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About Numbered Notation

The numbers are the notes of a scale

Numbered notation (jianpu, 简谱) writes a melody as numbers instead of notes on a staff. You do not need to read music: take one small step at a time and press Play on any example to hear it while each number lights up. Sound only starts when you press Play.

Instead of notes on a staff, each note is a number from 1 to 7. They are the seven steps of the scale you already know: do re mi fa sol la ti. After 7 the scale starts again at 1.

The seven numbers with their names. Press Play and say each name as its number lights up.
Sing along: do re mi fa sol, and back down to do.

If you can sing do re mi, you can already sing every number from 1 to 7. Tap or click any number to hear just that note.

“1=C” tells you where to start

At the top left of the sheet you will see something like 1=C. It means the number 1 (do) is the note C, and every other number counts up from there. 1=G means do is G, so the whole tune sits a little higher. Nothing else changes: the same numbers make the same shape, only higher or lower.

1=C: do is C.
1=G: the same numbers, starting higher.

Not sure where C is? On a piano it is the white key just left of the two black keys. Or ignore the letter and start on any note that is comfortable for your voice: the tune only has to keep its shape. The − and + key buttons on a hymn page shift the key for you.

Dots make a note higher or lower

A dot above a number means one octave higher. A dot below means one octave lower. Two dots mean two octaves. No dot is the middle range, where most of a tune lives. The name stays the same; only the height changes.

The same number at three heights: dot below, no dot, dot above.
A tune that climbs: it starts on a low sol and ends on a high do.

How long each note lasts

Tap your foot at a steady pace: each tap is a beat. A plain number lasts one beat, so you sing a new number on every tap. Dashes, lines and dots change that.

A plain number is one beat

Four numbers, four beats: one number for each tap.

A dash holds the note longer

Each dash adds one beat. The 5 lasts two beats and the 3 lasts four.

A line underneath makes it shorter

One line is half a beat, so two underlined numbers share one beat. (Two lines are a quarter of a beat.)

A dot after makes it half as long again

A dot after a number adds half its length. The first 5 lasts a beat and a half, and the short 3 fills the rest of the second beat.

0 means rest

A 0 is silence for one beat. Keep counting and keep tapping, but do not sing. Dashes after a 0 make the silence longer, just as they hold a note longer.

Sing 1 3 5, stay quiet for one beat, then come back down. Rests light up too, so you can feel the pause.

Bar lines and the time signature

Tall lines cut the music into bars, each holding the same number of beats. The two small numbers at the start, like 4/4 or 3/4, say how many: 4/4 is four beats in every bar, 3/4 is three. The first beat of each bar is the strongest, so lean on it a little. A double line with a thick edge marks the end.

4/4: count 1 2 3 4, 1 2 3 4. The first beat of each bar sounds a little louder.
3/4: count 1 2 3, 1 2 3, the lilt of a waltz.

Curves: ties and slurs

A curve over numbers joins them. If it joins two of the same number, it is a tie: sing the note once and hold it for both. If it joins different numbers, it is a slur: sing them all on one syllable, gliding from one to the next.

A tie: the 5 is sung once and held across the bar line, six beats in all.
A slur: “Him” is sung on two notes, 3 then 2.

The words sit under the numbers

Each number gets one syllable, written right underneath it. A short dash after part of a word means the word carries on under the next number. If a number has nothing under it, it belongs to a curve or a dash: keep singing the syllable you are on.

Read left to right, one syllable for each number: Twin-kle, twin-kle, lit-tle star.

Repeat signs and 1. 2. endings

A bar line with two dots, :|, means go back and sing that part again, from the matching |: sign (or from the start if there is none). Sometimes the repeat has two endings. Sing ending 1. the first time; on the repeat, skip it and sing ending 2. instead.

Play it: you hear the 1. ending, the repeat, then the 2. ending. Watch the highlight jump back.

Minor keys: “6=A”

A song in a minor key, which usually sounds more serious or tender, is labeled like 6=A instead of 1=C. It means the number 6 (la) is the home note, here A. The numbers keep their usual names; the tune simply feels at home on 6 and often ends there. 6=A uses the same notes as 1=C.

It starts and ends on 6 (la), the home note. Listen to the darker colour.

Put it together: a line of a hymn

This is the first line of hymn 8, “Praise God, from whom all blessings flow”, written in numbered notation. Try the slow tempo first, and sing the words as each number lights up.

1=G in 4/4. Three silent beats, then “Praise” on beat 4. The dots under 7, 6 and 5 mean those notes dip one octave lower.

Check yourself

Four quick questions, with no score and no pressure. Tap an answer to see right away why it is right or wrong. You can always try another answer.

Tap the number that is held the longest.

Tap the 5 that is one octave higher than the first 5.

What does a 0 mean?

Under 1=G, which note is the number 1?

Try it on a hymn

You opened this from a hymn that has a Numbered view, so you can try it right now.

  1. Look at the top left of the sheet: the key, such as 1=D, and the time signature, such as 3/4.
  2. Find the first number and sing it. Then follow the numbers from left to right with the words underneath, one syllable for each number. Press Play in the player to hear the recording while you follow.
  3. Letters above the numbers (C, G7) are chords for a guitarist or pianist. Ignore them while you learn the tune.
  4. To be guided, open the Learn tab and press Play. Under Display, set Learn notation to Numbered (or choose Numbered on the Lead Sheet tab first). For hymns that have numbered lines, each line of numbers scrolls into view in time with the recording while a bouncing ball follows the words; other hymns show the piano notation there. The Speed menu slows it down.

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Jesus Lord, I just love You

Experience of Christ Loving Him

New Songs232
1
Jesus Lord, I just love You.
You’ve attracted me, and my heart renewed.
I pursue You like a dove;
I belong to You, and You’re my Beloved.
Everything under the sun is vanity:
It’s like chasing after wind, so emptily;
You have put within me, Lord, eternity...
2
Now I rise to come away;
In the cleft rock, Lord, I would ever stay.
Kiss me, Lord; refresh me, too,
As I gaze at You, and Your death I view.
You were broken on the cross for me, dear Lord.
All Your being, life and love for me was poured.
Precious One, You are the One that I adore...
3
Make me, Lord, a fragrance true,
As a garden filled, with Your spices new.
Transform me, Your Bride to be,
For Your heart’s desire, through eternity.
As Your lover in the veil, I long to be,
Be conformed to Your sweet death continually,
’Til Your city we become eternally.

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Anonymous

United Kingdom

Mar 8, 2011

God's desire is not that we suffer but that we rejoice in what He has done. The 2 greatest commendments are "love God and love your neighbour". Jesus came for the lost and the sick, and through us, His body, He continues to love the lost. If we reject the lost people in the world the life of Christ cannot be in us.

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Celia

Moreno Valley, California, United States

Sep 1, 2010

Very sweet loving song to the Lord Jesus. longing to be conformed to His image by His death and life imparting Spirit moment by moment. Living in His presence. Enjoying His love and His attraction. Amen. Lord Jesus, we love You.

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Coni Immanuel

Chennai, Tamil Nadu, Indonesia

May 10, 2010

Thank you for sharing these wonderful songs, and chord sheets and everything.

It helps me and my family to worship HIM more and more.

Jesus bless you all.

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Regan Ryan

Hamilton, New Zealand

Oct 9, 2009

King Solomon had absolutely everything, but to him it was just so empty, vanity. He had the realization that God is the reality, and that man can only be satisfied with the eternal things. We all should have this realization!

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Gloria Ting

HAMILTON, New Zealand

Jun 20, 2009

I enjoy this hymn, esp where it says "Everything under the sun is vanity:

its like chasing after the wind, so emptily *so true*

You have put me Lord so eternity" :)

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Joey

London, United Kingdom

Jan 21, 2009

Working in a hospital especially for elderly patients, I can't help but to wonder: is this all our life about?

Daily, as I look at the patients' wrinkled faces, I thought to myself: these are the faces who once were as wrinkle-free as mine; but what have they achieved?

We are all ageing. At the end of days, what matters is how much we know the Lord. We all need to be confronted with this question: How much have I enjoyed the Lord? And how much am I constituted with Christ? And how much have I loved the church and cared for the Body?

Apart from Christ, everthing is vanity of vanities. No wonder the most glamarous man in the world cried, "Everything under the sun is vanity." What is the point of gaining the whole world but losing Christ?

We don't have much time left. Every second of worldly enjoyment amounts to every second of losing Christ. May we all be wise virgins: to pay the price that we may have oil in our lamp when the Lord comes back.

Much grace, a brother in Christ

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