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About Numbered Notation

The numbers are the notes of a scale

Numbered notation (jianpu, 简谱) writes a melody as numbers instead of notes on a staff. You do not need to read music: take one small step at a time and press Play on any example to hear it while each number lights up. Sound only starts when you press Play.

Instead of notes on a staff, each note is a number from 1 to 7. They are the seven steps of the scale you already know: do re mi fa sol la ti. After 7 the scale starts again at 1.

The seven numbers with their names. Press Play and say each name as its number lights up.
Sing along: do re mi fa sol, and back down to do.

If you can sing do re mi, you can already sing every number from 1 to 7. Tap or click any number to hear just that note.

“1=C” tells you where to start

At the top left of the sheet you will see something like 1=C. It means the number 1 (do) is the note C, and every other number counts up from there. 1=G means do is G, so the whole tune sits a little higher. Nothing else changes: the same numbers make the same shape, only higher or lower.

1=C: do is C.
1=G: the same numbers, starting higher.

Not sure where C is? On a piano it is the white key just left of the two black keys. Or ignore the letter and start on any note that is comfortable for your voice: the tune only has to keep its shape. The − and + key buttons on a hymn page shift the key for you.

Dots make a note higher or lower

A dot above a number means one octave higher. A dot below means one octave lower. Two dots mean two octaves. No dot is the middle range, where most of a tune lives. The name stays the same; only the height changes.

The same number at three heights: dot below, no dot, dot above.
A tune that climbs: it starts on a low sol and ends on a high do.

How long each note lasts

Tap your foot at a steady pace: each tap is a beat. A plain number lasts one beat, so you sing a new number on every tap. Dashes, lines and dots change that.

A plain number is one beat

Four numbers, four beats: one number for each tap.

A dash holds the note longer

Each dash adds one beat. The 5 lasts two beats and the 3 lasts four.

A line underneath makes it shorter

One line is half a beat, so two underlined numbers share one beat. (Two lines are a quarter of a beat.)

A dot after makes it half as long again

A dot after a number adds half its length. The first 5 lasts a beat and a half, and the short 3 fills the rest of the second beat.

0 means rest

A 0 is silence for one beat. Keep counting and keep tapping, but do not sing. Dashes after a 0 make the silence longer, just as they hold a note longer.

Sing 1 3 5, stay quiet for one beat, then come back down. Rests light up too, so you can feel the pause.

Bar lines and the time signature

Tall lines cut the music into bars, each holding the same number of beats. The two small numbers at the start, like 4/4 or 3/4, say how many: 4/4 is four beats in every bar, 3/4 is three. The first beat of each bar is the strongest, so lean on it a little. A double line with a thick edge marks the end.

4/4: count 1 2 3 4, 1 2 3 4. The first beat of each bar sounds a little louder.
3/4: count 1 2 3, 1 2 3, the lilt of a waltz.

Curves: ties and slurs

A curve over numbers joins them. If it joins two of the same number, it is a tie: sing the note once and hold it for both. If it joins different numbers, it is a slur: sing them all on one syllable, gliding from one to the next.

A tie: the 5 is sung once and held across the bar line, six beats in all.
A slur: “Him” is sung on two notes, 3 then 2.

The words sit under the numbers

Each number gets one syllable, written right underneath it. A short dash after part of a word means the word carries on under the next number. If a number has nothing under it, it belongs to a curve or a dash: keep singing the syllable you are on.

Read left to right, one syllable for each number: Twin-kle, twin-kle, lit-tle star.

Repeat signs and 1. 2. endings

A bar line with two dots, :|, means go back and sing that part again, from the matching |: sign (or from the start if there is none). Sometimes the repeat has two endings. Sing ending 1. the first time; on the repeat, skip it and sing ending 2. instead.

Play it: you hear the 1. ending, the repeat, then the 2. ending. Watch the highlight jump back.

Minor keys: “6=A”

A song in a minor key, which usually sounds more serious or tender, is labeled like 6=A instead of 1=C. It means the number 6 (la) is the home note, here A. The numbers keep their usual names; the tune simply feels at home on 6 and often ends there. 6=A uses the same notes as 1=C.

It starts and ends on 6 (la), the home note. Listen to the darker colour.

Put it together: a line of a hymn

This is the first line of hymn 8, “Praise God, from whom all blessings flow”, written in numbered notation. Try the slow tempo first, and sing the words as each number lights up.

1=G in 4/4. Three silent beats, then “Praise” on beat 4. The dots under 7, 6 and 5 mean those notes dip one octave lower.

Check yourself

Four quick questions, with no score and no pressure. Tap an answer to see right away why it is right or wrong. You can always try another answer.

Tap the number that is held the longest.

Tap the 5 that is one octave higher than the first 5.

What does a 0 mean?

Under 1=G, which note is the number 1?

Try it on a hymn

You opened this from a hymn that has a Numbered view, so you can try it right now.

  1. Look at the top left of the sheet: the key, such as 1=D, and the time signature, such as 3/4.
  2. Find the first number and sing it. Then follow the numbers from left to right with the words underneath, one syllable for each number. Press Play in the player to hear the recording while you follow.
  3. Letters above the numbers (C, G7) are chords for a guitarist or pianist. Ignore them while you learn the tune.
  4. To be guided, open the Learn tab and press Play. Under Display, set Learn notation to Numbered (or choose Numbered on the Lead Sheet tab first). For hymns that have numbered lines, each line of numbers scrolls into view in time with the recording while a bouncing ball follows the words; other hymns show the piano notation there. The Speed menu slows it down.

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Tis so sweet to trust in Jesus

Experience of Christ Trusting Him

English568
1
’Tis so sweet to trust in Jesus,
Just to take Him at His word;
Just to rest upon His promise;
Just to know, Thus saith the Lord.
 
Jesus, Jesus, how I trust Him,
How I’ve proved Him o’er and o’er,
Jesus, Jesus, Precious Jesus!
O for grace to trust Him more.
2
O how sweet to trust in Jesus,
Just to trust His cleansing blood;
Just in simple faith to plunge me,
’Neath the healing, cleansing flood.
3
Yes, ’tis sweet to trust in Jesus,
Just from sin and self to cease;
Just from Jesus simply taking
Life, and rest, and joy, and peace.
4
I’m so glad I learned to trust Thee,
Precious Jesus, Savior, Friend;
And I know that Thou art with me,
Wilt be with me to the end.

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John Dickson

Auckland, New Zealand

Oct 25, 2015

I lift my voice with all others commenting here - regardless of nation or denomination - Jesus, Jesus how I trust Him! How I’ve proved Him o’er and o’er! TRUST JESUS! (the Amy Grant version of this btw is sweet and certain).

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Lauren

Sarasota, Florida, United States

Oct 19, 2015

Jesus, my Savior, I love Thee forever more. Thank You for saving a wretch like me. I cannot wait to see Your Holy Face.

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Troy-Robert Kimuli

Kampala, Uganda

Oct 8, 2015

It's such an inspiration to listen to coz I know that Thou art with me and,...wilt be with me to the end. I love You my Lord and Saviour Jesus Christ.

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Blair Nixon Chitimbe

Blantyre, Malawi

Oct 5, 2015

The message in the song is inspiring and prophetic as well. He is Precious, Savior and Friend. There is an underlying conviction that words alone cannot express. Praise God for the revelation that Jesus will be with all believers beyond this life.

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Chioma

Abuja, Nigeria

Sep 27, 2015

Going through a difficult time, building my trust again in Jesus my Lord and lover of my soul. Indeed tis so sweet to trust in Jesus, there is so much peace in it. Thank You Lord.

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Barbie

Canada

Jul 23, 2015

I have been heavily burdened lately because of hurtful words and false accusations. I love my Lord and King and have lived most of my life knowing that He has been more than faithful to me. How can those who claim to love and follow our Lord, wound others so deeply and without remorse? I didn't know it was possible to be hurt so deeply until lately. I am thankful for tears and for others who can weep with me. I am also thankful for Louisa Stead who in wrote the words to - Tis So Sweet to Trust in Jesus. Perhaps she too knew the pangs of suffering. The lyrics were certainly written from a heart who was in love with the Lord Jesus. As I began singing each verse, I felt the strength of God rising within me and Oh how I needed that. I know my storm will eventually pass and friend take courage because yours will too. "How I've proved Him over and over and I am persuaded that He will keep me to the very end.

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Anita

Milwaukee, WI, United States

Jul 21, 2015

I love God so much! It's wonderful to read so many worshipful comments about or Savior and this beautiful song of adoration!

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Dorcas T. Adesanya

London, England, United Kingdom

Jul 16, 2015

Thank You Jesus for it is good to trust in You. I know You will not fail me in Jesus Name. I am so glad I learnt to trust in You. You will see me through this year and beyond in Jesus Name. Thank you for uploading this song and God bless you all. Amen and Amen!!!

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Bryan Holmdohl

College Station, Texas, United States

Jul 12, 2015

Just got saved July 1, and I can't tell you how great it felt to be relieved of a huge burden, and feeling the strength that Jesus gave me, and I know most of the time it's hard because of how prone we are to sin, but when you trust in Jesus it is something completely, supernaturally different and you will never regret it!

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M. Johnson

Roseville, California, United States

Jul 12, 2015

Listened to it alone in my hotel room in Myanmar this morning. O, how wonderful Jesus is! Every word of this precious song is true. Amen!

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