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About Numbered Notation

The numbers are the notes of a scale

Numbered notation (jianpu, 简谱) writes a melody as numbers instead of notes on a staff. You do not need to read music: take one small step at a time and press Play on any example to hear it while each number lights up. Sound only starts when you press Play.

Instead of notes on a staff, each note is a number from 1 to 7. They are the seven steps of the scale you already know: do re mi fa sol la ti. After 7 the scale starts again at 1.

The seven numbers with their names. Press Play and say each name as its number lights up.
Sing along: do re mi fa sol, and back down to do.

If you can sing do re mi, you can already sing every number from 1 to 7. Tap or click any number to hear just that note.

“1=C” tells you where to start

At the top left of the sheet you will see something like 1=C. It means the number 1 (do) is the note C, and every other number counts up from there. 1=G means do is G, so the whole tune sits a little higher. Nothing else changes: the same numbers make the same shape, only higher or lower.

1=C: do is C.
1=G: the same numbers, starting higher.

Not sure where C is? On a piano it is the white key just left of the two black keys. Or ignore the letter and start on any note that is comfortable for your voice: the tune only has to keep its shape. The − and + key buttons on a hymn page shift the key for you.

Dots make a note higher or lower

A dot above a number means one octave higher. A dot below means one octave lower. Two dots mean two octaves. No dot is the middle range, where most of a tune lives. The name stays the same; only the height changes.

The same number at three heights: dot below, no dot, dot above.
A tune that climbs: it starts on a low sol and ends on a high do.

How long each note lasts

Tap your foot at a steady pace: each tap is a beat. A plain number lasts one beat, so you sing a new number on every tap. Dashes, lines and dots change that.

A plain number is one beat

Four numbers, four beats: one number for each tap.

A dash holds the note longer

Each dash adds one beat. The 5 lasts two beats and the 3 lasts four.

A line underneath makes it shorter

One line is half a beat, so two underlined numbers share one beat. (Two lines are a quarter of a beat.)

A dot after makes it half as long again

A dot after a number adds half its length. The first 5 lasts a beat and a half, and the short 3 fills the rest of the second beat.

0 means rest

A 0 is silence for one beat. Keep counting and keep tapping, but do not sing. Dashes after a 0 make the silence longer, just as they hold a note longer.

Sing 1 3 5, stay quiet for one beat, then come back down. Rests light up too, so you can feel the pause.

Bar lines and the time signature

Tall lines cut the music into bars, each holding the same number of beats. The two small numbers at the start, like 4/4 or 3/4, say how many: 4/4 is four beats in every bar, 3/4 is three. The first beat of each bar is the strongest, so lean on it a little. A double line with a thick edge marks the end.

4/4: count 1 2 3 4, 1 2 3 4. The first beat of each bar sounds a little louder.
3/4: count 1 2 3, 1 2 3, the lilt of a waltz.

Curves: ties and slurs

A curve over numbers joins them. If it joins two of the same number, it is a tie: sing the note once and hold it for both. If it joins different numbers, it is a slur: sing them all on one syllable, gliding from one to the next.

A tie: the 5 is sung once and held across the bar line, six beats in all.
A slur: “Him” is sung on two notes, 3 then 2.

The words sit under the numbers

Each number gets one syllable, written right underneath it. A short dash after part of a word means the word carries on under the next number. If a number has nothing under it, it belongs to a curve or a dash: keep singing the syllable you are on.

Read left to right, one syllable for each number: Twin-kle, twin-kle, lit-tle star.

Repeat signs and 1. 2. endings

A bar line with two dots, :|, means go back and sing that part again, from the matching |: sign (or from the start if there is none). Sometimes the repeat has two endings. Sing ending 1. the first time; on the repeat, skip it and sing ending 2. instead.

Play it: you hear the 1. ending, the repeat, then the 2. ending. Watch the highlight jump back.

Minor keys: “6=A”

A song in a minor key, which usually sounds more serious or tender, is labeled like 6=A instead of 1=C. It means the number 6 (la) is the home note, here A. The numbers keep their usual names; the tune simply feels at home on 6 and often ends there. 6=A uses the same notes as 1=C.

It starts and ends on 6 (la), the home note. Listen to the darker colour.

Put it together: a line of a hymn

This is the first line of hymn 8, “Praise God, from whom all blessings flow”, written in numbered notation. Try the slow tempo first, and sing the words as each number lights up.

1=G in 4/4. Three silent beats, then “Praise” on beat 4. The dots under 7, 6 and 5 mean those notes dip one octave lower.

Check yourself

Four quick questions, with no score and no pressure. Tap an answer to see right away why it is right or wrong. You can always try another answer.

Tap the number that is held the longest.

Tap the 5 that is one octave higher than the first 5.

What does a 0 mean?

Under 1=G, which note is the number 1?

Try it on a hymn

You opened this from a hymn that has a Numbered view, so you can try it right now.

  1. Look at the top left of the sheet: the key, such as 1=D, and the time signature, such as 3/4.
  2. Find the first number and sing it. Then follow the numbers from left to right with the words underneath, one syllable for each number. Press Play in the player to hear the recording while you follow.
  3. Letters above the numbers (C, G7) are chords for a guitarist or pianist. Ignore them while you learn the tune.
  4. To be guided, open the Learn tab and press Play. Under Display, set Learn notation to Numbered (or choose Numbered on the Lead Sheet tab first). For hymns that have numbered lines, each line of numbers scrolls into view in time with the recording while a bouncing ball follows the words; other hymns show the piano notation there. The Speed menu slows it down.

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But to Him who is able to do superabundantly

Scriptures for Singing

New Songs318
 
But to Him who is able
Able to do superabundantly
Above all that we ask or think,
According to the power
Which operates in us,
 
To Him be the glory in the church
And in Christ Jesus
Unto all the generations.
To Him be the glory,
To Him be the glory
Forever and ever. Amen.

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Herber Ramirez

Rancho Cucamonga, CA, United States

Nov 16, 2024

The power which operates in us "is the power that raised Christ from the dead, seated Christ at the right hand of God in the heavenlies, subjected all things under Christ's feet, and gave Christ to be Head over all things to the church. Such power operates in us (Eph. 3:20), and with it God strengthens us for His building." Lord, operate in us day by day that we might pay attention to our spirit and exercise our spirit so that the spiritual nutrients in our spirit can mingle with Your divine element (Christ the seed) resulting in more growth and more building! Hallelujah!

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Minjarez

El Monte

Jan 25, 2020

Wow! Thank You Lord

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Sally Kann

Montreal, Quebec, Canada

Jun 5, 2014

Praise the Lord He is able to do SUPERABUNDANTLY above all that we ask or think! Take a moment to contemplate the word "superabundantly". When we fail or feel weak, simply stand by the Word that He will supply you superabundantly.

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Crystal Mandudi

Denton, Texas, United States

Sep 2, 2013

Oh Lord, thank You that You are ALWAYS able even when we're not. Glory to God! Forever and EVER! PTL!

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Chris Shyy

Beltsville, MD, United States

Aug 3, 2013

To Him be the glory forever and ever, Amen! I pray read Eph. 3:16-19 every day, and ever since I heard of this hymn, I've added 20 and 21 to the list. Hallelujah, the Lord shall get the glory!

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Wency Timbreza

Tagaytay, Cavite, Philippines

Apr 22, 2013

Wow! Amen! Praise the Lord!!!

Truly that He is able to do super abundantly more than what we ask or think...

Glory to You Lord Jesus.....!

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Samuel Pan

Richmond, BC, Canada

Sep 20, 2011

We enjoyed this song at the SST! Oh! He is able to do superabunduntly above all that we ask or think! Praise the Lord!!!

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M.E Ang

Calgary, Alberta, Canada

Jan 1, 2011

Lord Jesus, I love You!

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Tom Barrera

San Antonio, Texas, United States

Sep 25, 2010

I praise Him that is ABLE to do more than we could ever ask or imagine... I am a worship minister here in my hometown. This song has truly blessed me...as I play and sing this...I feel His comforting presence!....Praise the Lord...praise Him! In every circumstance praise Him!

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Samuel Chang

Richmond, B.C., Canada

Aug 18, 2010

Praise the Lord that He is able to do superabundantly above all that we ask or think!! To Him be the glory forever and ever, Amen!!

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