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About Numbered Notation

The numbers are the notes of a scale

Numbered notation (jianpu, 简谱) writes a melody as numbers instead of notes on a staff. You do not need to read music: take one small step at a time and press Play on any example to hear it while each number lights up. Sound only starts when you press Play.

Instead of notes on a staff, each note is a number from 1 to 7. They are the seven steps of the scale you already know: do re mi fa sol la ti. After 7 the scale starts again at 1.

The seven numbers with their names. Press Play and say each name as its number lights up.
Sing along: do re mi fa sol, and back down to do.

If you can sing do re mi, you can already sing every number from 1 to 7. Tap or click any number to hear just that note.

“1=C” tells you where to start

At the top left of the sheet you will see something like 1=C. It means the number 1 (do) is the note C, and every other number counts up from there. 1=G means do is G, so the whole tune sits a little higher. Nothing else changes: the same numbers make the same shape, only higher or lower.

1=C: do is C.
1=G: the same numbers, starting higher.

Not sure where C is? On a piano it is the white key just left of the two black keys. Or ignore the letter and start on any note that is comfortable for your voice: the tune only has to keep its shape. The − and + key buttons on a hymn page shift the key for you.

Dots make a note higher or lower

A dot above a number means one octave higher. A dot below means one octave lower. Two dots mean two octaves. No dot is the middle range, where most of a tune lives. The name stays the same; only the height changes.

The same number at three heights: dot below, no dot, dot above.
A tune that climbs: it starts on a low sol and ends on a high do.

How long each note lasts

Tap your foot at a steady pace: each tap is a beat. A plain number lasts one beat, so you sing a new number on every tap. Dashes, lines and dots change that.

A plain number is one beat

Four numbers, four beats: one number for each tap.

A dash holds the note longer

Each dash adds one beat. The 5 lasts two beats and the 3 lasts four.

A line underneath makes it shorter

One line is half a beat, so two underlined numbers share one beat. (Two lines are a quarter of a beat.)

A dot after makes it half as long again

A dot after a number adds half its length. The first 5 lasts a beat and a half, and the short 3 fills the rest of the second beat.

0 means rest

A 0 is silence for one beat. Keep counting and keep tapping, but do not sing. Dashes after a 0 make the silence longer, just as they hold a note longer.

Sing 1 3 5, stay quiet for one beat, then come back down. Rests light up too, so you can feel the pause.

Bar lines and the time signature

Tall lines cut the music into bars, each holding the same number of beats. The two small numbers at the start, like 4/4 or 3/4, say how many: 4/4 is four beats in every bar, 3/4 is three. The first beat of each bar is the strongest, so lean on it a little. A double line with a thick edge marks the end.

4/4: count 1 2 3 4, 1 2 3 4. The first beat of each bar sounds a little louder.
3/4: count 1 2 3, 1 2 3, the lilt of a waltz.

Curves: ties and slurs

A curve over numbers joins them. If it joins two of the same number, it is a tie: sing the note once and hold it for both. If it joins different numbers, it is a slur: sing them all on one syllable, gliding from one to the next.

A tie: the 5 is sung once and held across the bar line, six beats in all.
A slur: “Him” is sung on two notes, 3 then 2.

The words sit under the numbers

Each number gets one syllable, written right underneath it. A short dash after part of a word means the word carries on under the next number. If a number has nothing under it, it belongs to a curve or a dash: keep singing the syllable you are on.

Read left to right, one syllable for each number: Twin-kle, twin-kle, lit-tle star.

Repeat signs and 1. 2. endings

A bar line with two dots, :|, means go back and sing that part again, from the matching |: sign (or from the start if there is none). Sometimes the repeat has two endings. Sing ending 1. the first time; on the repeat, skip it and sing ending 2. instead.

Play it: you hear the 1. ending, the repeat, then the 2. ending. Watch the highlight jump back.

Minor keys: “6=A”

A song in a minor key, which usually sounds more serious or tender, is labeled like 6=A instead of 1=C. It means the number 6 (la) is the home note, here A. The numbers keep their usual names; the tune simply feels at home on 6 and often ends there. 6=A uses the same notes as 1=C.

It starts and ends on 6 (la), the home note. Listen to the darker colour.

Put it together: a line of a hymn

This is the first line of hymn 8, “Praise God, from whom all blessings flow”, written in numbered notation. Try the slow tempo first, and sing the words as each number lights up.

1=G in 4/4. Three silent beats, then “Praise” on beat 4. The dots under 7, 6 and 5 mean those notes dip one octave lower.

Check yourself

Four quick questions, with no score and no pressure. Tap an answer to see right away why it is right or wrong. You can always try another answer.

Tap the number that is held the longest.

Tap the 5 that is one octave higher than the first 5.

What does a 0 mean?

Under 1=G, which note is the number 1?

Try it on a hymn

You opened this from a hymn that has a Numbered view, so you can try it right now.

  1. Look at the top left of the sheet: the key, such as 1=D, and the time signature, such as 3/4.
  2. Find the first number and sing it. Then follow the numbers from left to right with the words underneath, one syllable for each number. Press Play in the player to hear the recording while you follow.
  3. Letters above the numbers (C, G7) are chords for a guitarist or pianist. Ignore them while you learn the tune.
  4. To be guided, open the Learn tab and press Play. Under Display, set Learn notation to Numbered (or choose Numbered on the Lead Sheet tab first). For hymns that have numbered lines, each line of numbers scrolls into view in time with the recording while a bouncing ball follows the words; other hymns show the piano notation there. The Speed menu slows it down.

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The essence of the Kingdom is

The Kingdom Its Reality

English944
1
The essence of the Kingdom is
A life that’s under heaven’s rule,
A life whose nature is divine
With Christ experienced in full.
2
Such is this life: in spirit poor,
With heart repentant, mourning, meek,
Which is to others merciful
And purely God Himself doth seek;
3
As sons of God the peace to make,
For righteousness e’en suffering pain;
Reviled and hurt for Jesus’ sake,
Exceeding joyfulness to gain;
4
As salt to kill corruption rife,
In darkness shining as the light,
In heart and action right and true,
In perfect love to claim no right.
5
This life self-glory doth renounce
And ever for God’s kingdom prays;
It trusts in God for every need
And seeks His kingdom first always.
6
’Tis strict with self, with others kind,
And always dealing with the Lord;
It ever does the Father’s will
And acts according to His word.
7
To Satan it does not give ground,
Nor to the world, or self, or sin,
But seeks beneath the heaven’s rule
God’s full authority to win.
8
’Tis such a life which subjugates
All things with pow’r to God’s behest;
The time it hastens when the Lord
Will here His kingdom manifest.

Copyright Living Stream Ministry. Used by permission.

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Sylvester Chatman

Saint Louis, MO, United States

Feb 22, 2026

"Joseph's life under the heavenly vision was the life of the kingdom of the heavens described in Matthew 5, 6, and 7. According to the constitution of the heavenly kingdom revealed in these chapters in Matthew, our anger must be subdued and our lust must be conquered (Matt. 5:21-32). If we claim to be the kingdom people yet we cannot subdue our anger or conquer our lust, we are finished. Instead of being in the kingdom, we are on the seashore. We are those giving vent to our anger and indulging in lust. But all the kingdom people subdue their anger and conquer their lust. This is the kingdom life.

In the kingdom life today, kings are being trained. We, the kingdom people in the kingdom life, are being trained to be kings, to be Josephs, to be the reigning aspect of the mature life. For this, we must subdue our anger and conquer our lust. What a wonderful picture Joseph's life is of our experience today! Day by day we are subduing our anger and conquering our lust. Instead of agreeing with our anger or cooperating with our lust, we reject our anger and condemn our lust because we are the reigning aspect of the mature life. We have the constitution of Christ within us, and we are being prepared to reign as kings.

A life like Joseph's always has the presence of the Lord (Gen. 39:2-5, 21-23). Wherever the presence of the Lord is, there is authority. If you have the presence of the Lord, the authority of the Lord will be with you. For example, in captivity Daniel had Jehovah's presence; therefore, Jehovah's authority was with him. Even a child in a family may have the Lord's presence and therefore be the genuine authority in that family. In the case of Joseph, Potiphar, an officer in Pharaoh's palace, was in control of things. Eventually, however, Potiphar was under Joseph's control because Joseph had Jehovah's presence. Also consider Joseph's experience in prison. Although there was a ruler over the prison, eventually, this ruler was not the actual ruler. Instead, Joseph, a prisoner who had the presence of God, became the ruler. Both in Potiphar's house and in the prison, Joseph became king.

Wherever the constitution of Christ goes with the presence of God, there will be the reigning part. In the coming kingdom it will be this part that will be the co-kings with Christ in the kingdom of the heavens. Thus, the reigning aspect of the mature life is a life that always enjoys the presence of the Lord. The authority in this universe is the Lord Himself. Wherever His presence is, there is authority, the ruling power. As long as we have the Lord's presence, we have authority, even if we are in prison. Although we may be prisoners, we will eventually become rulers. We will rule wherever we are. This indicates that we are the reigning aspect of the mature life."

(Joseph - The Reigning Aspect of a Mature Believer; Chapter 2; pg. 28-29)

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A Sister

United States

Mar 7, 2025

A blest song regarding the kingdom life. Praise God he rules.

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Maria L

Fremont, California, United States

Mar 6, 2025

May we enthrone the Lord in the center of our being so that, out of His throne, there will be a river of water flowing out to nourish us and also water others for God’s building!

Hallelujah, out of the throne of God set up in our being flows a river of water of life to water us, nourish us, and supply us! 😀

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A Brother

United States

Jun 17, 2019

This life self-glory doth renounce and ever for God’s kingdom prays; It trusts in God for every need and seeks His kingdom first always. ” I read the first message of the Life-Study of John and a sentence caught my attention. It said, “Life is the Triune God dispensed and wrought into our being”. Further on in the message it says that this life transforms us. I just like the fact that the kingdom life renounces self-glory and when put in the context of the Life-Study of John receives the Triune God which in turn transforms us. Praise the Lord!

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