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About Numbered Notation

The numbers are the notes of a scale

Numbered notation (jianpu, 简谱) writes a melody as numbers instead of notes on a staff. You do not need to read music: take one small step at a time and press Play on any example to hear it while each number lights up. Sound only starts when you press Play.

Instead of notes on a staff, each note is a number from 1 to 7. They are the seven steps of the scale you already know: do re mi fa sol la ti. After 7 the scale starts again at 1.

The seven numbers with their names. Press Play and say each name as its number lights up.
Sing along: do re mi fa sol, and back down to do.

If you can sing do re mi, you can already sing every number from 1 to 7. Tap or click any number to hear just that note.

“1=C” tells you where to start

At the top left of the sheet you will see something like 1=C. It means the number 1 (do) is the note C, and every other number counts up from there. 1=G means do is G, so the whole tune sits a little higher. Nothing else changes: the same numbers make the same shape, only higher or lower.

1=C: do is C.
1=G: the same numbers, starting higher.

Not sure where C is? On a piano it is the white key just left of the two black keys. Or ignore the letter and start on any note that is comfortable for your voice: the tune only has to keep its shape. The − and + key buttons on a hymn page shift the key for you.

Dots make a note higher or lower

A dot above a number means one octave higher. A dot below means one octave lower. Two dots mean two octaves. No dot is the middle range, where most of a tune lives. The name stays the same; only the height changes.

The same number at three heights: dot below, no dot, dot above.
A tune that climbs: it starts on a low sol and ends on a high do.

How long each note lasts

Tap your foot at a steady pace: each tap is a beat. A plain number lasts one beat, so you sing a new number on every tap. Dashes, lines and dots change that.

A plain number is one beat

Four numbers, four beats: one number for each tap.

A dash holds the note longer

Each dash adds one beat. The 5 lasts two beats and the 3 lasts four.

A line underneath makes it shorter

One line is half a beat, so two underlined numbers share one beat. (Two lines are a quarter of a beat.)

A dot after makes it half as long again

A dot after a number adds half its length. The first 5 lasts a beat and a half, and the short 3 fills the rest of the second beat.

0 means rest

A 0 is silence for one beat. Keep counting and keep tapping, but do not sing. Dashes after a 0 make the silence longer, just as they hold a note longer.

Sing 1 3 5, stay quiet for one beat, then come back down. Rests light up too, so you can feel the pause.

Bar lines and the time signature

Tall lines cut the music into bars, each holding the same number of beats. The two small numbers at the start, like 4/4 or 3/4, say how many: 4/4 is four beats in every bar, 3/4 is three. The first beat of each bar is the strongest, so lean on it a little. A double line with a thick edge marks the end.

4/4: count 1 2 3 4, 1 2 3 4. The first beat of each bar sounds a little louder.
3/4: count 1 2 3, 1 2 3, the lilt of a waltz.

Curves: ties and slurs

A curve over numbers joins them. If it joins two of the same number, it is a tie: sing the note once and hold it for both. If it joins different numbers, it is a slur: sing them all on one syllable, gliding from one to the next.

A tie: the 5 is sung once and held across the bar line, six beats in all.
A slur: “Him” is sung on two notes, 3 then 2.

The words sit under the numbers

Each number gets one syllable, written right underneath it. A short dash after part of a word means the word carries on under the next number. If a number has nothing under it, it belongs to a curve or a dash: keep singing the syllable you are on.

Read left to right, one syllable for each number: Twin-kle, twin-kle, lit-tle star.

Repeat signs and 1. 2. endings

A bar line with two dots, :|, means go back and sing that part again, from the matching |: sign (or from the start if there is none). Sometimes the repeat has two endings. Sing ending 1. the first time; on the repeat, skip it and sing ending 2. instead.

Play it: you hear the 1. ending, the repeat, then the 2. ending. Watch the highlight jump back.

Minor keys: “6=A”

A song in a minor key, which usually sounds more serious or tender, is labeled like 6=A instead of 1=C. It means the number 6 (la) is the home note, here A. The numbers keep their usual names; the tune simply feels at home on 6 and often ends there. 6=A uses the same notes as 1=C.

It starts and ends on 6 (la), the home note. Listen to the darker colour.

Put it together: a line of a hymn

This is the first line of hymn 8, “Praise God, from whom all blessings flow”, written in numbered notation. Try the slow tempo first, and sing the words as each number lights up.

1=G in 4/4. Three silent beats, then “Praise” on beat 4. The dots under 7, 6 and 5 mean those notes dip one octave lower.

Check yourself

Four quick questions, with no score and no pressure. Tap an answer to see right away why it is right or wrong. You can always try another answer.

Tap the number that is held the longest.

Tap the 5 that is one octave higher than the first 5.

What does a 0 mean?

Under 1=G, which note is the number 1?

Try it on a hymn

You opened this from a hymn that has a Numbered view, so you can try it right now.

  1. Look at the top left of the sheet: the key, such as 1=D, and the time signature, such as 3/4.
  2. Find the first number and sing it. Then follow the numbers from left to right with the words underneath, one syllable for each number. Press Play in the player to hear the recording while you follow.
  3. Letters above the numbers (C, G7) are chords for a guitarist or pianist. Ignore them while you learn the tune.
  4. To be guided, open the Learn tab and press Play. Under Display, set Learn notation to Numbered (or choose Numbered on the Lead Sheet tab first). For hymns that have numbered lines, each line of numbers scrolls into view in time with the recording while a bouncing ball follows the words; other hymns show the piano notation there. The Speed menu slows it down.

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1
Don’t you want to know your God?
What’s hidden in His heart for you?
How much He longs for you to come
And open up—
To let Him in to every part
Let Him reveal what’s on His heart
What was the joy set before Him?
 
It was for her the church—His bride
It was for her, willingly He died
She is the joy deep in His heart
His masterpiece—
His counterpart.
2
The Lord chose you to be a part
Of His great plan, His work of art.
What wonder! What a privilege!
To satisfy
His yearning to share all He is—
Divine, unsearchable riches!
What wisdom, multifarious expressed!
3
As we enjoy and enter in
To all He is then we’ll begin
To understand the feeling in
His heart toward us.
What love that motivated Him
To come to us, despite our sin
Why did He go and sell all that He had?

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Anitha Nokku

Tustin, CA, United States

Sep 12, 2026

The Lord chose you to be a part
Of His great plan, His work of art.
What wonder! What a privilege!
To satisfy

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Bryan

United States

Aug 18, 2026

It was for Her! willingly he died.

Read more
J Petrash

Irving, TX, United States

Jul 6, 2026

This hymn expresses quite well the truth that the entire Bible is a divine romance. The more we get into His Word the more deeply we will be impressed with God's love for us (John 3:16), and His desire for a counterpart (Ephesians 5:26, 27, 32) and footnote one on the Recovery Version of the Bible. The first half of the note:

The Greek word, poiema, means something that has been made, a handiwork, or something that has been written or composed as a poem. Not only a poetic writing may be considered a poem, but also any work of art that expresses the maker's wisdom and design. We, the church, the masterpiece of God's work, are a poem expressing God's infinite wisdom and divine design.

Read more
Sherry Young

Monterey Park, CA, United States

Feb 16, 2026

“What love that motivated Him
To come to us, despite our sin
Why did He go and sell all that He had? ”

Lord, Your love has motivated me to love You and Your Body back. Not with my own love but with Your eternal love. Thank you for Your eternal love.

Read more
Yohann et Hasina

Lille, France

Nov 8, 2025

Merci Seigneur Jésus pour l'église. Nous t'aimons.

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Nicole Ho

Ann Arbor, Michigan, United States

Oct 11, 2025

It was for her the church His bride that He died, how great is His love towards us, His longing for us. Come to Him, and open up, let Him in to every part.

Read more
Elvira Pineda

Fullerton, CA, United States

Jan 29, 2025

How much He longs for you to come
And open up—
To let Him in to every part.

This line touched me the most. The closer I get to Him, the more He reveals about myself. And just as I'm about to convict myself, His love reminds me spiritual transformation happens gradually over time, not in sudden leaps. We accept it, confess it and just let Him in! Come in Lord Jesus! All in Your timing. I am the clay and You are the Potter!

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Keturrah

Toronto, ON, Canada

Dec 5, 2024

Oh, such a joy and comfort to listen to this song, daily as I bring myself to the kitchen to do my daily chores, I start off with this beautiful song that echoes through my kitchen and into my heart. I never get tired of it. Praise the Lord who daily renews my heart to delight in it.

What wonder and wisdom to know that Christ who is my strength and comfort has died for me and has chosen me to be part of His divine great plan, way before I knew it, way before I even existed. What wisdom and wonder! What a blessing. 🙏

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Edward Esguerra

Surrey, BC, Canada

Oct 31, 2024

It was for her the church—His bride
It was for her, willingly He died
She is the joy deep in His heart
His masterpiece—
His counterpart.
Oh thank You Lord, we became Your counterpart!

Read more
Emman

San Francisco, California, United States

Oct 13, 2024

Don’t you want to know your God?

What’s hidden in His heart for you?

Read more