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About Numbered Notation

The numbers are the notes of a scale

Numbered notation (jianpu, 简谱) writes a melody as numbers instead of notes on a staff. You do not need to read music: take one small step at a time and press Play on any example to hear it while each number lights up. Sound only starts when you press Play.

Instead of notes on a staff, each note is a number from 1 to 7. They are the seven steps of the scale you already know: do re mi fa sol la ti. After 7 the scale starts again at 1.

The seven numbers with their names. Press Play and say each name as its number lights up.
Sing along: do re mi fa sol, and back down to do.

If you can sing do re mi, you can already sing every number from 1 to 7. Tap or click any number to hear just that note.

“1=C” tells you where to start

At the top left of the sheet you will see something like 1=C. It means the number 1 (do) is the note C, and every other number counts up from there. 1=G means do is G, so the whole tune sits a little higher. Nothing else changes: the same numbers make the same shape, only higher or lower.

1=C: do is C.
1=G: the same numbers, starting higher.

Not sure where C is? On a piano it is the white key just left of the two black keys. Or ignore the letter and start on any note that is comfortable for your voice: the tune only has to keep its shape. The − and + key buttons on a hymn page shift the key for you.

Dots make a note higher or lower

A dot above a number means one octave higher. A dot below means one octave lower. Two dots mean two octaves. No dot is the middle range, where most of a tune lives. The name stays the same; only the height changes.

The same number at three heights: dot below, no dot, dot above.
A tune that climbs: it starts on a low sol and ends on a high do.

How long each note lasts

Tap your foot at a steady pace: each tap is a beat. A plain number lasts one beat, so you sing a new number on every tap. Dashes, lines and dots change that.

A plain number is one beat

Four numbers, four beats: one number for each tap.

A dash holds the note longer

Each dash adds one beat. The 5 lasts two beats and the 3 lasts four.

A line underneath makes it shorter

One line is half a beat, so two underlined numbers share one beat. (Two lines are a quarter of a beat.)

A dot after makes it half as long again

A dot after a number adds half its length. The first 5 lasts a beat and a half, and the short 3 fills the rest of the second beat.

0 means rest

A 0 is silence for one beat. Keep counting and keep tapping, but do not sing. Dashes after a 0 make the silence longer, just as they hold a note longer.

Sing 1 3 5, stay quiet for one beat, then come back down. Rests light up too, so you can feel the pause.

Bar lines and the time signature

Tall lines cut the music into bars, each holding the same number of beats. The two small numbers at the start, like 4/4 or 3/4, say how many: 4/4 is four beats in every bar, 3/4 is three. The first beat of each bar is the strongest, so lean on it a little. A double line with a thick edge marks the end.

4/4: count 1 2 3 4, 1 2 3 4. The first beat of each bar sounds a little louder.
3/4: count 1 2 3, 1 2 3, the lilt of a waltz.

Curves: ties and slurs

A curve over numbers joins them. If it joins two of the same number, it is a tie: sing the note once and hold it for both. If it joins different numbers, it is a slur: sing them all on one syllable, gliding from one to the next.

A tie: the 5 is sung once and held across the bar line, six beats in all.
A slur: “Him” is sung on two notes, 3 then 2.

The words sit under the numbers

Each number gets one syllable, written right underneath it. A short dash after part of a word means the word carries on under the next number. If a number has nothing under it, it belongs to a curve or a dash: keep singing the syllable you are on.

Read left to right, one syllable for each number: Twin-kle, twin-kle, lit-tle star.

Repeat signs and 1. 2. endings

A bar line with two dots, :|, means go back and sing that part again, from the matching |: sign (or from the start if there is none). Sometimes the repeat has two endings. Sing ending 1. the first time; on the repeat, skip it and sing ending 2. instead.

Play it: you hear the 1. ending, the repeat, then the 2. ending. Watch the highlight jump back.

Minor keys: “6=A”

A song in a minor key, which usually sounds more serious or tender, is labeled like 6=A instead of 1=C. It means the number 6 (la) is the home note, here A. The numbers keep their usual names; the tune simply feels at home on 6 and often ends there. 6=A uses the same notes as 1=C.

It starts and ends on 6 (la), the home note. Listen to the darker colour.

Put it together: a line of a hymn

This is the first line of hymn 8, “Praise God, from whom all blessings flow”, written in numbered notation. Try the slow tempo first, and sing the words as each number lights up.

1=G in 4/4. Three silent beats, then “Praise” on beat 4. The dots under 7, 6 and 5 mean those notes dip one octave lower.

Check yourself

Four quick questions, with no score and no pressure. Tap an answer to see right away why it is right or wrong. You can always try another answer.

Tap the number that is held the longest.

Tap the 5 that is one octave higher than the first 5.

What does a 0 mean?

Under 1=G, which note is the number 1?

Try it on a hymn

You opened this from a hymn that has a Numbered view, so you can try it right now.

  1. Look at the top left of the sheet: the key, such as 1=D, and the time signature, such as 3/4.
  2. Find the first number and sing it. Then follow the numbers from left to right with the words underneath, one syllable for each number. Press Play in the player to hear the recording while you follow.
  3. Letters above the numbers (C, G7) are chords for a guitarist or pianist. Ignore them while you learn the tune.
  4. To be guided, open the Learn tab and press Play. Under Display, set Learn notation to Numbered (or choose Numbered on the Lead Sheet tab first). For hymns that have numbered lines, each line of numbers scrolls into view in time with the recording while a bouncing ball follows the words; other hymns show the piano notation there. The Speed menu slows it down.

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Fight the good fight with all thy might

Spiritual Warfare Fighting On

English872
1
Fight the good fight with all thy might!
Christ is thy strength, and Christ thy right;
Lay hold on life, and it shall be
Thy joy and crown eternally.
2
Run the straight race through God’s good grace,
Lift up thine eyes, and seek His face;
Life with its way before us lies,
Christ is the path, and Christ the prize.
3
Cast care aside, lean on thy Guide;
His boundless mercy will provide;
Trust, and thy trusting soul shall prove
Christ is its life, and Christ its love.
4
Faint not nor fear, His arms are near,
He changeth not, and thou art dear;
Only believe, and thou shalt see
That Christ is all in all to thee.

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Revd. Olaniyi O Faleye

Ibadan, Oyo, Nigeria

Sep 25, 2017

It's a spirit lifter and a call to have resolute faith in God.

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Marion Jackson

Middlewich, Cheshire, United Kingdomp

Sep 3, 2017

A fabulous hymn that makes our difficult and tough life more worthwhile because of its true meaning.

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Deborah West

London, Richmond, United Kingdom

Nov 22, 2016

My father likes this hymn. I only hope that I am able to ensure this is played hopefully a long time far far away.

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Christine Mannell

Eastbourne, East Sussex, United Kingdom

May 4, 2015

I was in our prayer meeting yesterday evening and the 2nd verse came to me, then the 3rd - I had to google it to remember the 1st verse.. Here I am trying to work out what God is saying and the last comment, made yesterday is very similar. We occasionally sing 'hymns' but I can't remember the last time I heard 'Fight the good fight'. I think the focus was on 'lift up thine eyes and seek His face'.

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Jean Deakin

Wolverhampton, West Midlands, United Kingdom

May 3, 2015

This morning some lines from this hymn came to me from the last two verses. I looked them up and found they from this hymn Fight the good fight. I went to church and found the last hymn that we sang was Fight the good fight, (not a hymn we usually sing) so I'm sure God must be saying something to me.

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Jude

Aug 1, 2014

"Fight the good fight of faith, lay hold on eternal life, whereunto thou art also called, and hast professed a good profession before many witnesses"

- 1 Timothy 6:12 (KJV)

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Steve Miller

Detroit, MI, United States

Sep 6, 2013

John Monsell was a gifted Anglican clergyman who could hold his congregation spellbound as he spoke and who advocated "more fervent and joyous" singing in his church. He once said, "We sing, but not as we should, to Him who is the chief among 10,000, the altogether lovely."

This hymn was written to accompany the reading of Ephesians 4:17-32, where Paul outlines the nature of new life in Christ. - Great Songs of Faith by Brown and Norton

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testimonyislife

Mar 15, 2008

This hymn says so much to you and I. We must fight the good fight, as we lay hold on eternal life. And, run the straight race through God's abundant grace, as we lift up our eyes to seek and behold His face. Care must be cast aside whatever betide as we lean on our Guide. Put all our trust in Him, and fear not, but believe. Our Christ is our way and our wonderful, complete Salvation. Hallelujah!

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KeepingHiswords

Jan 19, 2008

This hymn is important, because it speaks of a believer's life, which is a life of trust in the Lord, and a life in the power of His might. It is a life in faith against all the power of the enemy. It is a life of victory over all the power of the enemy. And, it is a life in union with Christ, and it is not a life apart from Christ. Christ is our strength, our might, our right, our eternal joy and crown, our path, our prize, our life, our love, our Guide, and He is all in all to us.

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