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About Numbered Notation

The numbers are the notes of a scale

Numbered notation (jianpu, 简谱) writes a melody as numbers instead of notes on a staff. You do not need to read music: take one small step at a time and press Play on any example to hear it while each number lights up. Sound only starts when you press Play.

Instead of notes on a staff, each note is a number from 1 to 7. They are the seven steps of the scale you already know: do re mi fa sol la ti. After 7 the scale starts again at 1.

The seven numbers with their names. Press Play and say each name as its number lights up.
Sing along: do re mi fa sol, and back down to do.

If you can sing do re mi, you can already sing every number from 1 to 7. Tap or click any number to hear just that note.

“1=C” tells you where to start

At the top left of the sheet you will see something like 1=C. It means the number 1 (do) is the note C, and every other number counts up from there. 1=G means do is G, so the whole tune sits a little higher. Nothing else changes: the same numbers make the same shape, only higher or lower.

1=C: do is C.
1=G: the same numbers, starting higher.

Not sure where C is? On a piano it is the white key just left of the two black keys. Or ignore the letter and start on any note that is comfortable for your voice: the tune only has to keep its shape. The − and + key buttons on a hymn page shift the key for you.

Dots make a note higher or lower

A dot above a number means one octave higher. A dot below means one octave lower. Two dots mean two octaves. No dot is the middle range, where most of a tune lives. The name stays the same; only the height changes.

The same number at three heights: dot below, no dot, dot above.
A tune that climbs: it starts on a low sol and ends on a high do.

How long each note lasts

Tap your foot at a steady pace: each tap is a beat. A plain number lasts one beat, so you sing a new number on every tap. Dashes, lines and dots change that.

A plain number is one beat

Four numbers, four beats: one number for each tap.

A dash holds the note longer

Each dash adds one beat. The 5 lasts two beats and the 3 lasts four.

A line underneath makes it shorter

One line is half a beat, so two underlined numbers share one beat. (Two lines are a quarter of a beat.)

A dot after makes it half as long again

A dot after a number adds half its length. The first 5 lasts a beat and a half, and the short 3 fills the rest of the second beat.

0 means rest

A 0 is silence for one beat. Keep counting and keep tapping, but do not sing. Dashes after a 0 make the silence longer, just as they hold a note longer.

Sing 1 3 5, stay quiet for one beat, then come back down. Rests light up too, so you can feel the pause.

Bar lines and the time signature

Tall lines cut the music into bars, each holding the same number of beats. The two small numbers at the start, like 4/4 or 3/4, say how many: 4/4 is four beats in every bar, 3/4 is three. The first beat of each bar is the strongest, so lean on it a little. A double line with a thick edge marks the end.

4/4: count 1 2 3 4, 1 2 3 4. The first beat of each bar sounds a little louder.
3/4: count 1 2 3, 1 2 3, the lilt of a waltz.

Curves: ties and slurs

A curve over numbers joins them. If it joins two of the same number, it is a tie: sing the note once and hold it for both. If it joins different numbers, it is a slur: sing them all on one syllable, gliding from one to the next.

A tie: the 5 is sung once and held across the bar line, six beats in all.
A slur: “Him” is sung on two notes, 3 then 2.

The words sit under the numbers

Each number gets one syllable, written right underneath it. A short dash after part of a word means the word carries on under the next number. If a number has nothing under it, it belongs to a curve or a dash: keep singing the syllable you are on.

Read left to right, one syllable for each number: Twin-kle, twin-kle, lit-tle star.

Repeat signs and 1. 2. endings

A bar line with two dots, :|, means go back and sing that part again, from the matching |: sign (or from the start if there is none). Sometimes the repeat has two endings. Sing ending 1. the first time; on the repeat, skip it and sing ending 2. instead.

Play it: you hear the 1. ending, the repeat, then the 2. ending. Watch the highlight jump back.

Minor keys: “6=A”

A song in a minor key, which usually sounds more serious or tender, is labeled like 6=A instead of 1=C. It means the number 6 (la) is the home note, here A. The numbers keep their usual names; the tune simply feels at home on 6 and often ends there. 6=A uses the same notes as 1=C.

It starts and ends on 6 (la), the home note. Listen to the darker colour.

Put it together: a line of a hymn

This is the first line of hymn 8, “Praise God, from whom all blessings flow”, written in numbered notation. Try the slow tempo first, and sing the words as each number lights up.

1=G in 4/4. Three silent beats, then “Praise” on beat 4. The dots under 7, 6 and 5 mean those notes dip one octave lower.

Check yourself

Four quick questions, with no score and no pressure. Tap an answer to see right away why it is right or wrong. You can always try another answer.

Tap the number that is held the longest.

Tap the 5 that is one octave higher than the first 5.

What does a 0 mean?

Under 1=G, which note is the number 1?

Try it on a hymn

You opened this from a hymn that has a Numbered view, so you can try it right now.

  1. Look at the top left of the sheet: the key, such as 1=D, and the time signature, such as 3/4.
  2. Find the first number and sing it. Then follow the numbers from left to right with the words underneath, one syllable for each number. Press Play in the player to hear the recording while you follow.
  3. Letters above the numbers (C, G7) are chords for a guitarist or pianist. Ignore them while you learn the tune.
  4. To be guided, open the Learn tab and press Play. Under Display, set Learn notation to Numbered (or choose Numbered on the Lead Sheet tab first). For hymns that have numbered lines, each line of numbers scrolls into view in time with the recording while a bouncing ball follows the words; other hymns show the piano notation there. The Speed menu slows it down.

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O God of Love

Experience of Christ Loving Him

New Songs331
1
O God of love, in Your everlasting love,
Yearning earnestly for Your elect,
As for Israel so long ago,
That they’d turn from their idols to gain
Your incarnate Christ as righteousness.
2
Christ came as man, as Your righteousness to us,
That in Your divine economy
He Your people’s everything might be
As our universality and our centrality
experienced.
3
Wicked by birth, deceitful corrupt in heart,
Our one hope: redemption from our fall,
Wickedness and sin, but that’s not all—
The redemption of Christ and salvation by life
divine dispensed to us.
4
Saved by Your life and Your life’s capacity,
We’re renewed that You could be our God
And that we Your people all could be
That we’d share the enjoyment of all of the riches of
the Trinity.
5
Israel will be restored in the coming age;
With Your overcomers they’ll enjoy
All Your riches which will consummate
In new earth and new heav’n for eternity in the New
Jerusalem.

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Rhsia

Richmond, BC, Canada

Jul 22, 2026

"Wicked by birth, deceitful corrupt in heart,
Our one hope: redemption from our fall,
Wickedness and sin, but that’s not all—
The redemption of Christ and salvation by life
divine dispensed to us"

Hallelujah for Life dispensed. Lord, keep us open all the time to be saved much more in Your Life. What a hope, Christ in you and I, from sinners to those becoming full grown heirs, who now have the right to enjoy all the riches of the Trinity.

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Keturrah

Toronto, ON, Canada

May 1, 2024

We were wicked by birth, deceitful corrupt in heart, but our one hope is in Christ Jesus who redeemed us from our fall!

Our beloved Jesus we adore Thee!! And can’t wait to meet with Thee.

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Sophia Chan

San Francisco, CA, United States

Aug 16, 2020

I appreciate this song! Jeremiah can be likened to a walnut. It has a hard shell. What we have to do is to crack the shell of Jeremiah and concentrate on the kernel inside. This kernel includes three matters—what God wants from us, what we are in our fallen condition, and what Christ is to us. Thank the Lord for the ministry that opens the Word to us.

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Robin

Oklahoma, United States

Jun 8, 2019

"Saved by Your life and Your life's capacity."

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Gabriel

White Rock, BC, Canada

Jan 21, 2018

In this meaningful hymn, and in the book Jeremiah, we see that our God is a tenderhearted God, and yet He is a righteous God. Because He is such a righteous God, He cannot spare those who sin against Him and has to judge them.

We also see God's people Israel, in their stubbornness, being stiff-necked and evil, not knowing repentance or of returning to God, and not being one with Him. We also see Jeremiah, who would often weep and wail, being known as the wailing prophet, being one with God in His tenderheartedness, thus being able to express Him, represent Him, and speak for Him.

We then see ourselves as the nations, wicked by birth, deceitful corrupt in heart, in wickedness and sin. In God's eyes, all the nations are like animals, as though without a human spirit. How much we need Christ as our righteousness so that we can be saved from the wrath and judgment of God! We need to be saved in His life, to turn and be renewed so that He is our God, and come to the full enjoyment of the riches of the divine Trinity. Praise the Lord that Christ came as a man in God's economy, bringing redemption by His shed blood and salvation through the divine life!

Finally, Israel will be restored in the coming age and together with the overcomers, enjoy all the riches to consummate in the new heaven and new earth for eternity in the New Jerusalem! What a hope of glory!

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Roman Seytumerov

Saint Petersburg, -Select-, Russia

Sep 12, 2017

I wish we could have more songs of this sort to equip ourselves with knowledge and experience of central thoughts of many other books in the Bible.

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