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About Numbered Notation

The numbers are the notes of a scale

Numbered notation (jianpu, 简谱) writes a melody as numbers instead of notes on a staff. You do not need to read music: take one small step at a time and press Play on any example to hear it while each number lights up. Sound only starts when you press Play.

Instead of notes on a staff, each note is a number from 1 to 7. They are the seven steps of the scale you already know: do re mi fa sol la ti. After 7 the scale starts again at 1.

The seven numbers with their names. Press Play and say each name as its number lights up.
Sing along: do re mi fa sol, and back down to do.

If you can sing do re mi, you can already sing every number from 1 to 7. Tap or click any number to hear just that note.

“1=C” tells you where to start

At the top left of the sheet you will see something like 1=C. It means the number 1 (do) is the note C, and every other number counts up from there. 1=G means do is G, so the whole tune sits a little higher. Nothing else changes: the same numbers make the same shape, only higher or lower.

1=C: do is C.
1=G: the same numbers, starting higher.

Not sure where C is? On a piano it is the white key just left of the two black keys. Or ignore the letter and start on any note that is comfortable for your voice: the tune only has to keep its shape. The − and + key buttons on a hymn page shift the key for you.

Dots make a note higher or lower

A dot above a number means one octave higher. A dot below means one octave lower. Two dots mean two octaves. No dot is the middle range, where most of a tune lives. The name stays the same; only the height changes.

The same number at three heights: dot below, no dot, dot above.
A tune that climbs: it starts on a low sol and ends on a high do.

How long each note lasts

Tap your foot at a steady pace: each tap is a beat. A plain number lasts one beat, so you sing a new number on every tap. Dashes, lines and dots change that.

A plain number is one beat

Four numbers, four beats: one number for each tap.

A dash holds the note longer

Each dash adds one beat. The 5 lasts two beats and the 3 lasts four.

A line underneath makes it shorter

One line is half a beat, so two underlined numbers share one beat. (Two lines are a quarter of a beat.)

A dot after makes it half as long again

A dot after a number adds half its length. The first 5 lasts a beat and a half, and the short 3 fills the rest of the second beat.

0 means rest

A 0 is silence for one beat. Keep counting and keep tapping, but do not sing. Dashes after a 0 make the silence longer, just as they hold a note longer.

Sing 1 3 5, stay quiet for one beat, then come back down. Rests light up too, so you can feel the pause.

Bar lines and the time signature

Tall lines cut the music into bars, each holding the same number of beats. The two small numbers at the start, like 4/4 or 3/4, say how many: 4/4 is four beats in every bar, 3/4 is three. The first beat of each bar is the strongest, so lean on it a little. A double line with a thick edge marks the end.

4/4: count 1 2 3 4, 1 2 3 4. The first beat of each bar sounds a little louder.
3/4: count 1 2 3, 1 2 3, the lilt of a waltz.

Curves: ties and slurs

A curve over numbers joins them. If it joins two of the same number, it is a tie: sing the note once and hold it for both. If it joins different numbers, it is a slur: sing them all on one syllable, gliding from one to the next.

A tie: the 5 is sung once and held across the bar line, six beats in all.
A slur: “Him” is sung on two notes, 3 then 2.

The words sit under the numbers

Each number gets one syllable, written right underneath it. A short dash after part of a word means the word carries on under the next number. If a number has nothing under it, it belongs to a curve or a dash: keep singing the syllable you are on.

Read left to right, one syllable for each number: Twin-kle, twin-kle, lit-tle star.

Repeat signs and 1. 2. endings

A bar line with two dots, :|, means go back and sing that part again, from the matching |: sign (or from the start if there is none). Sometimes the repeat has two endings. Sing ending 1. the first time; on the repeat, skip it and sing ending 2. instead.

Play it: you hear the 1. ending, the repeat, then the 2. ending. Watch the highlight jump back.

Minor keys: “6=A”

A song in a minor key, which usually sounds more serious or tender, is labeled like 6=A instead of 1=C. It means the number 6 (la) is the home note, here A. The numbers keep their usual names; the tune simply feels at home on 6 and often ends there. 6=A uses the same notes as 1=C.

It starts and ends on 6 (la), the home note. Listen to the darker colour.

Put it together: a line of a hymn

This is the first line of hymn 8, “Praise God, from whom all blessings flow”, written in numbered notation. Try the slow tempo first, and sing the words as each number lights up.

1=G in 4/4. Three silent beats, then “Praise” on beat 4. The dots under 7, 6 and 5 mean those notes dip one octave lower.

Check yourself

Four quick questions, with no score and no pressure. Tap an answer to see right away why it is right or wrong. You can always try another answer.

Tap the number that is held the longest.

Tap the 5 that is one octave higher than the first 5.

What does a 0 mean?

Under 1=G, which note is the number 1?

Try it on a hymn

You opened this from a hymn that has a Numbered view, so you can try it right now.

  1. Look at the top left of the sheet: the key, such as 1=D, and the time signature, such as 3/4.
  2. Find the first number and sing it. Then follow the numbers from left to right with the words underneath, one syllable for each number. Press Play in the player to hear the recording while you follow.
  3. Letters above the numbers (C, G7) are chords for a guitarist or pianist. Ignore them while you learn the tune.
  4. To be guided, open the Learn tab and press Play. Under Display, set Learn notation to Numbered (or choose Numbered on the Lead Sheet tab first). For hymns that have numbered lines, each line of numbers scrolls into view in time with the recording while a bouncing ball follows the words; other hymns show the piano notation there. The Speed menu slows it down.

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Long Beach Songbook50
1
Zion is God’s habitation.
Sing praises in Zion,
The city of our King.
Zion, the place of His choosing
Where saints are rejoicing.
Here God is their salvation.
 
Beautiful Zion,
In elevation,
The joy of our King,
His satisfaction,
The joy of the whole earth.
2
Zion: how good and how pleasant,
The greatest enjoyment!
It’s like the precious ointment.
Zion, how good and how pleasant,
In oneness we’re dwelling.
The dew, oh how refreshing!
 
Beautiful Zion, in elevation.
How good and how pleasant,
The best enjoyment!
Our oneness is just Him.
3
Zion: our oneness a Person,
As ointment, He’s moving,
As dew He is descending,
Zion: our God is our dwelling,
As ointment, He’s strengthening,
As dew, He’s so supplying.
 
Beautiful Zion, in elevation.
How good and how pleasant,
Man’s satisfaction,
Our dwelling is this One.
4
Zion: in God we’re abiding,
Our oneness and living,
The processed God, our all.
Zion, the ultimate blessing,
Of God with man mingling,
The Triune God dispensing.
 
Beautiful churches, the golden lampstands.
God mingling with man;
His satisfaction,
The ultimate consummation!

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Migadde Denis

Kampala, Uganda

Dec 16, 2016

Praise You Lord that as ointment You move to strengthen us, as dew You ever descend to refresh us and supply us, Amen.

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Mathew Grace Kurikesu

Portland, Oregon, United States

Oct 19, 2016

I am told the root of this word ZION is zero. He emptied himself and became a beggar. Himself is the root, rhyme and reason for the season of grace, rest, plenty Heb.2:10. The tussle is between the serpent's root and the Royal Root of David. He is able to succour the ZEROES to the uttermost ! Halle....... So pass the keys boldly. Maranatha.

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Pierro Ahorsey

Tema, Greater Accra, Ghana

Sep 27, 2016

Zion, Zion, Zion. I can sing this song all day. Thank You Father for Howard Higashi.

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Nelson Liu

Irvine, CA, United States

Mar 21, 2015

Lord, make Your habitation in us!

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Jeffrey C

Vancouver, BC, Canada

Apr 20, 2013

What a beautiful hymn... Listening to the music and singing along by looking at the lyrics, I was moved to tears when I reached the last verse. Oh praise the Lord for His economy and thank You for inspiring Br. Howard Higashi to write this beautiful hymn. Oh the beauty of His churches, the golden lampstands!!

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Nicky Caber

Mandaluyong City, Philippines

Nov 3, 2011

Our destiny and future is Zion. Our goal is Mt. Zion. Forgive me Lord, these tears are only for You, not merely on the emotion that I am feeling right now. Lord Jesus be gracious to us. I want to set my eyes looking always to Your habitation. Lord we pray that Your kingdom will be done on this earth. Zion. Praise the Lord Jesus. These tears are for You Lord Jesus. my Lord and my God! Hallelujah!

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Kay

Houma, Louisiana, United States

Aug 17, 2011

This hymn became more real to me after I had read Psalm 131. I really love this hymn.

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Jocel Payumo

Naga City, Camarines Sur, Philippines

Aug 15, 2011

This song reminds me of how beautiful the Lord is: Christ as the Head, and the church as His Body. This Zion is our enjoyment of the Lord, not only for the coming age, but at the present-a foretaste. We need to be always mingled, one with Him, abiding in Him. Lord Jesus, we need to be always found in You. Lord, we can do nothing without You. Give us Yourself more and more to be able to love You with Yourself to the uttermost. Amen. Praise the Lord!!!

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Estaeheli

Spokaneq, WA, United States

Jun 21, 2011

Praise God! The Lord is preparing His virgins. Let us pray for each other to be ready to be gathered in at the great and final harvest. God is so holy and so wonderful! Brothers and sisters, we are going home soon!

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Rodriguez Luis

Baguio, Philippines

Nov 13, 2010

This is the ultimate desire of the Lord.

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