de Tu boca,
Me has besado, Señor.
De Tus besos fluye una fuente,
De profundidad desconocida.
Tirnamente atemperada por Tu toque
En mis más profundas cuerdas,
Mi corazón es renovado con regocijo,
Y mi amor desborda.

2. Déjame besarte, beberte profundamente,
Me satisface completamente
Todas las ansias profundas en mi,
Por Tu presencia cercana,
Y una profunda, dulce unión,
De Tu vida con la mia
Que nuestras naturalezas completamente mezcladas,
Puedan nuestros corazones entrelazar.

3. Siempre incrementándote, Señor, en mi interior,
Mi deseo es para Ti.
Que tus besos siempre me besen,
Y que yo Te bese.
Querido Señor Jesus, que pueda siempre estar,
Tan comprometido contigo.
Que Te ame, siempre que te ame,
Y que responda a Ti.
Que Te ame, siempre que te ame,
Y que responda a Ti.

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