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About Numbered Notation

The numbers are the notes of a scale

Numbered notation (jianpu, 简谱) writes a melody as numbers instead of notes on a staff. You do not need to read music: take one small step at a time and press Play on any example to hear it while each number lights up. Sound only starts when you press Play.

Instead of notes on a staff, each note is a number from 1 to 7. They are the seven steps of the scale you already know: do re mi fa sol la ti. After 7 the scale starts again at 1.

The seven numbers with their names. Press Play and say each name as its number lights up.
Sing along: do re mi fa sol, and back down to do.

If you can sing do re mi, you can already sing every number from 1 to 7. Tap or click any number to hear just that note.

“1=C” tells you where to start

At the top left of the sheet you will see something like 1=C. It means the number 1 (do) is the note C, and every other number counts up from there. 1=G means do is G, so the whole tune sits a little higher. Nothing else changes: the same numbers make the same shape, only higher or lower.

1=C: do is C.
1=G: the same numbers, starting higher.

Not sure where C is? On a piano it is the white key just left of the two black keys. Or ignore the letter and start on any note that is comfortable for your voice: the tune only has to keep its shape. The − and + key buttons on a hymn page shift the key for you.

Dots make a note higher or lower

A dot above a number means one octave higher. A dot below means one octave lower. Two dots mean two octaves. No dot is the middle range, where most of a tune lives. The name stays the same; only the height changes.

The same number at three heights: dot below, no dot, dot above.
A tune that climbs: it starts on a low sol and ends on a high do.

How long each note lasts

Tap your foot at a steady pace: each tap is a beat. A plain number lasts one beat, so you sing a new number on every tap. Dashes, lines and dots change that.

A plain number is one beat

Four numbers, four beats: one number for each tap.

A dash holds the note longer

Each dash adds one beat. The 5 lasts two beats and the 3 lasts four.

A line underneath makes it shorter

One line is half a beat, so two underlined numbers share one beat. (Two lines are a quarter of a beat.)

A dot after makes it half as long again

A dot after a number adds half its length. The first 5 lasts a beat and a half, and the short 3 fills the rest of the second beat.

0 means rest

A 0 is silence for one beat. Keep counting and keep tapping, but do not sing. Dashes after a 0 make the silence longer, just as they hold a note longer.

Sing 1 3 5, stay quiet for one beat, then come back down. Rests light up too, so you can feel the pause.

Bar lines and the time signature

Tall lines cut the music into bars, each holding the same number of beats. The two small numbers at the start, like 4/4 or 3/4, say how many: 4/4 is four beats in every bar, 3/4 is three. The first beat of each bar is the strongest, so lean on it a little. A double line with a thick edge marks the end.

4/4: count 1 2 3 4, 1 2 3 4. The first beat of each bar sounds a little louder.
3/4: count 1 2 3, 1 2 3, the lilt of a waltz.

Curves: ties and slurs

A curve over numbers joins them. If it joins two of the same number, it is a tie: sing the note once and hold it for both. If it joins different numbers, it is a slur: sing them all on one syllable, gliding from one to the next.

A tie: the 5 is sung once and held across the bar line, six beats in all.
A slur: “Him” is sung on two notes, 3 then 2.

The words sit under the numbers

Each number gets one syllable, written right underneath it. A short dash after part of a word means the word carries on under the next number. If a number has nothing under it, it belongs to a curve or a dash: keep singing the syllable you are on.

Read left to right, one syllable for each number: Twin-kle, twin-kle, lit-tle star.

Repeat signs and 1. 2. endings

A bar line with two dots, :|, means go back and sing that part again, from the matching |: sign (or from the start if there is none). Sometimes the repeat has two endings. Sing ending 1. the first time; on the repeat, skip it and sing ending 2. instead.

Play it: you hear the 1. ending, the repeat, then the 2. ending. Watch the highlight jump back.

Minor keys: “6=A”

A song in a minor key, which usually sounds more serious or tender, is labeled like 6=A instead of 1=C. It means the number 6 (la) is the home note, here A. The numbers keep their usual names; the tune simply feels at home on 6 and often ends there. 6=A uses the same notes as 1=C.

It starts and ends on 6 (la), the home note. Listen to the darker colour.

Put it together: a line of a hymn

This is the first line of hymn 8, “Praise God, from whom all blessings flow”, written in numbered notation. Try the slow tempo first, and sing the words as each number lights up.

1=G in 4/4. Three silent beats, then “Praise” on beat 4. The dots under 7, 6 and 5 mean those notes dip one octave lower.

Check yourself

Four quick questions, with no score and no pressure. Tap an answer to see right away why it is right or wrong. You can always try another answer.

Tap the number that is held the longest.

Tap the 5 that is one octave higher than the first 5.

What does a 0 mean?

Under 1=G, which note is the number 1?

Try it on a hymn

You opened this from a hymn that has a Numbered view, so you can try it right now.

  1. Look at the top left of the sheet: the key, such as 1=D, and the time signature, such as 3/4.
  2. Find the first number and sing it. Then follow the numbers from left to right with the words underneath, one syllable for each number. Press Play in the player to hear the recording while you follow.
  3. Letters above the numbers (C, G7) are chords for a guitarist or pianist. Ignore them while you learn the tune.
  4. To be guided, open the Learn tab and press Play. Under Display, set Learn notation to Numbered (or choose Numbered on the Lead Sheet tab first). For hymns that have numbered lines, each line of numbers scrolls into view in time with the recording while a bouncing ball follows the words; other hymns show the piano notation there. The Speed menu slows it down.

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There’s not a Friend like the lowly Jesus

Gospel The Savior

English992
1
There’s not a Friend like the lowly Jesus:
No, not one! no, not one!
None else could heal all our souls’ diseases:
No, not one! no, not one!
 
Jesus knows all about our struggles;
He will guide ’til the day is done:
There’s not a Friend like the lowly Jesus:
No, not one! no, not one!
2
No friend like Him is so high and holy,
No, not one! no, not one!
And yet no friend is so meek and lowly,
No, not one! no, not one!
3
There’s not an hour that He is not near us,
No, not one! no, not one!
No night so dark, but His love can cheer us,
No, not one! no, not one!
4
Did ever saint find this Friend forsake him?
No, not one! no, not one!
Or sinner find that He would not take him?
No, not one! no, not one!
5
Was e’er a gift like the Savior given?
No, not one! no, not one!
Will He refuse us the bliss of heaven?
No, not one! no, not one!

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Janet

Abuja, Edo, Nigeria

Jun 15, 2019

My soul is in pain, and this song came to my mind. And all that is following the song is my ties while singing. Am happy to no that JESUS knows about all I am praying for. And all am going through.

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Johari

Cordova, Tennessee, United States

May 23, 2019

JESUS the Greatest Gift! This song came to mind after sharing my struggles with the Lord in prayer. As I struggled to seek the Lord this I am reminded that Jesus already knows our struggles and HE is with me and will guide me through to victory all I have to do is receive and follow HIM. So glad this song was written as a testimony of the Lord's goodness and faithfulness to save us!

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Ana Lara

Tolland, Connecticut, United States

Apr 22, 2019

Johnson Oatman Jr, son of Johnson and Rachel Ann Oatman was born near Medford, New Jersey, April 21, 1956. His Father was an excellent singer and it always delighted the son to sit by his father’s side and hear him sing songs of the church.

Johnson Jr. followed in his father’s footsteps in every way. He accepted his father’s faith making it his own. They worked side by side in the family mercantile business under Johnson Oatman and Son.

When he was 19, the younger Oatman became an ordained minister. He served where needed, but never pastored his own church. In 1878, Johnson married Wilhelmina Reed of Lumberton N. J. And had three children:Rachel, Miriam and Percy.

At age 36, he tried his hand at hymn writing. He went on to write at least 5,000 hymns in his lifetime. No gospel song book is considered complete unless it contains some of his hymns. Johnson however never saw hymn writing as a financial venture. Upon his request, he was paid only $1.00 for each song. Phillip Kerr, a Christian musician and author of books about gospel music once made a statement “ Imagine receiving only one dollar for writing “Higher Ground. ”

Johnson Oatman Jr. died September 25,1922.

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Patience Ikeokwu

Lagos, Nigeria

Apr 10, 2019

As I got up at the early hour of 10/04/2019… there was a great urge to be at the presence of the most God and this was one of the song a sang. Indeed, there's no other friend as Jesus Christ. So glad that lm saved. How I wish everyone who's in contact with me could have the same experience. Amen!

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Chidinma Simon

Lagos, Nigeria

Apr 1, 2019

the spirit woke me up with this hymn this morning. I bless Jesus for the writer.

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Ilori Deborah Abimbola

Mowe, Ogun, Nigeria

Mar 27, 2019

Soul Lifting. M always Blessed Singing this Song. Thank You Jesus and Thank you for the Inspiration.

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Soul Lifting, Encouraging

Omu-Aran, Kwara, Nigeria

Mar 26, 2019

Encouraging

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Itohan

Lagos, Nigeria

Mar 20, 2019

There's no friend like my Jesus. Thank You Lord for knowing about our struggles. I love You JESUS.

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Osagie Omorodion

Agbor, Delta State, Nigeria

Mar 9, 2019

This song is spirit and soul uplifting

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Priscah Odongo

Nairobi, Kayole, Kenya

Mar 1, 2019

The so cheerful and touching. May the good Almighty bless the song owner.

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