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About Numbered Notation

The numbers are the notes of a scale

Numbered notation (jianpu, 简谱) writes a melody as numbers instead of notes on a staff. You do not need to read music: take one small step at a time and press Play on any example to hear it while each number lights up. Sound only starts when you press Play.

Instead of notes on a staff, each note is a number from 1 to 7. They are the seven steps of the scale you already know: do re mi fa sol la ti. After 7 the scale starts again at 1.

The seven numbers with their names. Press Play and say each name as its number lights up.
Sing along: do re mi fa sol, and back down to do.

If you can sing do re mi, you can already sing every number from 1 to 7. Tap or click any number to hear just that note.

“1=C” tells you where to start

At the top left of the sheet you will see something like 1=C. It means the number 1 (do) is the note C, and every other number counts up from there. 1=G means do is G, so the whole tune sits a little higher. Nothing else changes: the same numbers make the same shape, only higher or lower.

1=C: do is C.
1=G: the same numbers, starting higher.

Not sure where C is? On a piano it is the white key just left of the two black keys. Or ignore the letter and start on any note that is comfortable for your voice: the tune only has to keep its shape. The − and + key buttons on a hymn page shift the key for you.

Dots make a note higher or lower

A dot above a number means one octave higher. A dot below means one octave lower. Two dots mean two octaves. No dot is the middle range, where most of a tune lives. The name stays the same; only the height changes.

The same number at three heights: dot below, no dot, dot above.
A tune that climbs: it starts on a low sol and ends on a high do.

How long each note lasts

Tap your foot at a steady pace: each tap is a beat. A plain number lasts one beat, so you sing a new number on every tap. Dashes, lines and dots change that.

A plain number is one beat

Four numbers, four beats: one number for each tap.

A dash holds the note longer

Each dash adds one beat. The 5 lasts two beats and the 3 lasts four.

A line underneath makes it shorter

One line is half a beat, so two underlined numbers share one beat. (Two lines are a quarter of a beat.)

A dot after makes it half as long again

A dot after a number adds half its length. The first 5 lasts a beat and a half, and the short 3 fills the rest of the second beat.

0 means rest

A 0 is silence for one beat. Keep counting and keep tapping, but do not sing. Dashes after a 0 make the silence longer, just as they hold a note longer.

Sing 1 3 5, stay quiet for one beat, then come back down. Rests light up too, so you can feel the pause.

Bar lines and the time signature

Tall lines cut the music into bars, each holding the same number of beats. The two small numbers at the start, like 4/4 or 3/4, say how many: 4/4 is four beats in every bar, 3/4 is three. The first beat of each bar is the strongest, so lean on it a little. A double line with a thick edge marks the end.

4/4: count 1 2 3 4, 1 2 3 4. The first beat of each bar sounds a little louder.
3/4: count 1 2 3, 1 2 3, the lilt of a waltz.

Curves: ties and slurs

A curve over numbers joins them. If it joins two of the same number, it is a tie: sing the note once and hold it for both. If it joins different numbers, it is a slur: sing them all on one syllable, gliding from one to the next.

A tie: the 5 is sung once and held across the bar line, six beats in all.
A slur: “Him” is sung on two notes, 3 then 2.

The words sit under the numbers

Each number gets one syllable, written right underneath it. A short dash after part of a word means the word carries on under the next number. If a number has nothing under it, it belongs to a curve or a dash: keep singing the syllable you are on.

Read left to right, one syllable for each number: Twin-kle, twin-kle, lit-tle star.

Repeat signs and 1. 2. endings

A bar line with two dots, :|, means go back and sing that part again, from the matching |: sign (or from the start if there is none). Sometimes the repeat has two endings. Sing ending 1. the first time; on the repeat, skip it and sing ending 2. instead.

Play it: you hear the 1. ending, the repeat, then the 2. ending. Watch the highlight jump back.

Minor keys: “6=A”

A song in a minor key, which usually sounds more serious or tender, is labeled like 6=A instead of 1=C. It means the number 6 (la) is the home note, here A. The numbers keep their usual names; the tune simply feels at home on 6 and often ends there. 6=A uses the same notes as 1=C.

It starts and ends on 6 (la), the home note. Listen to the darker colour.

Put it together: a line of a hymn

This is the first line of hymn 8, “Praise God, from whom all blessings flow”, written in numbered notation. Try the slow tempo first, and sing the words as each number lights up.

1=G in 4/4. Three silent beats, then “Praise” on beat 4. The dots under 7, 6 and 5 mean those notes dip one octave lower.

Check yourself

Four quick questions, with no score and no pressure. Tap an answer to see right away why it is right or wrong. You can always try another answer.

Tap the number that is held the longest.

Tap the 5 that is one octave higher than the first 5.

What does a 0 mean?

Under 1=G, which note is the number 1?

Try it on a hymn

You opened this from a hymn that has a Numbered view, so you can try it right now.

  1. Look at the top left of the sheet: the key, such as 1=D, and the time signature, such as 3/4.
  2. Find the first number and sing it. Then follow the numbers from left to right with the words underneath, one syllable for each number. Press Play in the player to hear the recording while you follow.
  3. Letters above the numbers (C, G7) are chords for a guitarist or pianist. Ignore them while you learn the tune.
  4. To be guided, open the Learn tab and press Play. Under Display, set Learn notation to Numbered (or choose Numbered on the Lead Sheet tab first). For hymns that have numbered lines, each line of numbers scrolls into view in time with the recording while a bouncing ball follows the words; other hymns show the piano notation there. The Speed menu slows it down.

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Precious promise God doth give thee

Comfort in Trials By the Lord’s Leading

English703
1
Precious promise God doth give thee,
Thou, the weary passerby,
On the way from earth to glory:
“I will guide thee with Mine eye.”
 
I will guide thee, I will guide thee,
I will guide thee with Mine eye;
On the way from earth to glory,
I will guide thee with Mine eye.
2
When temptations fierce assail thee,
When thy trusted helpers fly,
Let this promise ring within thee,
“I will guide thee with Mine eye.”
3
When thy secret hopes have perished
In the grave of years gone by,
Let this promise still be cherished,
“I will guide thee with Mine eye.”
4
When the shades of life are falling,
And the hour has come to die,
Hear thy faithful Pilot calling,
“I will guide thee with Mine eye.”

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Ana Lara

Storrs, Connecticut, United States

Nov 23, 2025

Nathaniel Niles was born April 3, 1741. He was an American lawyer and politician. He served as a United States representative from Vermont. Nathaniel Niles received a bachelor’s and a master’s degree from Princeton College, NJ, where he was noted for his theological debates. After graduation, he studied medicine and law. In 1774 he married Elizabeth Lathrop of Norwich, Connecticut. They had four children: William, Sally, Mary, and Elizabeth.

During the Revolution, he worked on the Lathrop Mills, inventing a method for making wire – needed for wool cards – from iron bar to avoid having to import from Great Britain. In 1782 Niles purchased land and settled in West Fairlee, Vermont. He served as a lawyer and physician in the frontier community and although he was never ordained, he was a prominent leader among the local clergy. He served a speaker of Vermont‘s House of Representatives in 1784, as a judge in the supreme Court from 1784 to 1788, and as a member of the Vermont Council and the council of censors. A supporter of the Federal Constitution, Niles became one of the state’s first congressman in 1791. He was defeated in 1794 but remained active in state politics as a Jeffersonian Republican, serving again in the House of Representatives and the governor’s council. He was a trustee of the Dartmouth College from 1794 to 1820. In 1787, a few years after the death of his first wife, Niles married Elizabeth Watson, who was noted for her literary and theological attainments. They had five children: Nathaniel, Samuel, Betsy, Watson, and Nancy.

On June 5, 1774 Niles gave two sermons in the North Church in Newburyport speaking out against slavery. Nathaniel argued liberal concepts of liberty must apply to all, including those enslaved. Proclaiming “For shame, let us either cease to enslave our fellow man or else let us cease to complain of those who would enslave us. ” He also wrote a famous poem about the Battle of Bunker Hill; one of the first abolition sermons preached the colonies.

Nathaniel Niles died in Fairlee Vermont on October 31, 1828 and was buried at West Fairlee Cemetery.

(Founders Online)

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Nwonus Sunday

Legos Mainland, Lagos State, Nigeria

Jun 8, 2025

The holy Ghost is our guidance that our father have sent and he will lead from earth to glory hallelujah

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Cyril Hassanally

Toronto, ON, Canada

Dec 12, 2024

Thanks Christina and Ray for your comments it is truly a hymn about our Christian walk with our maker and what wants to give us for our present and future life.

It's what Jesus came to give us.

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Carrie Whyte

Clarendon, Jamaica

Sep 24, 2024

he's guiding me all the way

love this song

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Ruth Alfa

Ganaja/ Lokoja, Kogi, Nigeria

Jun 3, 2024

I am greatly encouraged by the words of this hymn. I am assured of God's guidance all through my journey in life especially now that my beloved husband has gone to be with the Lord.

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Ray Chen

Austin, Texas, United States

Mar 3, 2024

When I pray for my sermon this morning, the song by Philip Bliss comes up. I will solo this song which in the sermon and then as an altar call song. Many prophetic words God given in these days are through hymns!

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Christinia

Pearland, TX, United States

Feb 10, 2024

Every time I read through Psalm 32, especially verse 8, I am reminded of this hymn. I sang it as a youth in a duet. It never leaves me. I just needed to see all the verses again today. I am 75 now and it still rings true. Thanks be to God for all His goodness and his Blessings.

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John Fredrick

Eket, Akwa Ibom, Nigeria

Jun 5, 2022

Oh! God make me to understand that you're always with me despite my sinful nature

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Dr Nkechi

Benin City, Edo, Nigeria

Aug 15, 2021

Very interesting and encouraging

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Worlasi William

Osu, Accra, Ghana

May 30, 2021

The greatest God, let our faith grow deep in you Lord

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