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About Numbered Notation

The numbers are the notes of a scale

Numbered notation (jianpu, 简谱) writes a melody as numbers instead of notes on a staff. You do not need to read music: take one small step at a time and press Play on any example to hear it while each number lights up. Sound only starts when you press Play.

Instead of notes on a staff, each note is a number from 1 to 7. They are the seven steps of the scale you already know: do re mi fa sol la ti. After 7 the scale starts again at 1.

The seven numbers with their names. Press Play and say each name as its number lights up.
Sing along: do re mi fa sol, and back down to do.

If you can sing do re mi, you can already sing every number from 1 to 7. Tap or click any number to hear just that note.

“1=C” tells you where to start

At the top left of the sheet you will see something like 1=C. It means the number 1 (do) is the note C, and every other number counts up from there. 1=G means do is G, so the whole tune sits a little higher. Nothing else changes: the same numbers make the same shape, only higher or lower.

1=C: do is C.
1=G: the same numbers, starting higher.

Not sure where C is? On a piano it is the white key just left of the two black keys. Or ignore the letter and start on any note that is comfortable for your voice: the tune only has to keep its shape. The − and + key buttons on a hymn page shift the key for you.

Dots make a note higher or lower

A dot above a number means one octave higher. A dot below means one octave lower. Two dots mean two octaves. No dot is the middle range, where most of a tune lives. The name stays the same; only the height changes.

The same number at three heights: dot below, no dot, dot above.
A tune that climbs: it starts on a low sol and ends on a high do.

How long each note lasts

Tap your foot at a steady pace: each tap is a beat. A plain number lasts one beat, so you sing a new number on every tap. Dashes, lines and dots change that.

A plain number is one beat

Four numbers, four beats: one number for each tap.

A dash holds the note longer

Each dash adds one beat. The 5 lasts two beats and the 3 lasts four.

A line underneath makes it shorter

One line is half a beat, so two underlined numbers share one beat. (Two lines are a quarter of a beat.)

A dot after makes it half as long again

A dot after a number adds half its length. The first 5 lasts a beat and a half, and the short 3 fills the rest of the second beat.

0 means rest

A 0 is silence for one beat. Keep counting and keep tapping, but do not sing. Dashes after a 0 make the silence longer, just as they hold a note longer.

Sing 1 3 5, stay quiet for one beat, then come back down. Rests light up too, so you can feel the pause.

Bar lines and the time signature

Tall lines cut the music into bars, each holding the same number of beats. The two small numbers at the start, like 4/4 or 3/4, say how many: 4/4 is four beats in every bar, 3/4 is three. The first beat of each bar is the strongest, so lean on it a little. A double line with a thick edge marks the end.

4/4: count 1 2 3 4, 1 2 3 4. The first beat of each bar sounds a little louder.
3/4: count 1 2 3, 1 2 3, the lilt of a waltz.

Curves: ties and slurs

A curve over numbers joins them. If it joins two of the same number, it is a tie: sing the note once and hold it for both. If it joins different numbers, it is a slur: sing them all on one syllable, gliding from one to the next.

A tie: the 5 is sung once and held across the bar line, six beats in all.
A slur: “Him” is sung on two notes, 3 then 2.

The words sit under the numbers

Each number gets one syllable, written right underneath it. A short dash after part of a word means the word carries on under the next number. If a number has nothing under it, it belongs to a curve or a dash: keep singing the syllable you are on.

Read left to right, one syllable for each number: Twin-kle, twin-kle, lit-tle star.

Repeat signs and 1. 2. endings

A bar line with two dots, :|, means go back and sing that part again, from the matching |: sign (or from the start if there is none). Sometimes the repeat has two endings. Sing ending 1. the first time; on the repeat, skip it and sing ending 2. instead.

Play it: you hear the 1. ending, the repeat, then the 2. ending. Watch the highlight jump back.

Minor keys: “6=A”

A song in a minor key, which usually sounds more serious or tender, is labeled like 6=A instead of 1=C. It means the number 6 (la) is the home note, here A. The numbers keep their usual names; the tune simply feels at home on 6 and often ends there. 6=A uses the same notes as 1=C.

It starts and ends on 6 (la), the home note. Listen to the darker colour.

Put it together: a line of a hymn

This is the first line of hymn 8, “Praise God, from whom all blessings flow”, written in numbered notation. Try the slow tempo first, and sing the words as each number lights up.

1=G in 4/4. Three silent beats, then “Praise” on beat 4. The dots under 7, 6 and 5 mean those notes dip one octave lower.

Check yourself

Four quick questions, with no score and no pressure. Tap an answer to see right away why it is right or wrong. You can always try another answer.

Tap the number that is held the longest.

Tap the 5 that is one octave higher than the first 5.

What does a 0 mean?

Under 1=G, which note is the number 1?

Try it on a hymn

You opened this from a hymn that has a Numbered view, so you can try it right now.

  1. Look at the top left of the sheet: the key, such as 1=D, and the time signature, such as 3/4.
  2. Find the first number and sing it. Then follow the numbers from left to right with the words underneath, one syllable for each number. Press Play in the player to hear the recording while you follow.
  3. Letters above the numbers (C, G7) are chords for a guitarist or pianist. Ignore them while you learn the tune.
  4. To be guided, open the Learn tab and press Play. Under Display, set Learn notation to Numbered (or choose Numbered on the Lead Sheet tab first). For hymns that have numbered lines, each line of numbers scrolls into view in time with the recording while a bouncing ball follows the words; other hymns show the piano notation there. The Speed menu slows it down.

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Rise, my soul, thy God directs thee

Encouragement For Pressing On

English664
1
Rise, my soul, thy God directs thee;
Stranger hands no more impede;
Pass thou on, His strength protects thee,
Strength that has the captive freed.
2
Is the wilderness before thee,
Desert lands where drought abides?
Heavenly springs shall there restore thee,
Fresh from God’s exhaustless tides.
3
Light divine surrounds thy going,
God Himself shall mark thy way;
Secret blessings, richly flowing,
Lead to everlasting day.
4
God, thine everlasting portion,
Feeds thee with the Mighty’s meat;
Saved from Egypt’s hard extortion,
Egypt’s food no more to eat.
5
Art thou weaned from Egypt’s pleasures?
God in secret shall thee keep;
There unfold His hidden treasures,
There His love’s exhaustless deep.
6
In the desert God will teach thee
What the God that thou hast found—
Patient, gracious, powerful, holy;
All His grace shall there abound.
7
On to Canaan’s rest still wending,
E’en thy wants and woes shall bring
Suited grace from high descending;
Thou shalt taste of mercy’s spring.
8
Though thy way be long and dreary,
Eagle strength He’ll still renew;
Garments fresh, and feet unweary,
Tell how God hath brought thee through.
9
When to Canaan’s long-loved dwelling
Love divine thy feet shall bring,
Thou, with shouts of triumph swelling,
Zion’s songs in rest shall sing.

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Priscilla Jane Smith

Chelmsford, Essex, United Kingdom

Oct 28, 2025

I still attend a group of Christian meetings where we sing this. Such a lovely hymn. I feel God often lets us feel our need of Him when we feel alone in tests down here. People can say comforting things but its always a touch from our dear Lord Jesus we most need.

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Bob Baer

Brampton, ON, Canada

Jun 29, 2020

This is such a nice hymn. The lyrics take us throught every aspect of our progress with it's attendant joys and challenges. Desert lands, Egypts hard extortion, wants and woes, long and dreary way become heavenly springs, God thine everlasting portion, hidden treasures, loves exhaustlless deep, grace from high descending, eagle strength, garments fresh, and feet unweary.

The tune is slow but inspired and buoyant leaving time to savour every aspect. and pull our mood from the depths of difficulties to the heavenly heights of needs well met.

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D. Youngs

Rowlands Castle, Hampshire, United Kingdom

Apr 28, 2020

My husband tells me the last verse to this is missing here...

There no stranger-God shall meet thee,
Stranger thou in courts above.
He who to His rest shall greet thee,
Greets thee with a well-known love.

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D Johnson

Dallas, TX, United States

Jul 25, 2013

I remember and love this hymn and its tune. I grew up in the Plymouth Brethren (Tumbridge Wells) in Texas. I am now Anglo-Catholic and will introduce this to our Priest. Beautiful.

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Isaiah Tor

Australia

Sep 19, 2009

This hymn is very distinctive and crucial to our understanding of the Christian race. When we pray for sustenance, support and strength, do we do so as God directs our soul unto the glory and rest of Zion in Canaan? Often our entreaties before the Lord relates to the meeting of our needs as we dwell in this world, not as sojourners. When God directs our soul, we by implication deny our soul life in this age, in the hope that we would partake of Zion, the New Jerusalem in the next, and the provision described in this hymn, of all that He is as grace, is a sweet, abounding foretaste of that full portion that is to come. This hymn instructs us in this manner to reveal to us, our true position in this age, our portion in the next, and how presently the Lord wonderfully ushers us into the full enjoyment of Him in the next, in the midst of all affliction and frustration of that goal. Hallelujah!

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Hung Nguyen

Cam Ranh, Khanh Hoa, Vietnam

Jun 8, 2009

We're translating this hymn into Vietnamese! We love this hymn. His strength protects us, heavenly springs shall there restore us, He feeds us with the Mighty's meat every day; Egypt's food no more to eat. May the Lord lead us to everlasting day. Amen!

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Daniel Jackson

Reading, United Kingdom

Dec 3, 2002

Oh, I enjoy this song so much! The Lord is directing our paths according to what is best for us, and according to His good pleasure. He does not merely just know our situation, He is directing it! This song touches every aspect of our human experience along this journey.

"Light divine surrounds thy going, God Himself shall mark thy way;"

May I be saved from ever doing anything that would interfere with His perfect will and arrangement! May I be saved from an individual view of my life - just for me and my intentions! Lord, have YOUR way!

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