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About Numbered Notation

The numbers are the notes of a scale

Numbered notation (jianpu, 简谱) writes a melody as numbers instead of notes on a staff. You do not need to read music: take one small step at a time and press Play on any example to hear it while each number lights up. Sound only starts when you press Play.

Instead of notes on a staff, each note is a number from 1 to 7. They are the seven steps of the scale you already know: do re mi fa sol la ti. After 7 the scale starts again at 1.

The seven numbers with their names. Press Play and say each name as its number lights up.
Sing along: do re mi fa sol, and back down to do.

If you can sing do re mi, you can already sing every number from 1 to 7. Tap or click any number to hear just that note.

“1=C” tells you where to start

At the top left of the sheet you will see something like 1=C. It means the number 1 (do) is the note C, and every other number counts up from there. 1=G means do is G, so the whole tune sits a little higher. Nothing else changes: the same numbers make the same shape, only higher or lower.

1=C: do is C.
1=G: the same numbers, starting higher.

Not sure where C is? On a piano it is the white key just left of the two black keys. Or ignore the letter and start on any note that is comfortable for your voice: the tune only has to keep its shape. The − and + key buttons on a hymn page shift the key for you.

Dots make a note higher or lower

A dot above a number means one octave higher. A dot below means one octave lower. Two dots mean two octaves. No dot is the middle range, where most of a tune lives. The name stays the same; only the height changes.

The same number at three heights: dot below, no dot, dot above.
A tune that climbs: it starts on a low sol and ends on a high do.

How long each note lasts

Tap your foot at a steady pace: each tap is a beat. A plain number lasts one beat, so you sing a new number on every tap. Dashes, lines and dots change that.

A plain number is one beat

Four numbers, four beats: one number for each tap.

A dash holds the note longer

Each dash adds one beat. The 5 lasts two beats and the 3 lasts four.

A line underneath makes it shorter

One line is half a beat, so two underlined numbers share one beat. (Two lines are a quarter of a beat.)

A dot after makes it half as long again

A dot after a number adds half its length. The first 5 lasts a beat and a half, and the short 3 fills the rest of the second beat.

0 means rest

A 0 is silence for one beat. Keep counting and keep tapping, but do not sing. Dashes after a 0 make the silence longer, just as they hold a note longer.

Sing 1 3 5, stay quiet for one beat, then come back down. Rests light up too, so you can feel the pause.

Bar lines and the time signature

Tall lines cut the music into bars, each holding the same number of beats. The two small numbers at the start, like 4/4 or 3/4, say how many: 4/4 is four beats in every bar, 3/4 is three. The first beat of each bar is the strongest, so lean on it a little. A double line with a thick edge marks the end.

4/4: count 1 2 3 4, 1 2 3 4. The first beat of each bar sounds a little louder.
3/4: count 1 2 3, 1 2 3, the lilt of a waltz.

Curves: ties and slurs

A curve over numbers joins them. If it joins two of the same number, it is a tie: sing the note once and hold it for both. If it joins different numbers, it is a slur: sing them all on one syllable, gliding from one to the next.

A tie: the 5 is sung once and held across the bar line, six beats in all.
A slur: “Him” is sung on two notes, 3 then 2.

The words sit under the numbers

Each number gets one syllable, written right underneath it. A short dash after part of a word means the word carries on under the next number. If a number has nothing under it, it belongs to a curve or a dash: keep singing the syllable you are on.

Read left to right, one syllable for each number: Twin-kle, twin-kle, lit-tle star.

Repeat signs and 1. 2. endings

A bar line with two dots, :|, means go back and sing that part again, from the matching |: sign (or from the start if there is none). Sometimes the repeat has two endings. Sing ending 1. the first time; on the repeat, skip it and sing ending 2. instead.

Play it: you hear the 1. ending, the repeat, then the 2. ending. Watch the highlight jump back.

Minor keys: “6=A”

A song in a minor key, which usually sounds more serious or tender, is labeled like 6=A instead of 1=C. It means the number 6 (la) is the home note, here A. The numbers keep their usual names; the tune simply feels at home on 6 and often ends there. 6=A uses the same notes as 1=C.

It starts and ends on 6 (la), the home note. Listen to the darker colour.

Put it together: a line of a hymn

This is the first line of hymn 8, “Praise God, from whom all blessings flow”, written in numbered notation. Try the slow tempo first, and sing the words as each number lights up.

1=G in 4/4. Three silent beats, then “Praise” on beat 4. The dots under 7, 6 and 5 mean those notes dip one octave lower.

Check yourself

Four quick questions, with no score and no pressure. Tap an answer to see right away why it is right or wrong. You can always try another answer.

Tap the number that is held the longest.

Tap the 5 that is one octave higher than the first 5.

What does a 0 mean?

Under 1=G, which note is the number 1?

Try it on a hymn

You opened this from a hymn that has a Numbered view, so you can try it right now.

  1. Look at the top left of the sheet: the key, such as 1=D, and the time signature, such as 3/4.
  2. Find the first number and sing it. Then follow the numbers from left to right with the words underneath, one syllable for each number. Press Play in the player to hear the recording while you follow.
  3. Letters above the numbers (C, G7) are chords for a guitarist or pianist. Ignore them while you learn the tune.
  4. To be guided, open the Learn tab and press Play. Under Display, set Learn notation to Numbered (or choose Numbered on the Lead Sheet tab first). For hymns that have numbered lines, each line of numbers scrolls into view in time with the recording while a bouncing ball follows the words; other hymns show the piano notation there. The Speed menu slows it down.

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Once it was the blessing

Experience of Christ As Everything

English513
1
Once it was the blessing,
Now it is the Lord;
Once it was the feeling,
Now it is His Word;
Once His gift I wanted,
Now, the Giver own;
Once I sought for healing,
Now Himself alone.
 
All in all forever,
Only Christ I’ll sing;
Everything is in Christ,
And Christ is everything.
2
Once ’twas painful trying,
Now ’tis perfect trust;
Once a half salvation,
Now the uttermost;
Once ’twas ceaseless holding,
Now He holds me fast;
Once ’twas constant drifting,
Now my anchor’s cast.
3
Once ’twas busy planning,
Now ’tis trustful prayer;
Once ’twas anxious caring,
Now He has the care;
Once ’twas what I wanted,
Now what Jesus says;
Once ’twas constant asking,
Now ’tis ceaseless praise.
4
Once it was my working,
His it hence shall be;
Once I tried to use Him,
Now He uses me;
Once the pow’r I wanted,
Now the Mighty One;
Once for self I labored,
Now for Him alone.
5
Once I hoped in Jesus,
Now I know He’s mine;
Once my lamps were dying,
Now they brightly shine;
Once for death I waited,
Now His coming hail;
And my hopes are anchored
Safe within the veil.

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John Tinger

Lowell, MA, United States

Sep 14, 2022

Everything is in Christ and Christ is everything! Christ in us is the hope of glory. May we all grow up into Him in all things. We have been crucified with Christ and it is no longer we who live, but Him alone!

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George Gibson

Emmaus, PA, United States

Aug 27, 2022

THANKING and PRAISING GOD, OUR FATHER WHO. "" HAS BLESSED US"" ""WITH ALL SPIRITUAL BLESSINGS" IN HEAVENLY PLACES " "" IN CHRIST":

EPHESIANS 1:3 ; ; 1 CORINTHIANS 15: 28 IS ANOTHER THANKSGIVING and PRAISE WORTHY PORTION OF HIS HOLY WORD:: "" THAT GOD MAY BE ALL IN ALL"" HALLELUJAH!!! AMEN!!!

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Jane Liang

Glendora, CA, United States

Jun 3, 2022

Once ’twas what I wanted,
Now what Jesus says.
Amen!

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Jorge Minjarez

May 18, 2022

Thank You Lord for this hymn.

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Dyna

Kampala, Uganda

Oct 29, 2021

Every time I sing this hymn, it reminds me that spiritual growth is mandate. In Kampala most Christians are taught to ask things from God. which isn't bad because he is our father he ought to provide. But its more interesting when we grow, to realize all we need is CHRIST. halleluiah Christ is everything.

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Devine Rama

Bangkok, Thailand

Oct 28, 2021

Once ’twas busy planning,
Now ’tis trustful prayer;
Once ’twas anxious caring,
Now He has the care;
Once ’twas what I wanted,
Now what Jesus says;
Once ’twas constant asking,
Now ’tis ceaseless praise.

Praise the Lord!! Everything is in Christ. Whatever we need He is!

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Anonymous

Sep 26, 2021

We dont have anything, but when we have Christ we have everything Praise the Lord Oh Lord Jesus!!

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Jainie

Aurora, Philippines

Sep 26, 2021

The Lord Jesus Christ is the real blessing Praise the Lord! If we have Christ we have everything! Hallelujah!

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Anitha Nokku

Santa Ana, California, United States

May 27, 2021

It is “The Christ” whom we behold, oh how I seek your face dear Lord. All we need is Christ and Christ alone where all my hopes are anchored and the soul finds its rest. Praise You Lord Jesus!

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Ana Lara

Storrs, Connecticut, United States

Mar 21, 2021

A. B. Simpson (1843-1919), founder of the Christian and Missionary Alliance was one who practiced being one with the Lord. He once wrote;

“I wish to speak to you about Jesus, and Jesus only. I often hear people say, ‘I wish I could get hold of Divine healing. ’ I thank God we have been taught it is not the blessing; it is not the healing; it is not the sanctification; it is not the thing; it is not the ‘IT’ that you want but it is something better. It is ‘The Christ’; it is Himself; it is the person of Christ we want. It is the way to look at the Scriptures and understand the thoughts of God; to see Him in the face of love, shining through and through; not ideas of doctrine but Jesus Himself as the life and source and sustaining Presence all our life. I am no good unless I get alone with God.”

William Mc Arthur writes concerning A. B. Simpson: "His practice was to hush his spirit and literary cease to think. Then in the silence of his soul, he listened to that still small voice of God.”

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