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About Numbered Notation

The numbers are the notes of a scale

Numbered notation (jianpu, 简谱) writes a melody as numbers instead of notes on a staff. You do not need to read music: take one small step at a time and press Play on any example to hear it while each number lights up. Sound only starts when you press Play.

Instead of notes on a staff, each note is a number from 1 to 7. They are the seven steps of the scale you already know: do re mi fa sol la ti. After 7 the scale starts again at 1.

The seven numbers with their names. Press Play and say each name as its number lights up.
Sing along: do re mi fa sol, and back down to do.

If you can sing do re mi, you can already sing every number from 1 to 7. Tap or click any number to hear just that note.

“1=C” tells you where to start

At the top left of the sheet you will see something like 1=C. It means the number 1 (do) is the note C, and every other number counts up from there. 1=G means do is G, so the whole tune sits a little higher. Nothing else changes: the same numbers make the same shape, only higher or lower.

1=C: do is C.
1=G: the same numbers, starting higher.

Not sure where C is? On a piano it is the white key just left of the two black keys. Or ignore the letter and start on any note that is comfortable for your voice: the tune only has to keep its shape. The − and + key buttons on a hymn page shift the key for you.

Dots make a note higher or lower

A dot above a number means one octave higher. A dot below means one octave lower. Two dots mean two octaves. No dot is the middle range, where most of a tune lives. The name stays the same; only the height changes.

The same number at three heights: dot below, no dot, dot above.
A tune that climbs: it starts on a low sol and ends on a high do.

How long each note lasts

Tap your foot at a steady pace: each tap is a beat. A plain number lasts one beat, so you sing a new number on every tap. Dashes, lines and dots change that.

A plain number is one beat

Four numbers, four beats: one number for each tap.

A dash holds the note longer

Each dash adds one beat. The 5 lasts two beats and the 3 lasts four.

A line underneath makes it shorter

One line is half a beat, so two underlined numbers share one beat. (Two lines are a quarter of a beat.)

A dot after makes it half as long again

A dot after a number adds half its length. The first 5 lasts a beat and a half, and the short 3 fills the rest of the second beat.

0 means rest

A 0 is silence for one beat. Keep counting and keep tapping, but do not sing. Dashes after a 0 make the silence longer, just as they hold a note longer.

Sing 1 3 5, stay quiet for one beat, then come back down. Rests light up too, so you can feel the pause.

Bar lines and the time signature

Tall lines cut the music into bars, each holding the same number of beats. The two small numbers at the start, like 4/4 or 3/4, say how many: 4/4 is four beats in every bar, 3/4 is three. The first beat of each bar is the strongest, so lean on it a little. A double line with a thick edge marks the end.

4/4: count 1 2 3 4, 1 2 3 4. The first beat of each bar sounds a little louder.
3/4: count 1 2 3, 1 2 3, the lilt of a waltz.

Curves: ties and slurs

A curve over numbers joins them. If it joins two of the same number, it is a tie: sing the note once and hold it for both. If it joins different numbers, it is a slur: sing them all on one syllable, gliding from one to the next.

A tie: the 5 is sung once and held across the bar line, six beats in all.
A slur: “Him” is sung on two notes, 3 then 2.

The words sit under the numbers

Each number gets one syllable, written right underneath it. A short dash after part of a word means the word carries on under the next number. If a number has nothing under it, it belongs to a curve or a dash: keep singing the syllable you are on.

Read left to right, one syllable for each number: Twin-kle, twin-kle, lit-tle star.

Repeat signs and 1. 2. endings

A bar line with two dots, :|, means go back and sing that part again, from the matching |: sign (or from the start if there is none). Sometimes the repeat has two endings. Sing ending 1. the first time; on the repeat, skip it and sing ending 2. instead.

Play it: you hear the 1. ending, the repeat, then the 2. ending. Watch the highlight jump back.

Minor keys: “6=A”

A song in a minor key, which usually sounds more serious or tender, is labeled like 6=A instead of 1=C. It means the number 6 (la) is the home note, here A. The numbers keep their usual names; the tune simply feels at home on 6 and often ends there. 6=A uses the same notes as 1=C.

It starts and ends on 6 (la), the home note. Listen to the darker colour.

Put it together: a line of a hymn

This is the first line of hymn 8, “Praise God, from whom all blessings flow”, written in numbered notation. Try the slow tempo first, and sing the words as each number lights up.

1=G in 4/4. Three silent beats, then “Praise” on beat 4. The dots under 7, 6 and 5 mean those notes dip one octave lower.

Check yourself

Four quick questions, with no score and no pressure. Tap an answer to see right away why it is right or wrong. You can always try another answer.

Tap the number that is held the longest.

Tap the 5 that is one octave higher than the first 5.

What does a 0 mean?

Under 1=G, which note is the number 1?

Try it on a hymn

You opened this from a hymn that has a Numbered view, so you can try it right now.

  1. Look at the top left of the sheet: the key, such as 1=D, and the time signature, such as 3/4.
  2. Find the first number and sing it. Then follow the numbers from left to right with the words underneath, one syllable for each number. Press Play in the player to hear the recording while you follow.
  3. Letters above the numbers (C, G7) are chords for a guitarist or pianist. Ignore them while you learn the tune.
  4. To be guided, open the Learn tab and press Play. Under Display, set Learn notation to Numbered (or choose Numbered on the Lead Sheet tab first). For hymns that have numbered lines, each line of numbers scrolls into view in time with the recording while a bouncing ball follows the words; other hymns show the piano notation there. The Speed menu slows it down.

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From every stormy wind that blows

Prayer Around the Mercy Seat

English774
1
From every stormy wind that blows,
From every swelling tide of woes,
There is a calm, a sure retreat—
’Tis found beneath the mercy seat.
2
There is a place where Jesus sheds
The oil of gladness on our heads,
A place than all besides more sweet—
It is the blood-bought mercy seat.
3
There is a scene where spirits blend,
Where friend holds fellowship with friend;
Though sundered far, by faith they meet
Around one common mercy seat.
4
There, there on eagle’s wings we soar,
And time and sense seem all no more,
And heaven comes down our souls to greet,
And glory crowns the mercy seat.

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D. J. G.

Ribeirão Preto, SP, Brazil

May 13, 2017

What a beautiful tune!

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Peter Joseph

McDonough, Georgia (GA), United States

Jan 11, 2017

Is there more than one tune to sing this song? I asked because I know it in a different tune.

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BJ Williams

Lake City, FL, United States

May 5, 2016

I woke up this morning with my situations and circumstances on my mind, and while trying to trust THE GOOD MASTER THE HOLY SPIRIT brought this hymn to mind, which I had the privilege of being exposed to years ago. I could not recall all the words, so I got up and pulled this title up on line. PERFECT! I love the assurance and peace the words give. Very endearing! Thank GOD for the writers of old who penned it and the musicians who put music to it. Love it!

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Tellervo

Vancouver, BC, Canada

Apr 29, 2016

Beautiful, old hymn. I was not familiar with it. I love the reassurance and encouragement it gives.

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Jean

St Paul, MN, United States

Nov 5, 2015

For a lovely new choral arrangement of this hymn, I recommend the Josh Bauder's arrangement from his album, "Grace Alone". It captures the heavenly picture so well. You can find it on Youtube under the title, "The Mercy Seat" (I am not allowed to paste the link here).

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李 菲 麗

NC, United States

Oct 22, 2011

Praise the Lord for the "mercy seat". The mercy seat in the Old Testament signifies the place that God dispenses His grace. In the New Testament, all of God's grace is dispensed to us through Christ. Exodus 25:22 says, "And there I will meet with thee, and I will commune with thee from above the mercy seat, from between the two cherubim which are upon the ark of the testimony, of all things which I will give thee in commandment unto the children of Israel." Thank the Lord that there is the blood of the cross upon God's mercy seat today. Through the blood, we can look up to God's glory and live in His glory. Thank the Lord that His propitiation has put us in a position where we can behold God's glory with unveiled face. This is the meaning of fellowship. Fellowship is not spending half an hour to an hour studying the Bible or praying. Fellowship is beholding God's glory through the blood and having a life that is totally for His glory. (from: Collected Works of Watchman Nee, The (Set 2) Vol. 37: General Messages (1), Chapter 16, Section 1)

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Steve Miller

Detroit, MI, United States

Jul 18, 2009

it is sweet and comforting.

In the original, the 3rd line of v2 says, "A place of all on earth most sweet,"

There is an extra verse before the last one:

Ah! Whither could we flee for aid
When tempted, desolate, dismayed?
Or how the hosts of hell defeat,
Had suff’ring saints no mercy seat?

The 2nd line of the last verse in the original says:

"And sin and guilt seem there no more,"

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Brian Towey

Durham, NC, United States

Nov 13, 2008

In the old "Southern Harmony" this text goes with a much bolder tune ("Mercy Seat"), plus several additional verses. This is good; that is even better. If You like this, you'll love that!

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Jerrylou

Yakima, Wa, United States

Oct 18, 2008

I love this hymn. I love all the hymns, especially the more experiential ones of loving the Lord, Comfort in Trials...who doesn't have daily trials!!!, and Spiritual Warfare and Prayer. Did I already say, "I love the hymns, and I thank the Lord and His faithful servants for making this site more user friendly as time goes on. Thank you for your labor of love. Many times the hymns can touch my heart when nothing else or no one else can. I love the Word, but I can memorize the hymns more easily. Thank you again.

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Nathan Anderson

Clay, NY, United States

Oct 13, 2008

I love this song. It helps in times like these.

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