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About Numbered Notation

The numbers are the notes of a scale

Numbered notation (jianpu, 简谱) writes a melody as numbers instead of notes on a staff. You do not need to read music: take one small step at a time and press Play on any example to hear it while each number lights up. Sound only starts when you press Play.

Instead of notes on a staff, each note is a number from 1 to 7. They are the seven steps of the scale you already know: do re mi fa sol la ti. After 7 the scale starts again at 1.

The seven numbers with their names. Press Play and say each name as its number lights up.
Sing along: do re mi fa sol, and back down to do.

If you can sing do re mi, you can already sing every number from 1 to 7. Tap or click any number to hear just that note.

“1=C” tells you where to start

At the top left of the sheet you will see something like 1=C. It means the number 1 (do) is the note C, and every other number counts up from there. 1=G means do is G, so the whole tune sits a little higher. Nothing else changes: the same numbers make the same shape, only higher or lower.

1=C: do is C.
1=G: the same numbers, starting higher.

Not sure where C is? On a piano it is the white key just left of the two black keys. Or ignore the letter and start on any note that is comfortable for your voice: the tune only has to keep its shape. The − and + key buttons on a hymn page shift the key for you.

Dots make a note higher or lower

A dot above a number means one octave higher. A dot below means one octave lower. Two dots mean two octaves. No dot is the middle range, where most of a tune lives. The name stays the same; only the height changes.

The same number at three heights: dot below, no dot, dot above.
A tune that climbs: it starts on a low sol and ends on a high do.

How long each note lasts

Tap your foot at a steady pace: each tap is a beat. A plain number lasts one beat, so you sing a new number on every tap. Dashes, lines and dots change that.

A plain number is one beat

Four numbers, four beats: one number for each tap.

A dash holds the note longer

Each dash adds one beat. The 5 lasts two beats and the 3 lasts four.

A line underneath makes it shorter

One line is half a beat, so two underlined numbers share one beat. (Two lines are a quarter of a beat.)

A dot after makes it half as long again

A dot after a number adds half its length. The first 5 lasts a beat and a half, and the short 3 fills the rest of the second beat.

0 means rest

A 0 is silence for one beat. Keep counting and keep tapping, but do not sing. Dashes after a 0 make the silence longer, just as they hold a note longer.

Sing 1 3 5, stay quiet for one beat, then come back down. Rests light up too, so you can feel the pause.

Bar lines and the time signature

Tall lines cut the music into bars, each holding the same number of beats. The two small numbers at the start, like 4/4 or 3/4, say how many: 4/4 is four beats in every bar, 3/4 is three. The first beat of each bar is the strongest, so lean on it a little. A double line with a thick edge marks the end.

4/4: count 1 2 3 4, 1 2 3 4. The first beat of each bar sounds a little louder.
3/4: count 1 2 3, 1 2 3, the lilt of a waltz.

Curves: ties and slurs

A curve over numbers joins them. If it joins two of the same number, it is a tie: sing the note once and hold it for both. If it joins different numbers, it is a slur: sing them all on one syllable, gliding from one to the next.

A tie: the 5 is sung once and held across the bar line, six beats in all.
A slur: “Him” is sung on two notes, 3 then 2.

The words sit under the numbers

Each number gets one syllable, written right underneath it. A short dash after part of a word means the word carries on under the next number. If a number has nothing under it, it belongs to a curve or a dash: keep singing the syllable you are on.

Read left to right, one syllable for each number: Twin-kle, twin-kle, lit-tle star.

Repeat signs and 1. 2. endings

A bar line with two dots, :|, means go back and sing that part again, from the matching |: sign (or from the start if there is none). Sometimes the repeat has two endings. Sing ending 1. the first time; on the repeat, skip it and sing ending 2. instead.

Play it: you hear the 1. ending, the repeat, then the 2. ending. Watch the highlight jump back.

Minor keys: “6=A”

A song in a minor key, which usually sounds more serious or tender, is labeled like 6=A instead of 1=C. It means the number 6 (la) is the home note, here A. The numbers keep their usual names; the tune simply feels at home on 6 and often ends there. 6=A uses the same notes as 1=C.

It starts and ends on 6 (la), the home note. Listen to the darker colour.

Put it together: a line of a hymn

This is the first line of hymn 8, “Praise God, from whom all blessings flow”, written in numbered notation. Try the slow tempo first, and sing the words as each number lights up.

1=G in 4/4. Three silent beats, then “Praise” on beat 4. The dots under 7, 6 and 5 mean those notes dip one octave lower.

Check yourself

Four quick questions, with no score and no pressure. Tap an answer to see right away why it is right or wrong. You can always try another answer.

Tap the number that is held the longest.

Tap the 5 that is one octave higher than the first 5.

What does a 0 mean?

Under 1=G, which note is the number 1?

Try it on a hymn

You opened this from a hymn that has a Numbered view, so you can try it right now.

  1. Look at the top left of the sheet: the key, such as 1=D, and the time signature, such as 3/4.
  2. Find the first number and sing it. Then follow the numbers from left to right with the words underneath, one syllable for each number. Press Play in the player to hear the recording while you follow.
  3. Letters above the numbers (C, G7) are chords for a guitarist or pianist. Ignore them while you learn the tune.
  4. To be guided, open the Learn tab and press Play. Under Display, set Learn notation to Numbered (or choose Numbered on the Lead Sheet tab first). For hymns that have numbered lines, each line of numbers scrolls into view in time with the recording while a bouncing ball follows the words; other hymns show the piano notation there. The Speed menu slows it down.

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O the joy of having nothing

Experience of Christ His Overflowing Satisfaction

New Songs26
1
O the joy of having nothing and being nothing, seeing nothing
But a living Christ in glory,
And being careful for nothing but His interests down here.
Whom have I in heaven but Thee?
And there is none upon the earth that I desire beside Thee.
O the joy of having nothing and being nothing, seeing nothing
But a living Christ in glory,
And being careful for nothing but His interests down here.

Abridged version.

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Oluwarotimi Johnson

Raleigh, North Carolina, United States

Oct 18, 2026

I’m proud to have nothing when I have the Lord

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Christopher W Condon

Fargo, ND, United States

Feb 10, 2025

Typically over time we become something. An expert, a leader, wealthy, a teacher, etc. But what a joy to become nothing, fully dependent on the Lord and His righteousness. We thank the Lord to see such a mystery and blessing..

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Hana Lee

Taiwan

Dec 16, 2023

「真喜樂,能一無所有,能一無所是,一無所見,惟見活的基督在榮耀裡;
真喜樂,我全心所繫是祂在地權益。
除你以外,在天上我有誰?
除你以外,在地上我也沒有所愛慕的。
真喜樂,能一無所有,能一無所是,一無所見,惟見活的基督在榮耀裡;
真喜樂,我全心所繫是祂在地權益。」

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Tl

Apr 24, 2023

Oh what a joy! That we are nothing! He is everything!

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Ana Lara

Storrs, Connecticut, United States

Mar 9, 2022

Francis Newman who spent much time with Darby, included this description of Darby in his autobiography.

My second period is characterized, partly by the great ascendancy exercised over me by one powerful mind and still more powerful will partly by the vehement effort which throughout its duration urged me to long after the establishment of Christian fellowship and a purely Biblical Church as a first grade want of Christendom in the world.

After taking my degree I became Fellow of Balliol College; and the next year I accepted an invitation to Ireland, and there became private tutor in the house of one now deceased, whose name I would gladly mention for honor and affection, but I withhold my pen.

A young relative of his—a most remarkable man—rapidly gained and immense sway over me. I shall hence fourth call him “the Irish clergyman” [Darby]. His bodily presence was indeed weak! A fallen cheek, a blood-shot eye… a seldom shaven beard, a shabby suit of clothes and a generally neglected person, drew at first pity, with wonder to see such a figure in a drawing room. It was reported that a person in Limerick offered him a half-penny, mistaking him for a beggar; and if not true, the story was yet while invented. This young man had taken high honors in Dublin University and had studied for the bar, where, under the auspices of his eminent kinsman, he had excellent prospects; but his conscience would not allow him to take a brief, lest he should be selling his talents to defeat justice. With keen logical powers, he had warmth sympathies, solid judgment of character, thoughtful tenderness, and total self abandonment. He before long, took Holy Orders and became an indefatigable curate in the mountains of Wicklow. Every evening he sailed forth to teach in the cabins, and roving far and wide over mountain and amid bogs was seldom brought home before midnight. By such exertions his strengths was undermined. His whole frame might have vied in emaciation with a monk of La Trappe.

Such a phenomenon intensely excited the poor Romanists, who looked on him as a genuine saint of the ancient breed. The stamp of heaven seem to them clear in a frame so wasted by austerity, so superior to worldly pump, and so partaking in all their indulgence. That a dozen such men would have done more to convert all Ireland to Protestantism and the whole apparatus of the Church Establishment was ere long my conviction. He had practically given up all reading except that of the Bible; and no small part of his movement towards me soon took the form of dissuasion from all other voluntary study.

In fact I had myself more and more concentrated my religious reading on this one book; still, I could not help feeling the value of a cultivated mind. Against this, my new eccentric friend directed his keenest attacks. I remember once saying to him, “To desire to be rich is unChristian and absurd; but if I had children, I should wish to be rich enough to secure them a good education. ” He replied: “if I had children, I would as soon see them break stones on the road, as do anything else, if only I could secure to them the Gospel of the grace of God. ” I was unable to say amen, but I admired his unflinching consistency. For the first time in my life I saw a man earnestly turning into reality the principles which others confessed with their lips. That the words of the Bible contained the highest truth accessible to man, truth or not to be taken from or added to, —all confessed: never before had I seen a man so resolved that no word of it should be a dead letter to him. I once said: “But do you really think that no part of the New Testament may have been temporary in its object? For instance, what should we have lost, if Paul had not written the verse, ‘The cloak which I left in Troas bring it with thee, and the books, but especially the parchments’? ” He answered I should certainly have lost something; for that is exactly the verse which saved me from selling my library. No! Every word, is from the Spirit, and is for eternal service. ”

JN Darby and the Brethren. Part B

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Nelson Liu

Irvine, CA, United States

Jan 26, 2018

O the joy!

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Joseph

Doha, Qatar

Nov 13, 2017

Thank You Lord for bringing me into such a deeper experience of You to see that "there is really a joy in having nothing, being nothing and seeing nothing but a living Christ in glory"

Halleluyah! Lord Jesus I still love You. Amen!

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Joshua Chang

Walnut, CA, United States

Oct 8, 2017

O the joy of having Jesus!!!

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Grace

East

Apr 4, 2017

O our Beloved... the living Christ in glory on earth and in heaven, we testify, You are, I AM, we hear see know and worship You in Your great Mercy and Love.

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Vali Balla

Albania

Dec 28, 2016

O the joy of having nothing and being nothing, seeing nothing

But a living Christ in glory.

Read more