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About Numbered Notation

The numbers are the notes of a scale

Numbered notation (jianpu, 简谱) writes a melody as numbers instead of notes on a staff. You do not need to read music: take one small step at a time and press Play on any example to hear it while each number lights up. Sound only starts when you press Play.

Instead of notes on a staff, each note is a number from 1 to 7. They are the seven steps of the scale you already know: do re mi fa sol la ti. After 7 the scale starts again at 1.

The seven numbers with their names. Press Play and say each name as its number lights up.
Sing along: do re mi fa sol, and back down to do.

If you can sing do re mi, you can already sing every number from 1 to 7. Tap or click any number to hear just that note.

“1=C” tells you where to start

At the top left of the sheet you will see something like 1=C. It means the number 1 (do) is the note C, and every other number counts up from there. 1=G means do is G, so the whole tune sits a little higher. Nothing else changes: the same numbers make the same shape, only higher or lower.

1=C: do is C.
1=G: the same numbers, starting higher.

Not sure where C is? On a piano it is the white key just left of the two black keys. Or ignore the letter and start on any note that is comfortable for your voice: the tune only has to keep its shape. The − and + key buttons on a hymn page shift the key for you.

Dots make a note higher or lower

A dot above a number means one octave higher. A dot below means one octave lower. Two dots mean two octaves. No dot is the middle range, where most of a tune lives. The name stays the same; only the height changes.

The same number at three heights: dot below, no dot, dot above.
A tune that climbs: it starts on a low sol and ends on a high do.

How long each note lasts

Tap your foot at a steady pace: each tap is a beat. A plain number lasts one beat, so you sing a new number on every tap. Dashes, lines and dots change that.

A plain number is one beat

Four numbers, four beats: one number for each tap.

A dash holds the note longer

Each dash adds one beat. The 5 lasts two beats and the 3 lasts four.

A line underneath makes it shorter

One line is half a beat, so two underlined numbers share one beat. (Two lines are a quarter of a beat.)

A dot after makes it half as long again

A dot after a number adds half its length. The first 5 lasts a beat and a half, and the short 3 fills the rest of the second beat.

0 means rest

A 0 is silence for one beat. Keep counting and keep tapping, but do not sing. Dashes after a 0 make the silence longer, just as they hold a note longer.

Sing 1 3 5, stay quiet for one beat, then come back down. Rests light up too, so you can feel the pause.

Bar lines and the time signature

Tall lines cut the music into bars, each holding the same number of beats. The two small numbers at the start, like 4/4 or 3/4, say how many: 4/4 is four beats in every bar, 3/4 is three. The first beat of each bar is the strongest, so lean on it a little. A double line with a thick edge marks the end.

4/4: count 1 2 3 4, 1 2 3 4. The first beat of each bar sounds a little louder.
3/4: count 1 2 3, 1 2 3, the lilt of a waltz.

Curves: ties and slurs

A curve over numbers joins them. If it joins two of the same number, it is a tie: sing the note once and hold it for both. If it joins different numbers, it is a slur: sing them all on one syllable, gliding from one to the next.

A tie: the 5 is sung once and held across the bar line, six beats in all.
A slur: “Him” is sung on two notes, 3 then 2.

The words sit under the numbers

Each number gets one syllable, written right underneath it. A short dash after part of a word means the word carries on under the next number. If a number has nothing under it, it belongs to a curve or a dash: keep singing the syllable you are on.

Read left to right, one syllable for each number: Twin-kle, twin-kle, lit-tle star.

Repeat signs and 1. 2. endings

A bar line with two dots, :|, means go back and sing that part again, from the matching |: sign (or from the start if there is none). Sometimes the repeat has two endings. Sing ending 1. the first time; on the repeat, skip it and sing ending 2. instead.

Play it: you hear the 1. ending, the repeat, then the 2. ending. Watch the highlight jump back.

Minor keys: “6=A”

A song in a minor key, which usually sounds more serious or tender, is labeled like 6=A instead of 1=C. It means the number 6 (la) is the home note, here A. The numbers keep their usual names; the tune simply feels at home on 6 and often ends there. 6=A uses the same notes as 1=C.

It starts and ends on 6 (la), the home note. Listen to the darker colour.

Put it together: a line of a hymn

This is the first line of hymn 8, “Praise God, from whom all blessings flow”, written in numbered notation. Try the slow tempo first, and sing the words as each number lights up.

1=G in 4/4. Three silent beats, then “Praise” on beat 4. The dots under 7, 6 and 5 mean those notes dip one octave lower.

Check yourself

Four quick questions, with no score and no pressure. Tap an answer to see right away why it is right or wrong. You can always try another answer.

Tap the number that is held the longest.

Tap the 5 that is one octave higher than the first 5.

What does a 0 mean?

Under 1=G, which note is the number 1?

Try it on a hymn

You opened this from a hymn that has a Numbered view, so you can try it right now.

  1. Look at the top left of the sheet: the key, such as 1=D, and the time signature, such as 3/4.
  2. Find the first number and sing it. Then follow the numbers from left to right with the words underneath, one syllable for each number. Press Play in the player to hear the recording while you follow.
  3. Letters above the numbers (C, G7) are chords for a guitarist or pianist. Ignore them while you learn the tune.
  4. To be guided, open the Learn tab and press Play. Under Display, set Learn notation to Numbered (or choose Numbered on the Lead Sheet tab first). For hymns that have numbered lines, each line of numbers scrolls into view in time with the recording while a bouncing ball follows the words; other hymns show the piano notation there. The Speed menu slows it down.

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Oh, safe to the Rock that is higher than I

Experience of Christ Abiding in Him

English566
1
Oh, safe to the Rock that is higher than I,
My soul in its conflicts and sorrows would fly,
So sinful, so weary, Thine, Thine would I be,
Thou blest Rock of Ages, I’m hiding in Thee.
 
Hiding in Thee, hiding in Thee,
Thou blest Rock of Ages, I’m hiding in Thee.
2
In the calm of the noontide, in sorrow’s lone hour,
In times when temptation casts o’er me its power;
In the tempests of life, on its wide, heaving sea,
Thou blest Rock of Ages, I’m hiding in Thee.
3
How oft in the conflict, when pressed by the foe,
I have fled to my Refuge and breathed out my woe,,
How often, when trials like sea-billows roll,
Have I hidden in Thee, O Thou Rock of my soul.

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Shiney Mae S.

Mati, Davao Oriental, Philippines

Feb 16, 2014

This song makes me realize that in GOD everything is in control.

That no matter what HAPPENED, God still did what is best for us.

And I always remember that TRIALS MAKES PURE GOLD...

Always feeling blessed with this song. TO GOD BE THE GLORY!

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Estomihi Hutagalung

Medan, Sumataera Utara, Indonesia

Feb 5, 2014

This morning I was preparing a sermon for the Methodist school children in refugee eruption of Mount Sinabung in Karo Indonesia.

They are disturbing me, how to answer the assurance that God is able to cope while they are undergoing catastrophic eruption is very sad.

With this song I was given inspiration, passion and certainty. Thank God.

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Deborah Moraa

Eldoret, Rift Valley, Kenya

Jan 5, 2014

I love this song very much.

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Mark Lee Inman

Brentwood, United Kingdom

Aug 27, 2013

This was my late father's favourite hymn. Sadly, it has fallen in popularity and is excluded from most post 1960 hymn book collections. A shame, because it is a great hymn of comfort and assurance.

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Lynelle W

St Joseph, Michigan, United States

Nov 27, 2012

I was thinking of Psalm 61:2 (From the end of the earth will I cry unto thee, when my heart is overwhelmed: lead me to the rock that is higher than I.) for the past few days and last night thought of this song, but couldn't remember much of it. So happy to have found it here! The words and the scripture it is based on brings comfort to my heart. So grateful that God is a refuge that can never be shaken.

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Hesbon Osike Ongubo

Mombasa, Coast, Kenya

Jul 6, 2012

What a wonderful song that brings peace amidst storms of life. It's a song that assures me of an ever present Saviour even in my lowest moments. I hold on to Him since it's Him and Him alone who can offer peace that passes human understanding. Thank You Jesus.

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Esther Jean Jeevan

Visakhapatnam, Andhra Pradesh, India

Dec 8, 2011

What a beautiful hymn! Tears roll down my cheeks. While in Madras at home my dad would teach my mom songs from Golden Bells as he played the organ. We would gather half an hour before Friday prayer meetings. Mum had a beautiful voice. She would start on the right note. Glorious Days! Childhood memories. Both of them are with the Lord. Thanks to Google.

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Azubuike Samuel Onwumere

Silver Spring, Montgomery County/Maryland, United States

Nov 14, 2011

Any time I sing, listen or meditate on this song, it reassures me of God's faithfulness in being an eternal refuge and buckler to me and all His children redeemed by the blood of Jesus because God's everlasting arm is under me and all His own.

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SindiG

Jun 23, 2009

This song never fails to give me hope and encouragement...and whenever I sing it in my head, I am reminded that God has been my refuge, my strength and my fortress...He's never failed me yet....and this too shall pass.

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