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About Numbered Notation

The numbers are the notes of a scale

Numbered notation (jianpu, 简谱) writes a melody as numbers instead of notes on a staff. You do not need to read music: take one small step at a time and press Play on any example to hear it while each number lights up. Sound only starts when you press Play.

Instead of notes on a staff, each note is a number from 1 to 7. They are the seven steps of the scale you already know: do re mi fa sol la ti. After 7 the scale starts again at 1.

The seven numbers with their names. Press Play and say each name as its number lights up.
Sing along: do re mi fa sol, and back down to do.

If you can sing do re mi, you can already sing every number from 1 to 7. Tap or click any number to hear just that note.

“1=C” tells you where to start

At the top left of the sheet you will see something like 1=C. It means the number 1 (do) is the note C, and every other number counts up from there. 1=G means do is G, so the whole tune sits a little higher. Nothing else changes: the same numbers make the same shape, only higher or lower.

1=C: do is C.
1=G: the same numbers, starting higher.

Not sure where C is? On a piano it is the white key just left of the two black keys. Or ignore the letter and start on any note that is comfortable for your voice: the tune only has to keep its shape. The − and + key buttons on a hymn page shift the key for you.

Dots make a note higher or lower

A dot above a number means one octave higher. A dot below means one octave lower. Two dots mean two octaves. No dot is the middle range, where most of a tune lives. The name stays the same; only the height changes.

The same number at three heights: dot below, no dot, dot above.
A tune that climbs: it starts on a low sol and ends on a high do.

How long each note lasts

Tap your foot at a steady pace: each tap is a beat. A plain number lasts one beat, so you sing a new number on every tap. Dashes, lines and dots change that.

A plain number is one beat

Four numbers, four beats: one number for each tap.

A dash holds the note longer

Each dash adds one beat. The 5 lasts two beats and the 3 lasts four.

A line underneath makes it shorter

One line is half a beat, so two underlined numbers share one beat. (Two lines are a quarter of a beat.)

A dot after makes it half as long again

A dot after a number adds half its length. The first 5 lasts a beat and a half, and the short 3 fills the rest of the second beat.

0 means rest

A 0 is silence for one beat. Keep counting and keep tapping, but do not sing. Dashes after a 0 make the silence longer, just as they hold a note longer.

Sing 1 3 5, stay quiet for one beat, then come back down. Rests light up too, so you can feel the pause.

Bar lines and the time signature

Tall lines cut the music into bars, each holding the same number of beats. The two small numbers at the start, like 4/4 or 3/4, say how many: 4/4 is four beats in every bar, 3/4 is three. The first beat of each bar is the strongest, so lean on it a little. A double line with a thick edge marks the end.

4/4: count 1 2 3 4, 1 2 3 4. The first beat of each bar sounds a little louder.
3/4: count 1 2 3, 1 2 3, the lilt of a waltz.

Curves: ties and slurs

A curve over numbers joins them. If it joins two of the same number, it is a tie: sing the note once and hold it for both. If it joins different numbers, it is a slur: sing them all on one syllable, gliding from one to the next.

A tie: the 5 is sung once and held across the bar line, six beats in all.
A slur: “Him” is sung on two notes, 3 then 2.

The words sit under the numbers

Each number gets one syllable, written right underneath it. A short dash after part of a word means the word carries on under the next number. If a number has nothing under it, it belongs to a curve or a dash: keep singing the syllable you are on.

Read left to right, one syllable for each number: Twin-kle, twin-kle, lit-tle star.

Repeat signs and 1. 2. endings

A bar line with two dots, :|, means go back and sing that part again, from the matching |: sign (or from the start if there is none). Sometimes the repeat has two endings. Sing ending 1. the first time; on the repeat, skip it and sing ending 2. instead.

Play it: you hear the 1. ending, the repeat, then the 2. ending. Watch the highlight jump back.

Minor keys: “6=A”

A song in a minor key, which usually sounds more serious or tender, is labeled like 6=A instead of 1=C. It means the number 6 (la) is the home note, here A. The numbers keep their usual names; the tune simply feels at home on 6 and often ends there. 6=A uses the same notes as 1=C.

It starts and ends on 6 (la), the home note. Listen to the darker colour.

Put it together: a line of a hymn

This is the first line of hymn 8, “Praise God, from whom all blessings flow”, written in numbered notation. Try the slow tempo first, and sing the words as each number lights up.

1=G in 4/4. Three silent beats, then “Praise” on beat 4. The dots under 7, 6 and 5 mean those notes dip one octave lower.

Check yourself

Four quick questions, with no score and no pressure. Tap an answer to see right away why it is right or wrong. You can always try another answer.

Tap the number that is held the longest.

Tap the 5 that is one octave higher than the first 5.

What does a 0 mean?

Under 1=G, which note is the number 1?

Try it on a hymn

You opened this from a hymn that has a Numbered view, so you can try it right now.

  1. Look at the top left of the sheet: the key, such as 1=D, and the time signature, such as 3/4.
  2. Find the first number and sing it. Then follow the numbers from left to right with the words underneath, one syllable for each number. Press Play in the player to hear the recording while you follow.
  3. Letters above the numbers (C, G7) are chords for a guitarist or pianist. Ignore them while you learn the tune.
  4. To be guided, open the Learn tab and press Play. Under Display, set Learn notation to Numbered (or choose Numbered on the Lead Sheet tab first). For hymns that have numbered lines, each line of numbers scrolls into view in time with the recording while a bouncing ball follows the words; other hymns show the piano notation there. The Speed menu slows it down.

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1
There are times in my life
When my heart is embittered.
There are questions unanswered,
Yet, You’re drawing me
 
To enter
Into Your blessed sanctuary
And turning my eyes heavenward,
The questions of constant inquiry
Are changed to these words,
2
Whom do I have in heaven
But You, dear Jehovah.
My flesh and my heart
Constantly fail,
 
But God’s still
The strength of my heart and my portion;
To Him forever I’ll draw near.
I’ve made Jehovah my sweet refuge.
So now throughout the years
3
Turn my view to see You,
How I need to see Jesus!!
Though I don’t understand
The ways that You take;
 
Lord, make me
A babe and suckling always praising.
Enjoying Your worth day by day.
Let each experience constitute me
So Your life I’ll display
In every way.

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Maria Jhang

Taipei, Taiwan

Aug 14, 2015

I would like to know who write the song and when the song has been completed?

很想知道這首歌是誰在什麼時候寫的。感謝主

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Victoria Miao

Fremont, California, United States

Mar 15, 2015

Wonderful and peaceful song. Very becoming.

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Shellah Mangondato

Cagayan De Oro City, Misamis Oriental, Philippines

Jan 25, 2015

Amen

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Anthony Hilmer Hutapea

Sydney, New South Wales, Australia

Jul 31, 2014

In times of stress, tragedy, loneliness, loss of a loved one, depression and heart-aches that we experience in life brings us closer to HIM. I love the words of the song and sing and play the chords for the ukulele. His love is AMAZING.

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Heather

Fresno, California, United States

Jul 18, 2014

This hymn was given to my husband and I yesterday after losing our baby boy at 5 months of pregnancy. The hymn has been with me as I've reflected on what beauty has come of a dire situation already. The Lord knows so many things that we don't see and He knows what we need for us to be drawn closer to Him. Of course I am sad that I've lost my first born but I am reminded and I've experienced that EVERY situation is an opportunity to turn to the Lord and grow in Him.

"Let each experience constitute me
So Your life I'll display
In every way"

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Laura

United Kingdom

Feb 16, 2014

This song has brought me such hope in my current situation of trials. There are many questions unanswered but Lord, You are drawing me. I consecrate my life to You Lord Jesus.

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A slave of Christ

Jan 31, 2014

Turn my view to see You.

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Febe Oga

Philippines

Feb 28, 2013

Amen, Lord. Continue to strengthen me in my daily living. I want to stay in Your presence all the time that I could praise You whatever situations I may be in. Turn my view to see You. Lord make me a babe and suckling—always praising. I love You Lord Jesus!

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Mheanne

Makati City, Philippines

Feb 21, 2013

Lord Jesus, You are my only Master whom I follow. Thank You so much for the blessings I enjoy daily. I always desire to consecrate my whole being and loved ones to You. Your being omnipotent I always think of. Continue to preserve me in the church life and dwell in my heart unto eternity.

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Mary Joy Cacaldo

Manjuyod, Negros Oriental, Philippines

Dec 23, 2012

Oh, Lord Jesus!!!! We love You. How much we need You. You're so great!!!

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