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About Numbered Notation

The numbers are the notes of a scale

Numbered notation (jianpu, 简谱) writes a melody as numbers instead of notes on a staff. You do not need to read music: take one small step at a time and press Play on any example to hear it while each number lights up. Sound only starts when you press Play.

Instead of notes on a staff, each note is a number from 1 to 7. They are the seven steps of the scale you already know: do re mi fa sol la ti. After 7 the scale starts again at 1.

The seven numbers with their names. Press Play and say each name as its number lights up.
Sing along: do re mi fa sol, and back down to do.

If you can sing do re mi, you can already sing every number from 1 to 7. Tap or click any number to hear just that note.

“1=C” tells you where to start

At the top left of the sheet you will see something like 1=C. It means the number 1 (do) is the note C, and every other number counts up from there. 1=G means do is G, so the whole tune sits a little higher. Nothing else changes: the same numbers make the same shape, only higher or lower.

1=C: do is C.
1=G: the same numbers, starting higher.

Not sure where C is? On a piano it is the white key just left of the two black keys. Or ignore the letter and start on any note that is comfortable for your voice: the tune only has to keep its shape. The − and + key buttons on a hymn page shift the key for you.

Dots make a note higher or lower

A dot above a number means one octave higher. A dot below means one octave lower. Two dots mean two octaves. No dot is the middle range, where most of a tune lives. The name stays the same; only the height changes.

The same number at three heights: dot below, no dot, dot above.
A tune that climbs: it starts on a low sol and ends on a high do.

How long each note lasts

Tap your foot at a steady pace: each tap is a beat. A plain number lasts one beat, so you sing a new number on every tap. Dashes, lines and dots change that.

A plain number is one beat

Four numbers, four beats: one number for each tap.

A dash holds the note longer

Each dash adds one beat. The 5 lasts two beats and the 3 lasts four.

A line underneath makes it shorter

One line is half a beat, so two underlined numbers share one beat. (Two lines are a quarter of a beat.)

A dot after makes it half as long again

A dot after a number adds half its length. The first 5 lasts a beat and a half, and the short 3 fills the rest of the second beat.

0 means rest

A 0 is silence for one beat. Keep counting and keep tapping, but do not sing. Dashes after a 0 make the silence longer, just as they hold a note longer.

Sing 1 3 5, stay quiet for one beat, then come back down. Rests light up too, so you can feel the pause.

Bar lines and the time signature

Tall lines cut the music into bars, each holding the same number of beats. The two small numbers at the start, like 4/4 or 3/4, say how many: 4/4 is four beats in every bar, 3/4 is three. The first beat of each bar is the strongest, so lean on it a little. A double line with a thick edge marks the end.

4/4: count 1 2 3 4, 1 2 3 4. The first beat of each bar sounds a little louder.
3/4: count 1 2 3, 1 2 3, the lilt of a waltz.

Curves: ties and slurs

A curve over numbers joins them. If it joins two of the same number, it is a tie: sing the note once and hold it for both. If it joins different numbers, it is a slur: sing them all on one syllable, gliding from one to the next.

A tie: the 5 is sung once and held across the bar line, six beats in all.
A slur: “Him” is sung on two notes, 3 then 2.

The words sit under the numbers

Each number gets one syllable, written right underneath it. A short dash after part of a word means the word carries on under the next number. If a number has nothing under it, it belongs to a curve or a dash: keep singing the syllable you are on.

Read left to right, one syllable for each number: Twin-kle, twin-kle, lit-tle star.

Repeat signs and 1. 2. endings

A bar line with two dots, :|, means go back and sing that part again, from the matching |: sign (or from the start if there is none). Sometimes the repeat has two endings. Sing ending 1. the first time; on the repeat, skip it and sing ending 2. instead.

Play it: you hear the 1. ending, the repeat, then the 2. ending. Watch the highlight jump back.

Minor keys: “6=A”

A song in a minor key, which usually sounds more serious or tender, is labeled like 6=A instead of 1=C. It means the number 6 (la) is the home note, here A. The numbers keep their usual names; the tune simply feels at home on 6 and often ends there. 6=A uses the same notes as 1=C.

It starts and ends on 6 (la), the home note. Listen to the darker colour.

Put it together: a line of a hymn

This is the first line of hymn 8, “Praise God, from whom all blessings flow”, written in numbered notation. Try the slow tempo first, and sing the words as each number lights up.

1=G in 4/4. Three silent beats, then “Praise” on beat 4. The dots under 7, 6 and 5 mean those notes dip one octave lower.

Check yourself

Four quick questions, with no score and no pressure. Tap an answer to see right away why it is right or wrong. You can always try another answer.

Tap the number that is held the longest.

Tap the 5 that is one octave higher than the first 5.

What does a 0 mean?

Under 1=G, which note is the number 1?

Try it on a hymn

You opened this from a hymn that has a Numbered view, so you can try it right now.

  1. Look at the top left of the sheet: the key, such as 1=D, and the time signature, such as 3/4.
  2. Find the first number and sing it. Then follow the numbers from left to right with the words underneath, one syllable for each number. Press Play in the player to hear the recording while you follow.
  3. Letters above the numbers (C, G7) are chords for a guitarist or pianist. Ignore them while you learn the tune.
  4. To be guided, open the Learn tab and press Play. Under Display, set Learn notation to Numbered (or choose Numbered on the Lead Sheet tab first). For hymns that have numbered lines, each line of numbers scrolls into view in time with the recording while a bouncing ball follows the words; other hymns show the piano notation there. The Speed menu slows it down.

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1
There are times in my life
When my heart is embittered.
There are questions unanswered,
Yet, You’re drawing me
 
To enter
Into Your blessed sanctuary
And turning my eyes heavenward,
The questions of constant inquiry
Are changed to these words,
2
Whom do I have in heaven
But You, dear Jehovah.
My flesh and my heart
Constantly fail,
 
But God’s still
The strength of my heart and my portion;
To Him forever I’ll draw near.
I’ve made Jehovah my sweet refuge.
So now throughout the years
3
Turn my view to see You,
How I need to see Jesus!!
Though I don’t understand
The ways that You take;
 
Lord, make me
A babe and suckling always praising.
Enjoying Your worth day by day.
Let each experience constitute me
So Your life I’ll display
In every way.

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Rgasler

Lakewood, California, United States

Dec 16, 2009

Lord, in Your wisdom You have arranged the environment we are in, though we have a lot of question yet You used those environments to draw us to Yourself. Lord, we love You, we praise You and we worship You. You know what is best for us. Amen, Lord. Amen to Your arrangement.

There are times in my life
When my heart is embittered.
There are questions unanswered,
Yet, You're drawing me
To enter
Into Your blessed sanctuary
And turning my eyes heavenward,
The questions of constant inquiry
Are changed to these Whom do I have in heaven
But You, dear Jehovah.
My flesh and my heart
Constantly fail,
But God's still
The strength of my heart and my portion;
To Him forever I'll draw near.
I've made Jehovah my sweet refuge.

Read more
Karl Kevin Manabat

Philippines

Dec 14, 2009

The questions of constant inquiry

Are changed to these words,

"Whom do I have in heaven

But You, dear Jehovah.

The world today has a lot of mysteries, a lot of doubt and uncertainty. But all we need to do is believe and receive. We need to see Jesus everyday! Brothers and sisters, cast out all doubt, for we worship the Living and True God, and He draws us. O, let us love Him now before it's too late. For whom do we have in heaven, but our God, dear Jehovah!

Read more
Lai Guo Yi

Subang Jaya, Selangor, Malaysia

Nov 21, 2009

Psalms 73:25 "Whom do I have in heaven but You?/And besides You there is nothing I desire on earth"

O Lord Jesus! Gain us thoroughly for Your economy.

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Sarah

Seoul, South Korea

Nov 19, 2009

Whom do I have in heaven but You, dear Jehovah.

My flesh and my heart constantly fail..

I love You, Lord! You are still the strength of my heart and my portion!

Read more
Kate Christ

Redding, CA, United States

Nov 6, 2009

Praise the Lord for this wonderful between You and Your beautiful bride. Lord, make us ready everyday for Your coming back.

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Dominic

Makati, NCR, Philippines

Nov 5, 2009

Praise the Lord! may the Lord open our eyes to see Jesus only. The Lord is the only answer to the question in our life. May the Lord Jesus live in us every day. He is the I AM. Amen.

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Kathleen

Cdo/mla, Philippines

Oct 23, 2009

May we continue to be a babe and suckling always praising God's worth day by day.

Read more
Ruben Araneta

Bogo City, Cebu, Philippines

Oct 8, 2009

Turn my view to see You. May the Lord turn our view to see Him.

His grace is sufficient. He is drawing us. Amen.

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Chris Ingayan

Manila, NCR, Philippines

Sep 10, 2009

There are times in our life, yet, the Lord is drawing us. Praise the Lord! He is drawing us to Him. Brothers, He's drawing us!

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joalex nillo

Naga, Camarines Sur, Philippines

Aug 20, 2009

PTL! I just want to praise You for my situation! Though my heart constantly fail...You're still drawing me near to You! Lord, here I am the least of all! Use me for Your economy! Lord Jesus I Love You..

Read more