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About Numbered Notation

The numbers are the notes of a scale

Numbered notation (jianpu, 简谱) writes a melody as numbers instead of notes on a staff. You do not need to read music: take one small step at a time and press Play on any example to hear it while each number lights up. Sound only starts when you press Play.

Instead of notes on a staff, each note is a number from 1 to 7. They are the seven steps of the scale you already know: do re mi fa sol la ti. After 7 the scale starts again at 1.

The seven numbers with their names. Press Play and say each name as its number lights up.
Sing along: do re mi fa sol, and back down to do.

If you can sing do re mi, you can already sing every number from 1 to 7. Tap or click any number to hear just that note.

“1=C” tells you where to start

At the top left of the sheet you will see something like 1=C. It means the number 1 (do) is the note C, and every other number counts up from there. 1=G means do is G, so the whole tune sits a little higher. Nothing else changes: the same numbers make the same shape, only higher or lower.

1=C: do is C.
1=G: the same numbers, starting higher.

Not sure where C is? On a piano it is the white key just left of the two black keys. Or ignore the letter and start on any note that is comfortable for your voice: the tune only has to keep its shape. The − and + key buttons on a hymn page shift the key for you.

Dots make a note higher or lower

A dot above a number means one octave higher. A dot below means one octave lower. Two dots mean two octaves. No dot is the middle range, where most of a tune lives. The name stays the same; only the height changes.

The same number at three heights: dot below, no dot, dot above.
A tune that climbs: it starts on a low sol and ends on a high do.

How long each note lasts

Tap your foot at a steady pace: each tap is a beat. A plain number lasts one beat, so you sing a new number on every tap. Dashes, lines and dots change that.

A plain number is one beat

Four numbers, four beats: one number for each tap.

A dash holds the note longer

Each dash adds one beat. The 5 lasts two beats and the 3 lasts four.

A line underneath makes it shorter

One line is half a beat, so two underlined numbers share one beat. (Two lines are a quarter of a beat.)

A dot after makes it half as long again

A dot after a number adds half its length. The first 5 lasts a beat and a half, and the short 3 fills the rest of the second beat.

0 means rest

A 0 is silence for one beat. Keep counting and keep tapping, but do not sing. Dashes after a 0 make the silence longer, just as they hold a note longer.

Sing 1 3 5, stay quiet for one beat, then come back down. Rests light up too, so you can feel the pause.

Bar lines and the time signature

Tall lines cut the music into bars, each holding the same number of beats. The two small numbers at the start, like 4/4 or 3/4, say how many: 4/4 is four beats in every bar, 3/4 is three. The first beat of each bar is the strongest, so lean on it a little. A double line with a thick edge marks the end.

4/4: count 1 2 3 4, 1 2 3 4. The first beat of each bar sounds a little louder.
3/4: count 1 2 3, 1 2 3, the lilt of a waltz.

Curves: ties and slurs

A curve over numbers joins them. If it joins two of the same number, it is a tie: sing the note once and hold it for both. If it joins different numbers, it is a slur: sing them all on one syllable, gliding from one to the next.

A tie: the 5 is sung once and held across the bar line, six beats in all.
A slur: “Him” is sung on two notes, 3 then 2.

The words sit under the numbers

Each number gets one syllable, written right underneath it. A short dash after part of a word means the word carries on under the next number. If a number has nothing under it, it belongs to a curve or a dash: keep singing the syllable you are on.

Read left to right, one syllable for each number: Twin-kle, twin-kle, lit-tle star.

Repeat signs and 1. 2. endings

A bar line with two dots, :|, means go back and sing that part again, from the matching |: sign (or from the start if there is none). Sometimes the repeat has two endings. Sing ending 1. the first time; on the repeat, skip it and sing ending 2. instead.

Play it: you hear the 1. ending, the repeat, then the 2. ending. Watch the highlight jump back.

Minor keys: “6=A”

A song in a minor key, which usually sounds more serious or tender, is labeled like 6=A instead of 1=C. It means the number 6 (la) is the home note, here A. The numbers keep their usual names; the tune simply feels at home on 6 and often ends there. 6=A uses the same notes as 1=C.

It starts and ends on 6 (la), the home note. Listen to the darker colour.

Put it together: a line of a hymn

This is the first line of hymn 8, “Praise God, from whom all blessings flow”, written in numbered notation. Try the slow tempo first, and sing the words as each number lights up.

1=G in 4/4. Three silent beats, then “Praise” on beat 4. The dots under 7, 6 and 5 mean those notes dip one octave lower.

Check yourself

Four quick questions, with no score and no pressure. Tap an answer to see right away why it is right or wrong. You can always try another answer.

Tap the number that is held the longest.

Tap the 5 that is one octave higher than the first 5.

What does a 0 mean?

Under 1=G, which note is the number 1?

Try it on a hymn

You opened this from a hymn that has a Numbered view, so you can try it right now.

  1. Look at the top left of the sheet: the key, such as 1=D, and the time signature, such as 3/4.
  2. Find the first number and sing it. Then follow the numbers from left to right with the words underneath, one syllable for each number. Press Play in the player to hear the recording while you follow.
  3. Letters above the numbers (C, G7) are chords for a guitarist or pianist. Ignore them while you learn the tune.
  4. To be guided, open the Learn tab and press Play. Under Display, set Learn notation to Numbered (or choose Numbered on the Lead Sheet tab first). For hymns that have numbered lines, each line of numbers scrolls into view in time with the recording while a bouncing ball follows the words; other hymns show the piano notation there. The Speed menu slows it down.

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Lo, the glory! Lo, the splendor

The Kingdom Its Manifestation

English946
1
Lo, the glory! Lo, the splendor!
Heaven’s Kingdom manifest!
And its glorious King, our Master,
Is by God’s appointment blest.
Once in flesh He came so lowly,
Hated and despised by man;
Now He comes again in glory
To fulfill the Kingdom plan.
2
Going to receive the Kingdom
From His God, the Ancient of Days,
Now He cometh with the Kingdom
And its glorious, ruling rays.
He’s “the Stone” which breaks the nations
Into pieces lowliest,
Which “a mountain great” becometh
As the Kingdom manifest.
3
Lo, the earth, all lands and kingdoms,
By the Lord and Christ possessed;
Earth beneath their sovereign ruling
Will be full of peace and rest.
No more war and no more hatred
’Twixt the nations will there be;
But God’s knowledge shall suffuse them
As the waters fill the sea.
4
All the Christian overcomers
Shall with Christ in glory reign,
And the remnant saved of Israel
Then God’s priesthood shall obtain.
As God’s people shall the nations
’Neath their rule and teaching be,
And a glorious restoration
All creation then shall see.
5
Satan will be bound and banished;
From his rule will earth be freed;
With Christ’s sovereign reign and headship
Earth will then be blessed indeed.
All to Christ will then be subject,
To His pow’r and to His will;
As the Head and Center glorious,
He God’s purpose will fulfill.

Copyright Living Stream Ministry. Used by permission.

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Ana Lara

Storrs, Connecticut, United States

Feb 2, 2024

William Penfro Rowlands was born on the 19th of April 1860 in Llys y Frân, a small village in Pembrokeshire in Wales. He was a composer

and also a schoolteacher. He adopted ”Penfro“ as his middle name in honor of his native country.

He was a talented musician from an early age, and at 17, he became the precentor

(a person who leads in congregational singing) of the Calvinistic Methodist Chapel in Gwastad. William gained a teaching post at the Pentre-poeth Boys’ School and remained there until 1881, when he moved to Morriston. He also became the precentor of the Bethania Calvinistic Methodist Chapel, and later the same post at the Tabernacle Independent Chapel between 1892 and 1919. Here he conducted a large choir at Morriston United Choral Society regularly for many years. Rolands also played in many churches. He is most well known for composing the hymn-tune Blaenwern, which he wrote in 1905 and which was arranged for brass band in 2008. He named the piece after a Blaenwern Farm near Tufton. This is where Rowlands was sent to stay with a family, who were friends . He was ill, and it was thought that the fresh air here would help him recover. He named this tune in their honor.

It is often used as a setting for Love Divine, All Loves Excelling. This is popular at weddings, including that of Prince William and Catherine Middleton and at the blessing of Prince Charles and Camila Parker Bowls. Furthermore, in October 2005, it was voted as one of the top 10 favorite hymns in Britain. William Rowlands died on October 22, 1937 in Swansea. He is buried in the city’s Morriston Cemetery and a memorial stone was unveiled close to where he was born in 1998.

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Joseph Depalma

Arlington, TX, United States

Nov 23, 2022

Praise the Lord that the earth will soon be freed from Satan’s rule and it will be blessed with Christ’s sovereign reign!

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Brian

Dec 10, 2021

Come Lord Jesus. Bring in your kingdom. Come as the stone cut out without hands. Crush the worldly rule. Put the enemy away. Gain the earth! Praise the Lord!

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Winifred

Tema, Ghana

Oct 18, 2013

Amen brother "So count it all joy when you face persecution, rejection and mistreatment because you have within you Someone who can stand the test. And this One will rule for all to see."

It is not the seemingly comfortable times that we joy in, Lord live out your life within us to joy in the face of persecution, rejection and mistreatment because we have you within our being. Praise you you are able to stand the test. You O Lord will rule for all to see. Lord Jesus we say we love You Lord. Amen. Lord increase Yourself within our being today and in all saints the world over. Amen.

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Lee

Perak, Malaysia

Jun 9, 2013

What a blessing, Christ in me the victorious One! Daily I live in oneness with Him, fighting and claiming the victory from the enemy! Moving on with His sovereign reign, and Christ be magnified in me, His kingdom be manifested on earth! Halleluyah!

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Steward Carter

Columbus, ND, U.S.A.

Apr 27, 2003

I like this hymn because it is true. The tune applied to this hymn matches the seriousness of the words. You know we really have to pay a price. Our gaining Christ so that His Kingdom will be manifested in us is not easy or cheap. You have to really go through a lot to gain the true strength of His life. So count it all joy when you face persecution, rejection and mistreatment because you have within you Someone who can stand the test. And this One will rule for all to see.

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