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About Numbered Notation

The numbers are the notes of a scale

Numbered notation (jianpu, 简谱) writes a melody as numbers instead of notes on a staff. You do not need to read music: take one small step at a time and press Play on any example to hear it while each number lights up. Sound only starts when you press Play.

Instead of notes on a staff, each note is a number from 1 to 7. They are the seven steps of the scale you already know: do re mi fa sol la ti. After 7 the scale starts again at 1.

The seven numbers with their names. Press Play and say each name as its number lights up.
Sing along: do re mi fa sol, and back down to do.

If you can sing do re mi, you can already sing every number from 1 to 7. Tap or click any number to hear just that note.

“1=C” tells you where to start

At the top left of the sheet you will see something like 1=C. It means the number 1 (do) is the note C, and every other number counts up from there. 1=G means do is G, so the whole tune sits a little higher. Nothing else changes: the same numbers make the same shape, only higher or lower.

1=C: do is C.
1=G: the same numbers, starting higher.

Not sure where C is? On a piano it is the white key just left of the two black keys. Or ignore the letter and start on any note that is comfortable for your voice: the tune only has to keep its shape. The − and + key buttons on a hymn page shift the key for you.

Dots make a note higher or lower

A dot above a number means one octave higher. A dot below means one octave lower. Two dots mean two octaves. No dot is the middle range, where most of a tune lives. The name stays the same; only the height changes.

The same number at three heights: dot below, no dot, dot above.
A tune that climbs: it starts on a low sol and ends on a high do.

How long each note lasts

Tap your foot at a steady pace: each tap is a beat. A plain number lasts one beat, so you sing a new number on every tap. Dashes, lines and dots change that.

A plain number is one beat

Four numbers, four beats: one number for each tap.

A dash holds the note longer

Each dash adds one beat. The 5 lasts two beats and the 3 lasts four.

A line underneath makes it shorter

One line is half a beat, so two underlined numbers share one beat. (Two lines are a quarter of a beat.)

A dot after makes it half as long again

A dot after a number adds half its length. The first 5 lasts a beat and a half, and the short 3 fills the rest of the second beat.

0 means rest

A 0 is silence for one beat. Keep counting and keep tapping, but do not sing. Dashes after a 0 make the silence longer, just as they hold a note longer.

Sing 1 3 5, stay quiet for one beat, then come back down. Rests light up too, so you can feel the pause.

Bar lines and the time signature

Tall lines cut the music into bars, each holding the same number of beats. The two small numbers at the start, like 4/4 or 3/4, say how many: 4/4 is four beats in every bar, 3/4 is three. The first beat of each bar is the strongest, so lean on it a little. A double line with a thick edge marks the end.

4/4: count 1 2 3 4, 1 2 3 4. The first beat of each bar sounds a little louder.
3/4: count 1 2 3, 1 2 3, the lilt of a waltz.

Curves: ties and slurs

A curve over numbers joins them. If it joins two of the same number, it is a tie: sing the note once and hold it for both. If it joins different numbers, it is a slur: sing them all on one syllable, gliding from one to the next.

A tie: the 5 is sung once and held across the bar line, six beats in all.
A slur: “Him” is sung on two notes, 3 then 2.

The words sit under the numbers

Each number gets one syllable, written right underneath it. A short dash after part of a word means the word carries on under the next number. If a number has nothing under it, it belongs to a curve or a dash: keep singing the syllable you are on.

Read left to right, one syllable for each number: Twin-kle, twin-kle, lit-tle star.

Repeat signs and 1. 2. endings

A bar line with two dots, :|, means go back and sing that part again, from the matching |: sign (or from the start if there is none). Sometimes the repeat has two endings. Sing ending 1. the first time; on the repeat, skip it and sing ending 2. instead.

Play it: you hear the 1. ending, the repeat, then the 2. ending. Watch the highlight jump back.

Minor keys: “6=A”

A song in a minor key, which usually sounds more serious or tender, is labeled like 6=A instead of 1=C. It means the number 6 (la) is the home note, here A. The numbers keep their usual names; the tune simply feels at home on 6 and often ends there. 6=A uses the same notes as 1=C.

It starts and ends on 6 (la), the home note. Listen to the darker colour.

Put it together: a line of a hymn

This is the first line of hymn 8, “Praise God, from whom all blessings flow”, written in numbered notation. Try the slow tempo first, and sing the words as each number lights up.

1=G in 4/4. Three silent beats, then “Praise” on beat 4. The dots under 7, 6 and 5 mean those notes dip one octave lower.

Check yourself

Four quick questions, with no score and no pressure. Tap an answer to see right away why it is right or wrong. You can always try another answer.

Tap the number that is held the longest.

Tap the 5 that is one octave higher than the first 5.

What does a 0 mean?

Under 1=G, which note is the number 1?

Try it on a hymn

You opened this from a hymn that has a Numbered view, so you can try it right now.

  1. Look at the top left of the sheet: the key, such as 1=D, and the time signature, such as 3/4.
  2. Find the first number and sing it. Then follow the numbers from left to right with the words underneath, one syllable for each number. Press Play in the player to hear the recording while you follow.
  3. Letters above the numbers (C, G7) are chords for a guitarist or pianist. Ignore them while you learn the tune.
  4. To be guided, open the Learn tab and press Play. Under Display, set Learn notation to Numbered (or choose Numbered on the Lead Sheet tab first). For hymns that have numbered lines, each line of numbers scrolls into view in time with the recording while a bouncing ball follows the words; other hymns show the piano notation there. The Speed menu slows it down.

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What’s the use? There is no hope for me

Gospel Need of Christ

Long Beach Songbook20
1
What’s the use? There is no hope for me,
Deep inside just fear and misery.
Man’s enslaved by this haunting melody—
Everything, my friend, is temporary.
 
There is an answer: a wonderful Person!
He’s Jesus the Lord; He’s God’s beloved Son!
This wonderful Person is now your solution.
Just take and receive Him; He’s God’s Firstborn Son!
2
Day by day, I tried to stop this song.
What is it? There must be something wrong...
Oh! This life is just a hopelessness!
Always searching, but tasting emptiness.
 
There is an answer: a wonderful Person!
He’s Jesus the Lord; He’s God’s beloved Son!
This wonderful Person is now your solution.
Just take and receive Him; He’s God’s Firstborn Son!
3
All day long you play the “same ole song”:
“Good morning”, “How are you?”, “No, there is nothing wrong.”
You’re swept by the world of deceptive vanity,
A tide looking good, but it’s void of reality.
 
Just call “Oh Lord Jesus”: the truth you’re confessing
That God raised this Jesus from among the dead.
Your heart this believing, just call to receive Him.
He’s Jesus the Savior, your great salvation.
4
You’re conformed to unreality,
Trapped in a wheel of human anxiety.
You are caught, you’re in the web already.
You’re spun to this song: you’re just the spider’s prey.
 
Jesus crushed the devil and overcame evil.
That kingdom He leveled and destroyed the devil.
He will free you from sin, from death, world and Satan.
Just call “Oh Lord Jesus” and He will enter in.
5
Life is a song as a time hour glass,
Sand by sand, my friend it cannot last.
You’re born, you live, and eventually you die.
Friend, you can’t change it, no need to even try.
 
There is a new song, a wonderful Person!
He’s Jesus the Lord, He’s God’s beloved Son!
This wonderful Person is now your solution!
Just take and receive Him; He’s God’s Firstborn Son!

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WANG RACHEL

St Andrews, United Kingdom

Apr 21, 2009

I have no use and no hope before He came to me and saved me from the darkness! Lord, thank You for Your redemption and Your blood~no longer me, no longer me! but living Christ in me!

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jayson toldo

Malaybalay, Bukidnon, Philippines

Nov 4, 2008

When I hear this song I'm really impressed by the word that everything is temporary. This makes me to renew my consecration before the Lord.

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elizabeth dayro

United States

Nov 2, 2008

I really feel good whenever I hear this song. It just reminds me of a very fruitful training experience in the southern Philippines. I wish to go back there soon and enjoy again the riches of Christ with the saints. Amen.

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Colin Law

新竹, 新竹市, Taiwan

Apr 14, 2008

可惜这首歌没有制作成唱片~

我试试翻译:

有何用处?眼前尽是绝望,
深处充满惧怕痛苦。
这支旋律征服、萦绕着我,
我的朋友,所有,都是过眼云烟。
那里有一个答案:一个奇妙的人位!
祂是主耶稣,是神爱子!
这奇妙人位是你的拯救。
尽管抓住并接受祂,祂是神首生的儿子!

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James Ma

Carmel, IN, U.S.A.

Jun 3, 2003

This song expresses the thoughts that we all have, how plain and weary life is. And that there is a Savior and He lives in us!

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Lisa R.

Baton Rouge, LA, U.S.A.

May 17, 2003

I've never heard this song before but the words really touched me. Lately I've been feeling exactly what this song is about how life is just so wearisome sometimes, but praise the Lord! There's a solution! He crushed the devil's head and He can save us from every situation!

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