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About Numbered Notation

The numbers are the notes of a scale

Numbered notation (jianpu, 简谱) writes a melody as numbers instead of notes on a staff. You do not need to read music: take one small step at a time and press Play on any example to hear it while each number lights up. Sound only starts when you press Play.

Instead of notes on a staff, each note is a number from 1 to 7. They are the seven steps of the scale you already know: do re mi fa sol la ti. After 7 the scale starts again at 1.

The seven numbers with their names. Press Play and say each name as its number lights up.
Sing along: do re mi fa sol, and back down to do.

If you can sing do re mi, you can already sing every number from 1 to 7. Tap or click any number to hear just that note.

“1=C” tells you where to start

At the top left of the sheet you will see something like 1=C. It means the number 1 (do) is the note C, and every other number counts up from there. 1=G means do is G, so the whole tune sits a little higher. Nothing else changes: the same numbers make the same shape, only higher or lower.

1=C: do is C.
1=G: the same numbers, starting higher.

Not sure where C is? On a piano it is the white key just left of the two black keys. Or ignore the letter and start on any note that is comfortable for your voice: the tune only has to keep its shape. The − and + key buttons on a hymn page shift the key for you.

Dots make a note higher or lower

A dot above a number means one octave higher. A dot below means one octave lower. Two dots mean two octaves. No dot is the middle range, where most of a tune lives. The name stays the same; only the height changes.

The same number at three heights: dot below, no dot, dot above.
A tune that climbs: it starts on a low sol and ends on a high do.

How long each note lasts

Tap your foot at a steady pace: each tap is a beat. A plain number lasts one beat, so you sing a new number on every tap. Dashes, lines and dots change that.

A plain number is one beat

Four numbers, four beats: one number for each tap.

A dash holds the note longer

Each dash adds one beat. The 5 lasts two beats and the 3 lasts four.

A line underneath makes it shorter

One line is half a beat, so two underlined numbers share one beat. (Two lines are a quarter of a beat.)

A dot after makes it half as long again

A dot after a number adds half its length. The first 5 lasts a beat and a half, and the short 3 fills the rest of the second beat.

0 means rest

A 0 is silence for one beat. Keep counting and keep tapping, but do not sing. Dashes after a 0 make the silence longer, just as they hold a note longer.

Sing 1 3 5, stay quiet for one beat, then come back down. Rests light up too, so you can feel the pause.

Bar lines and the time signature

Tall lines cut the music into bars, each holding the same number of beats. The two small numbers at the start, like 4/4 or 3/4, say how many: 4/4 is four beats in every bar, 3/4 is three. The first beat of each bar is the strongest, so lean on it a little. A double line with a thick edge marks the end.

4/4: count 1 2 3 4, 1 2 3 4. The first beat of each bar sounds a little louder.
3/4: count 1 2 3, 1 2 3, the lilt of a waltz.

Curves: ties and slurs

A curve over numbers joins them. If it joins two of the same number, it is a tie: sing the note once and hold it for both. If it joins different numbers, it is a slur: sing them all on one syllable, gliding from one to the next.

A tie: the 5 is sung once and held across the bar line, six beats in all.
A slur: “Him” is sung on two notes, 3 then 2.

The words sit under the numbers

Each number gets one syllable, written right underneath it. A short dash after part of a word means the word carries on under the next number. If a number has nothing under it, it belongs to a curve or a dash: keep singing the syllable you are on.

Read left to right, one syllable for each number: Twin-kle, twin-kle, lit-tle star.

Repeat signs and 1. 2. endings

A bar line with two dots, :|, means go back and sing that part again, from the matching |: sign (or from the start if there is none). Sometimes the repeat has two endings. Sing ending 1. the first time; on the repeat, skip it and sing ending 2. instead.

Play it: you hear the 1. ending, the repeat, then the 2. ending. Watch the highlight jump back.

Minor keys: “6=A”

A song in a minor key, which usually sounds more serious or tender, is labeled like 6=A instead of 1=C. It means the number 6 (la) is the home note, here A. The numbers keep their usual names; the tune simply feels at home on 6 and often ends there. 6=A uses the same notes as 1=C.

It starts and ends on 6 (la), the home note. Listen to the darker colour.

Put it together: a line of a hymn

This is the first line of hymn 8, “Praise God, from whom all blessings flow”, written in numbered notation. Try the slow tempo first, and sing the words as each number lights up.

1=G in 4/4. Three silent beats, then “Praise” on beat 4. The dots under 7, 6 and 5 mean those notes dip one octave lower.

Check yourself

Four quick questions, with no score and no pressure. Tap an answer to see right away why it is right or wrong. You can always try another answer.

Tap the number that is held the longest.

Tap the 5 that is one octave higher than the first 5.

What does a 0 mean?

Under 1=G, which note is the number 1?

Try it on a hymn

You opened this from a hymn that has a Numbered view, so you can try it right now.

  1. Look at the top left of the sheet: the key, such as 1=D, and the time signature, such as 3/4.
  2. Find the first number and sing it. Then follow the numbers from left to right with the words underneath, one syllable for each number. Press Play in the player to hear the recording while you follow.
  3. Letters above the numbers (C, G7) are chords for a guitarist or pianist. Ignore them while you learn the tune.
  4. To be guided, open the Learn tab and press Play. Under Display, set Learn notation to Numbered (or choose Numbered on the Lead Sheet tab first). For hymns that have numbered lines, each line of numbers scrolls into view in time with the recording while a bouncing ball follows the words; other hymns show the piano notation there. The Speed menu slows it down.

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Tis so sweet to trust in Jesus

Experience of Christ Trusting Him

English568
1
’Tis so sweet to trust in Jesus,
Just to take Him at His word;
Just to rest upon His promise;
Just to know, Thus saith the Lord.
 
Jesus, Jesus, how I trust Him,
How I’ve proved Him o’er and o’er,
Jesus, Jesus, Precious Jesus!
O for grace to trust Him more.
2
O how sweet to trust in Jesus,
Just to trust His cleansing blood;
Just in simple faith to plunge me,
’Neath the healing, cleansing flood.
3
Yes, ’tis sweet to trust in Jesus,
Just from sin and self to cease;
Just from Jesus simply taking
Life, and rest, and joy, and peace.
4
I’m so glad I learned to trust Thee,
Precious Jesus, Savior, Friend;
And I know that Thou art with me,
Wilt be with me to the end.

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Caree Simms

Apr 13, 2025

Praise God for her life 🙌

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Priscillah Makheti

Nairobi, Western, Kenya

Apr 7, 2025

Wonderful & Thrilling Melody !!

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Ana Lara

Storrs, Connecticut, United States

Mar 16, 2025

The story behind “Tis So Sweet to Trust in Jesus“ is one example of how a hymn is bourne out of tragedy but brings blessings to the Body of Christ. The author Louisa Stead suffered tragedy and hardship, but these struggles came to bless many for years to come. Two experiences in particular in her life demonstrated to Louisa, the importance of trusting in Jesus.

Louisa Stead was born in Dover, England in 1850. She married in 1875 and moved to the United States where the couple had a daughter, Lily. When Lily was four years old, the family went out to enjoy a picnic lunch one day at the beach on Long Island, New York. As they were sitting on the ground, they suddenly heard cries for help and spotted a boy struggling in the ocean. Mr. Stead charged into the water after the boy but was pulled under by the panicked youngster, and both of them drowned before the terrified eyes of Louisa and her daughter. Out of her pain and hardship, she tried to come up with a way to grip with her tragedy, Louisa held on to trusting in God. No longer with a husband or income, Louisa and her daughter were reduced to abject poverty in such that it was not uncommon for them to have no food left in the house. On one occasion, Louisa’s prayer to the Lord for provision was answered inexplicably the next morning when she found a basket of groceries and money at her doorstep. It was during these life struggles that Louisa wrote the hymn, “Tis So Sweet to Trust in Jesus. ” Sometime later, Louisa and Lily left for South Africa, where she labored as a missionary for fifteen years. Louisa passed away after a long illness in 1917. Following her death, Christians in Rhodesia noted that, “We miss her very much, but her influence goes on as our 5, 000 converts continually sing this hymn in their native language. ”

Louis Codington

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Davina Odoh

Bori Camp, Port Harcourt, Nigeria

Mar 16, 2025

Sang this hymn in the Sunday Service and it has awakened my spirit at a time when I felt like Jonah in the belly of the fish and questioned if GOD can hear or see me and all that I'm going through... I pray for grace to trust HIM in all of these and to hold unto the promise... Thus saith the LORD'

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Charles

Effurun, Delta State, Nigeria

Mar 9, 2025

Trusting in the Jesus with all your heart is most precious & greatest investment any mortal can make, for eternal worth.

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Nkurunziza

Kigali, East, Rwanda

Feb 23, 2025

Sending love from Christ to the people who took their time to write the lyrics it is very fulfilling just how a song can change one's way of thinking and helping trust in Jesus more.

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Desmond Shaibu

Lagos, Nigeria

Feb 18, 2025

Faith in Christ is foundation for true peace and stability "Believe the Lord your God and you will gain stability (2 Chron. 20:20) the only true proof that we know who God is is that we truly put our trust in him Ps 9:10) so let's keep trusting and never throw away our confidence in him (Heb 10:35-39)

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Erica

Feb 4, 2025

The Lord is Good, as we trust him he proves himself sure, glory to God

Hallelujah

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Dazzel Brown

Lauderdale Lakes, Florida, United States

Jan 26, 2025

I can trust him because he is faithful. He's shown me many times that he is my trust

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Oligbo Chidiebere

Onitsha, Anambra, Nigeria

Jan 22, 2025

My best hymn. I love the song so much that I can sing it all day long. God bless the soul that composed it.

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