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About Numbered Notation

The numbers are the notes of a scale

Numbered notation (jianpu, 简谱) writes a melody as numbers instead of notes on a staff. You do not need to read music: take one small step at a time and press Play on any example to hear it while each number lights up. Sound only starts when you press Play.

Instead of notes on a staff, each note is a number from 1 to 7. They are the seven steps of the scale you already know: do re mi fa sol la ti. After 7 the scale starts again at 1.

The seven numbers with their names. Press Play and say each name as its number lights up.
Sing along: do re mi fa sol, and back down to do.

If you can sing do re mi, you can already sing every number from 1 to 7. Tap or click any number to hear just that note.

“1=C” tells you where to start

At the top left of the sheet you will see something like 1=C. It means the number 1 (do) is the note C, and every other number counts up from there. 1=G means do is G, so the whole tune sits a little higher. Nothing else changes: the same numbers make the same shape, only higher or lower.

1=C: do is C.
1=G: the same numbers, starting higher.

Not sure where C is? On a piano it is the white key just left of the two black keys. Or ignore the letter and start on any note that is comfortable for your voice: the tune only has to keep its shape. The − and + key buttons on a hymn page shift the key for you.

Dots make a note higher or lower

A dot above a number means one octave higher. A dot below means one octave lower. Two dots mean two octaves. No dot is the middle range, where most of a tune lives. The name stays the same; only the height changes.

The same number at three heights: dot below, no dot, dot above.
A tune that climbs: it starts on a low sol and ends on a high do.

How long each note lasts

Tap your foot at a steady pace: each tap is a beat. A plain number lasts one beat, so you sing a new number on every tap. Dashes, lines and dots change that.

A plain number is one beat

Four numbers, four beats: one number for each tap.

A dash holds the note longer

Each dash adds one beat. The 5 lasts two beats and the 3 lasts four.

A line underneath makes it shorter

One line is half a beat, so two underlined numbers share one beat. (Two lines are a quarter of a beat.)

A dot after makes it half as long again

A dot after a number adds half its length. The first 5 lasts a beat and a half, and the short 3 fills the rest of the second beat.

0 means rest

A 0 is silence for one beat. Keep counting and keep tapping, but do not sing. Dashes after a 0 make the silence longer, just as they hold a note longer.

Sing 1 3 5, stay quiet for one beat, then come back down. Rests light up too, so you can feel the pause.

Bar lines and the time signature

Tall lines cut the music into bars, each holding the same number of beats. The two small numbers at the start, like 4/4 or 3/4, say how many: 4/4 is four beats in every bar, 3/4 is three. The first beat of each bar is the strongest, so lean on it a little. A double line with a thick edge marks the end.

4/4: count 1 2 3 4, 1 2 3 4. The first beat of each bar sounds a little louder.
3/4: count 1 2 3, 1 2 3, the lilt of a waltz.

Curves: ties and slurs

A curve over numbers joins them. If it joins two of the same number, it is a tie: sing the note once and hold it for both. If it joins different numbers, it is a slur: sing them all on one syllable, gliding from one to the next.

A tie: the 5 is sung once and held across the bar line, six beats in all.
A slur: “Him” is sung on two notes, 3 then 2.

The words sit under the numbers

Each number gets one syllable, written right underneath it. A short dash after part of a word means the word carries on under the next number. If a number has nothing under it, it belongs to a curve or a dash: keep singing the syllable you are on.

Read left to right, one syllable for each number: Twin-kle, twin-kle, lit-tle star.

Repeat signs and 1. 2. endings

A bar line with two dots, :|, means go back and sing that part again, from the matching |: sign (or from the start if there is none). Sometimes the repeat has two endings. Sing ending 1. the first time; on the repeat, skip it and sing ending 2. instead.

Play it: you hear the 1. ending, the repeat, then the 2. ending. Watch the highlight jump back.

Minor keys: “6=A”

A song in a minor key, which usually sounds more serious or tender, is labeled like 6=A instead of 1=C. It means the number 6 (la) is the home note, here A. The numbers keep their usual names; the tune simply feels at home on 6 and often ends there. 6=A uses the same notes as 1=C.

It starts and ends on 6 (la), the home note. Listen to the darker colour.

Put it together: a line of a hymn

This is the first line of hymn 8, “Praise God, from whom all blessings flow”, written in numbered notation. Try the slow tempo first, and sing the words as each number lights up.

1=G in 4/4. Three silent beats, then “Praise” on beat 4. The dots under 7, 6 and 5 mean those notes dip one octave lower.

Check yourself

Four quick questions, with no score and no pressure. Tap an answer to see right away why it is right or wrong. You can always try another answer.

Tap the number that is held the longest.

Tap the 5 that is one octave higher than the first 5.

What does a 0 mean?

Under 1=G, which note is the number 1?

Try it on a hymn

You opened this from a hymn that has a Numbered view, so you can try it right now.

  1. Look at the top left of the sheet: the key, such as 1=D, and the time signature, such as 3/4.
  2. Find the first number and sing it. Then follow the numbers from left to right with the words underneath, one syllable for each number. Press Play in the player to hear the recording while you follow.
  3. Letters above the numbers (C, G7) are chords for a guitarist or pianist. Ignore them while you learn the tune.
  4. To be guided, open the Learn tab and press Play. Under Display, set Learn notation to Numbered (or choose Numbered on the Lead Sheet tab first). For hymns that have numbered lines, each line of numbers scrolls into view in time with the recording while a bouncing ball follows the words; other hymns show the piano notation there. The Speed menu slows it down.

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1
To You, dear Lord,
I give myself afresh again
Unsparingly for Your desire,
Your economy.
2
O, fire from above,
Come and consume me thoroughly
That You may be my all,
My life, my everything.
3
It’s Your mercy and Your love
That I can give myself to You.
Since it’s in like manner
That You gave up Yourself for me.
4
Set Your throne in my heart
From now on to the very end.
It takes eternity to know its worth
To You, to me.

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Armand Tongo

Quezon City, Philippines

Dec 5, 2011

Lord Jesus, we are for Your desire. Amen!

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L.C.

San Juan, M.M., Philippines

Jan 8, 2011

It's Your mercy and Your love
That I can give myself to You.
Since it's in like manner
That You gave up Yourself for me.

Set Your throne in my heart
From now on to the very end.
It takes eternity to know its worth
To You, to me.

Lord, I consecrate anew this new year to You. Lord, gain me and make me desperate in pursuing You. Lord Jesus, I love You Lord.

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Fred Balasabas

Church In Sta Catalina, Negros Oriental, Philippines

Nov 22, 2010

His love always constrains us, even if we have a lot of failures defects and short comings, His loving care will never change. I love You Lord, I love the saints, the church which is the Body and Your economy.

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Ashlynne Macnee

Arlington, Texas, United States

May 3, 2010

I love this song! I like the music itself, and it can be sung in rounds!

I really enjoyed that we need to give ourself afresh to the Lord unsparingly for His economy and desire!

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Teresa Lam

Lower Hutt, New Zealand

Apr 26, 2010

This song is so touching for me. I've always loved this song, even if it was just the music at first. But now, having the realisation that this song is about absolute consecration to the Lord, it tells me that it's by the Lord's love that we would be so constrained to love Him back, to consecrate our entire lives to Him. After all, His love is the motive for our consecration.

I also enjoyed that this consecration to the Lord, it's a matter that needs to be continuous, and not "once-for-all". The first stanza reads: "To You, dear Lord I give myself AFRESH again..." Day by day, we need to freshly give ourselves to the Lord, unsparingly for His desire. O may we experience His love in such a sweet way, to absolutely consecrate ourselves to Him, for His economy so glorious :)

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Abigail Vinson

Irving, Texas, United States

Mar 2, 2010

I really enjoy this song, and I use it for thinking background music. I really enjoy the last verse. Set your throne in my heart, From now on to the very end, It takes eternity to know it's worth,To you, to me. Amen!! This song is my favorite!

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Jonathan Gines

Lebak, Sultan Kudarat, Philippines

Oct 1, 2009

I'm so appreciating this song. It gives me inspiration in my church life. Amen.

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nelsie patungan

Dagupan City, Pangasinan, Philippines

Aug 23, 2009

Lord Jesus You are faithful.

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Dale Pitcher

Hamilton, Waikato, New Zealand

Jul 14, 2009

Life is so hard and this song really turns me back for a small period of time when I used to consecrate my being to Jesus.

Thanks.

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mark sumie

Cebu City Philippines, Cebu, Philippines

Jul 6, 2009

This really touches my entire being. I love You Lord Jesus!!!!!!!!!!

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