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About Numbered Notation

The numbers are the notes of a scale

Numbered notation (jianpu, 简谱) writes a melody as numbers instead of notes on a staff. You do not need to read music: take one small step at a time and press Play on any example to hear it while each number lights up. Sound only starts when you press Play.

Instead of notes on a staff, each note is a number from 1 to 7. They are the seven steps of the scale you already know: do re mi fa sol la ti. After 7 the scale starts again at 1.

The seven numbers with their names. Press Play and say each name as its number lights up.
Sing along: do re mi fa sol, and back down to do.

If you can sing do re mi, you can already sing every number from 1 to 7. Tap or click any number to hear just that note.

“1=C” tells you where to start

At the top left of the sheet you will see something like 1=C. It means the number 1 (do) is the note C, and every other number counts up from there. 1=G means do is G, so the whole tune sits a little higher. Nothing else changes: the same numbers make the same shape, only higher or lower.

1=C: do is C.
1=G: the same numbers, starting higher.

Not sure where C is? On a piano it is the white key just left of the two black keys. Or ignore the letter and start on any note that is comfortable for your voice: the tune only has to keep its shape. The − and + key buttons on a hymn page shift the key for you.

Dots make a note higher or lower

A dot above a number means one octave higher. A dot below means one octave lower. Two dots mean two octaves. No dot is the middle range, where most of a tune lives. The name stays the same; only the height changes.

The same number at three heights: dot below, no dot, dot above.
A tune that climbs: it starts on a low sol and ends on a high do.

How long each note lasts

Tap your foot at a steady pace: each tap is a beat. A plain number lasts one beat, so you sing a new number on every tap. Dashes, lines and dots change that.

A plain number is one beat

Four numbers, four beats: one number for each tap.

A dash holds the note longer

Each dash adds one beat. The 5 lasts two beats and the 3 lasts four.

A line underneath makes it shorter

One line is half a beat, so two underlined numbers share one beat. (Two lines are a quarter of a beat.)

A dot after makes it half as long again

A dot after a number adds half its length. The first 5 lasts a beat and a half, and the short 3 fills the rest of the second beat.

0 means rest

A 0 is silence for one beat. Keep counting and keep tapping, but do not sing. Dashes after a 0 make the silence longer, just as they hold a note longer.

Sing 1 3 5, stay quiet for one beat, then come back down. Rests light up too, so you can feel the pause.

Bar lines and the time signature

Tall lines cut the music into bars, each holding the same number of beats. The two small numbers at the start, like 4/4 or 3/4, say how many: 4/4 is four beats in every bar, 3/4 is three. The first beat of each bar is the strongest, so lean on it a little. A double line with a thick edge marks the end.

4/4: count 1 2 3 4, 1 2 3 4. The first beat of each bar sounds a little louder.
3/4: count 1 2 3, 1 2 3, the lilt of a waltz.

Curves: ties and slurs

A curve over numbers joins them. If it joins two of the same number, it is a tie: sing the note once and hold it for both. If it joins different numbers, it is a slur: sing them all on one syllable, gliding from one to the next.

A tie: the 5 is sung once and held across the bar line, six beats in all.
A slur: “Him” is sung on two notes, 3 then 2.

The words sit under the numbers

Each number gets one syllable, written right underneath it. A short dash after part of a word means the word carries on under the next number. If a number has nothing under it, it belongs to a curve or a dash: keep singing the syllable you are on.

Read left to right, one syllable for each number: Twin-kle, twin-kle, lit-tle star.

Repeat signs and 1. 2. endings

A bar line with two dots, :|, means go back and sing that part again, from the matching |: sign (or from the start if there is none). Sometimes the repeat has two endings. Sing ending 1. the first time; on the repeat, skip it and sing ending 2. instead.

Play it: you hear the 1. ending, the repeat, then the 2. ending. Watch the highlight jump back.

Minor keys: “6=A”

A song in a minor key, which usually sounds more serious or tender, is labeled like 6=A instead of 1=C. It means the number 6 (la) is the home note, here A. The numbers keep their usual names; the tune simply feels at home on 6 and often ends there. 6=A uses the same notes as 1=C.

It starts and ends on 6 (la), the home note. Listen to the darker colour.

Put it together: a line of a hymn

This is the first line of hymn 8, “Praise God, from whom all blessings flow”, written in numbered notation. Try the slow tempo first, and sing the words as each number lights up.

1=G in 4/4. Three silent beats, then “Praise” on beat 4. The dots under 7, 6 and 5 mean those notes dip one octave lower.

Check yourself

Four quick questions, with no score and no pressure. Tap an answer to see right away why it is right or wrong. You can always try another answer.

Tap the number that is held the longest.

Tap the 5 that is one octave higher than the first 5.

What does a 0 mean?

Under 1=G, which note is the number 1?

Try it on a hymn

You opened this from a hymn that has a Numbered view, so you can try it right now.

  1. Look at the top left of the sheet: the key, such as 1=D, and the time signature, such as 3/4.
  2. Find the first number and sing it. Then follow the numbers from left to right with the words underneath, one syllable for each number. Press Play in the player to hear the recording while you follow.
  3. Letters above the numbers (C, G7) are chords for a guitarist or pianist. Ignore them while you learn the tune.
  4. To be guided, open the Learn tab and press Play. Under Display, set Learn notation to Numbered (or choose Numbered on the Lead Sheet tab first). For hymns that have numbered lines, each line of numbers scrolls into view in time with the recording while a bouncing ball follows the words; other hymns show the piano notation there. The Speed menu slows it down.

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1
Prod me with Your loving hands,
Stir me from my deep impasse.
I long to flee this stagnant rut;
My soul, my prison, deadened lot,
Which end is just to taste Your wrath;
So set me on the narrow path.
Thorns and thistles may line this road
But it leads me to the mutual abode.
 
Lift me up with Your mighty hand
Above this frenzied earthly land.
Set me on the mount to see
What the world can offer me;
Till I see the vanity from on high
And earthly desires I bid goodbye
And set my eyes on You.

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JADE CABAHUG

ALORAN, MISAMIS OCCIDENTAL, Philippines

Sep 23, 2009

Amen, Amen. Thanks be to God, for He gives us a higher view concerning His eternal economy.

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Nicolae Salas

El Salvador, Misamis Oriental, Philippines

Sep 21, 2009

Lord Jesus we thank You for giving us a view of what the world really is. May we always set our eyes on You only Lord, for everything in this world is vanity.

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Sher Ho

Taipei, BANCHIAO, Taiwan

Aug 28, 2009

When I heard this song, it reminded me of the first time it was introduced by Jeff O'yek and Marlon Chua to QC, Philippines saints. Sweet, Sweet fellowship. Hallelujah for the Lord! Miss the fellowship there.

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Audre Kohinor Ramirez

Bayawan, Negros Oriental, Philippines

Jul 5, 2009

AMEN. This is the first song that my cousin learned from me (with action of course) I like this so much.

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emarden p. octo

Pagadian City, Zamboanga Del Sur, Philippines

Jul 3, 2009

Praise the LORD saints! HE is incomparable! He is our all! All things are just vain compared to Him. Amen! Amen! Amen!

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Sister Julie

Berkeley, CA, United States

Jun 28, 2009

I love this song because it shows us how much the world can offer us, but it's nothing compared to what the Lord is to us. We need to have this vision that turns us towards the Lord!

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Jenny

Malaysia

Jun 24, 2009

There are times the world seems to offer me so many attractions. But Lord, set me on the mount to see that whatever the world offers are just "dung". How wonderful that we are the faith people, of whom the corrupted world is not worthy. Only the holy city of God, New Jerusalem, is worthy to have us. Hallelujah! (Heb. 11:38 fn 1)

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Daniel

Surabaya, East Java, Indonesia

May 29, 2009

Thank God for giving us a higher view. We'll all be dead to the world, biding goodbye to all that the world offers. God, I love You.

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Lovely Granada

Gen. Santos City, South Cotabato, Philippines

May 13, 2009

Oh Lord, thank You for this higher view. May I finally bid goodbye to this world. May all the saints especially the young people see the world as a waste and nothing... and come make business with the Lord!

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christina y

Bellevue, WA

Mar 17, 2009

I just recently came back from my first high school retreat, and now this song has so much more meaning... the Lord really lifted me up, and showed me that nothing on this earth is worth wasting our time on. Lord now I can genuinely say that "earthly desires I bid goodbye, and set my eyes on You"! Lord Jesus I love You!

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