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About Numbered Notation

The numbers are the notes of a scale

Numbered notation (jianpu, 简谱) writes a melody as numbers instead of notes on a staff. You do not need to read music: take one small step at a time and press Play on any example to hear it while each number lights up. Sound only starts when you press Play.

Instead of notes on a staff, each note is a number from 1 to 7. They are the seven steps of the scale you already know: do re mi fa sol la ti. After 7 the scale starts again at 1.

The seven numbers with their names. Press Play and say each name as its number lights up.
Sing along: do re mi fa sol, and back down to do.

If you can sing do re mi, you can already sing every number from 1 to 7. Tap or click any number to hear just that note.

“1=C” tells you where to start

At the top left of the sheet you will see something like 1=C. It means the number 1 (do) is the note C, and every other number counts up from there. 1=G means do is G, so the whole tune sits a little higher. Nothing else changes: the same numbers make the same shape, only higher or lower.

1=C: do is C.
1=G: the same numbers, starting higher.

Not sure where C is? On a piano it is the white key just left of the two black keys. Or ignore the letter and start on any note that is comfortable for your voice: the tune only has to keep its shape. The − and + key buttons on a hymn page shift the key for you.

Dots make a note higher or lower

A dot above a number means one octave higher. A dot below means one octave lower. Two dots mean two octaves. No dot is the middle range, where most of a tune lives. The name stays the same; only the height changes.

The same number at three heights: dot below, no dot, dot above.
A tune that climbs: it starts on a low sol and ends on a high do.

How long each note lasts

Tap your foot at a steady pace: each tap is a beat. A plain number lasts one beat, so you sing a new number on every tap. Dashes, lines and dots change that.

A plain number is one beat

Four numbers, four beats: one number for each tap.

A dash holds the note longer

Each dash adds one beat. The 5 lasts two beats and the 3 lasts four.

A line underneath makes it shorter

One line is half a beat, so two underlined numbers share one beat. (Two lines are a quarter of a beat.)

A dot after makes it half as long again

A dot after a number adds half its length. The first 5 lasts a beat and a half, and the short 3 fills the rest of the second beat.

0 means rest

A 0 is silence for one beat. Keep counting and keep tapping, but do not sing. Dashes after a 0 make the silence longer, just as they hold a note longer.

Sing 1 3 5, stay quiet for one beat, then come back down. Rests light up too, so you can feel the pause.

Bar lines and the time signature

Tall lines cut the music into bars, each holding the same number of beats. The two small numbers at the start, like 4/4 or 3/4, say how many: 4/4 is four beats in every bar, 3/4 is three. The first beat of each bar is the strongest, so lean on it a little. A double line with a thick edge marks the end.

4/4: count 1 2 3 4, 1 2 3 4. The first beat of each bar sounds a little louder.
3/4: count 1 2 3, 1 2 3, the lilt of a waltz.

Curves: ties and slurs

A curve over numbers joins them. If it joins two of the same number, it is a tie: sing the note once and hold it for both. If it joins different numbers, it is a slur: sing them all on one syllable, gliding from one to the next.

A tie: the 5 is sung once and held across the bar line, six beats in all.
A slur: “Him” is sung on two notes, 3 then 2.

The words sit under the numbers

Each number gets one syllable, written right underneath it. A short dash after part of a word means the word carries on under the next number. If a number has nothing under it, it belongs to a curve or a dash: keep singing the syllable you are on.

Read left to right, one syllable for each number: Twin-kle, twin-kle, lit-tle star.

Repeat signs and 1. 2. endings

A bar line with two dots, :|, means go back and sing that part again, from the matching |: sign (or from the start if there is none). Sometimes the repeat has two endings. Sing ending 1. the first time; on the repeat, skip it and sing ending 2. instead.

Play it: you hear the 1. ending, the repeat, then the 2. ending. Watch the highlight jump back.

Minor keys: “6=A”

A song in a minor key, which usually sounds more serious or tender, is labeled like 6=A instead of 1=C. It means the number 6 (la) is the home note, here A. The numbers keep their usual names; the tune simply feels at home on 6 and often ends there. 6=A uses the same notes as 1=C.

It starts and ends on 6 (la), the home note. Listen to the darker colour.

Put it together: a line of a hymn

This is the first line of hymn 8, “Praise God, from whom all blessings flow”, written in numbered notation. Try the slow tempo first, and sing the words as each number lights up.

1=G in 4/4. Three silent beats, then “Praise” on beat 4. The dots under 7, 6 and 5 mean those notes dip one octave lower.

Check yourself

Four quick questions, with no score and no pressure. Tap an answer to see right away why it is right or wrong. You can always try another answer.

Tap the number that is held the longest.

Tap the 5 that is one octave higher than the first 5.

What does a 0 mean?

Under 1=G, which note is the number 1?

Try it on a hymn

You opened this from a hymn that has a Numbered view, so you can try it right now.

  1. Look at the top left of the sheet: the key, such as 1=D, and the time signature, such as 3/4.
  2. Find the first number and sing it. Then follow the numbers from left to right with the words underneath, one syllable for each number. Press Play in the player to hear the recording while you follow.
  3. Letters above the numbers (C, G7) are chords for a guitarist or pianist. Ignore them while you learn the tune.
  4. To be guided, open the Learn tab and press Play. Under Display, set Learn notation to Numbered (or choose Numbered on the Lead Sheet tab first). For hymns that have numbered lines, each line of numbers scrolls into view in time with the recording while a bouncing ball follows the words; other hymns show the piano notation there. The Speed menu slows it down.

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Lord, Your return

Longings For Christ’s Second Coming

Long Beach Songbook31
1
Lord, Your return...
How long must it be, dear Lord?
The ages have come,
The centuries have gone,
The years have passed us by.
 
Lovely One, come soon.
Precious Lord, return!
Lord, do not delay.
We’ll redeem everyday
For Your coming soon.
2
A generation...
Lord, of them that seek Your face;
A remnant for You
Whose hearts are so true.
They’re those who just love You.
 
King of glory come in!
Saints, open wide to Him.
O, lift up Your gate,
It’s not too late.
Let the King come in.
3
A generation...
With a goal to bring You back.
Their treasure is You,
You’re their future too.
They care for only You.
 
This goal is deep within,
A fire that’s burning in them.
They’re consumed by this zeal,
This only is real,
Lord, to bring You back.
4
A generation...
Lord, by You they are possessed.
You have captured their heart,
The world has no part,
Their joy is only You.
 
They’re virgins pure and wise.
Just You are in their eyes.
Their hearts make full room
For You, dear Bridegroom,
For Your coming soon.
5
Oh, generation...
The Spirit and Bride say come —
The Spirit’s calling you.
The Bride is calling too!
Take heed to this mingled cry!
 
Come, oh seekers, come
To our Groom, most pleasant Person.
God’s eternal plan
Is to mingle with man.
This His satisfaction.
6
Oh come, Lord Jesus...
For this cause, Lord, strengthen us.
Keep us faithful to stand
All the way to the end.
Uphold us in Your hands.
 
Come, Lord Jesus, come
For Your Bride, New Jerusalem.
Till we meet face to face,
Fill us daily with grace.
For that day make haste.

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Celia

Moreno Valley, California, United States

Jun 16, 2018

Lord wake my spirit up. Wake us up. Oh Lord Jesus! We care for only You! We are Your generation. We are Your precious people.

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Micah Bactol

Cabanatuan City, Philippines

Jun 29, 2016

Lord, truly, You are working throughout the generations. Lord, intensify Your work in our midst. Oh Lord Jesus, we need You! May You raise up more remnants who are fully possessed and captured by You. Lord, we pray that this would be the generation that would bring You back! Lord, do not delay. Cause us to redeem our time in these days. Don't let this generation pass us by again.

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Godfred Kumahor

Accra, Ghana

Jun 6, 2015

This song is always refreshing, encouraging. Anytime I sing this song I love the Lord the more. Lord Jesus come quickly!!

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csk

Hong Kong

Apr 3, 2005

This song always attracts me looking at the Lord and His return. Many generations have passed, many His servants have gone, Lord hasn't come back yet. He waits for New Jerusalem, His Bride, to be prepared well for wedding. Pictures on that day are so wonderful. To be possessed by Him everyday is our goal of living. This accomplishes God's eternal plan and satisfaction. Lord, let's love You, desire Your return everyday.

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