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About Numbered Notation

The numbers are the notes of a scale

Numbered notation (jianpu, 简谱) writes a melody as numbers instead of notes on a staff. You do not need to read music: take one small step at a time and press Play on any example to hear it while each number lights up. Sound only starts when you press Play.

Instead of notes on a staff, each note is a number from 1 to 7. They are the seven steps of the scale you already know: do re mi fa sol la ti. After 7 the scale starts again at 1.

The seven numbers with their names. Press Play and say each name as its number lights up.
Sing along: do re mi fa sol, and back down to do.

If you can sing do re mi, you can already sing every number from 1 to 7. Tap or click any number to hear just that note.

“1=C” tells you where to start

At the top left of the sheet you will see something like 1=C. It means the number 1 (do) is the note C, and every other number counts up from there. 1=G means do is G, so the whole tune sits a little higher. Nothing else changes: the same numbers make the same shape, only higher or lower.

1=C: do is C.
1=G: the same numbers, starting higher.

Not sure where C is? On a piano it is the white key just left of the two black keys. Or ignore the letter and start on any note that is comfortable for your voice: the tune only has to keep its shape. The − and + key buttons on a hymn page shift the key for you.

Dots make a note higher or lower

A dot above a number means one octave higher. A dot below means one octave lower. Two dots mean two octaves. No dot is the middle range, where most of a tune lives. The name stays the same; only the height changes.

The same number at three heights: dot below, no dot, dot above.
A tune that climbs: it starts on a low sol and ends on a high do.

How long each note lasts

Tap your foot at a steady pace: each tap is a beat. A plain number lasts one beat, so you sing a new number on every tap. Dashes, lines and dots change that.

A plain number is one beat

Four numbers, four beats: one number for each tap.

A dash holds the note longer

Each dash adds one beat. The 5 lasts two beats and the 3 lasts four.

A line underneath makes it shorter

One line is half a beat, so two underlined numbers share one beat. (Two lines are a quarter of a beat.)

A dot after makes it half as long again

A dot after a number adds half its length. The first 5 lasts a beat and a half, and the short 3 fills the rest of the second beat.

0 means rest

A 0 is silence for one beat. Keep counting and keep tapping, but do not sing. Dashes after a 0 make the silence longer, just as they hold a note longer.

Sing 1 3 5, stay quiet for one beat, then come back down. Rests light up too, so you can feel the pause.

Bar lines and the time signature

Tall lines cut the music into bars, each holding the same number of beats. The two small numbers at the start, like 4/4 or 3/4, say how many: 4/4 is four beats in every bar, 3/4 is three. The first beat of each bar is the strongest, so lean on it a little. A double line with a thick edge marks the end.

4/4: count 1 2 3 4, 1 2 3 4. The first beat of each bar sounds a little louder.
3/4: count 1 2 3, 1 2 3, the lilt of a waltz.

Curves: ties and slurs

A curve over numbers joins them. If it joins two of the same number, it is a tie: sing the note once and hold it for both. If it joins different numbers, it is a slur: sing them all on one syllable, gliding from one to the next.

A tie: the 5 is sung once and held across the bar line, six beats in all.
A slur: “Him” is sung on two notes, 3 then 2.

The words sit under the numbers

Each number gets one syllable, written right underneath it. A short dash after part of a word means the word carries on under the next number. If a number has nothing under it, it belongs to a curve or a dash: keep singing the syllable you are on.

Read left to right, one syllable for each number: Twin-kle, twin-kle, lit-tle star.

Repeat signs and 1. 2. endings

A bar line with two dots, :|, means go back and sing that part again, from the matching |: sign (or from the start if there is none). Sometimes the repeat has two endings. Sing ending 1. the first time; on the repeat, skip it and sing ending 2. instead.

Play it: you hear the 1. ending, the repeat, then the 2. ending. Watch the highlight jump back.

Minor keys: “6=A”

A song in a minor key, which usually sounds more serious or tender, is labeled like 6=A instead of 1=C. It means the number 6 (la) is the home note, here A. The numbers keep their usual names; the tune simply feels at home on 6 and often ends there. 6=A uses the same notes as 1=C.

It starts and ends on 6 (la), the home note. Listen to the darker colour.

Put it together: a line of a hymn

This is the first line of hymn 8, “Praise God, from whom all blessings flow”, written in numbered notation. Try the slow tempo first, and sing the words as each number lights up.

1=G in 4/4. Three silent beats, then “Praise” on beat 4. The dots under 7, 6 and 5 mean those notes dip one octave lower.

Check yourself

Four quick questions, with no score and no pressure. Tap an answer to see right away why it is right or wrong. You can always try another answer.

Tap the number that is held the longest.

Tap the 5 that is one octave higher than the first 5.

What does a 0 mean?

Under 1=G, which note is the number 1?

Try it on a hymn

You opened this from a hymn that has a Numbered view, so you can try it right now.

  1. Look at the top left of the sheet: the key, such as 1=D, and the time signature, such as 3/4.
  2. Find the first number and sing it. Then follow the numbers from left to right with the words underneath, one syllable for each number. Press Play in the player to hear the recording while you follow.
  3. Letters above the numbers (C, G7) are chords for a guitarist or pianist. Ignore them while you learn the tune.
  4. To be guided, open the Learn tab and press Play. Under Display, set Learn notation to Numbered (or choose Numbered on the Lead Sheet tab first). For hymns that have numbered lines, each line of numbers scrolls into view in time with the recording while a bouncing ball follows the words; other hymns show the piano notation there. The Speed menu slows it down.

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Oh, what a might! Oh, what a strength

Experience of Christ As Life

English500
1
Oh, what a might! Oh, what a strength!
God wrought to raise Christ from the dead.
Far above all at His right hand,
O’er all to us He is the Head.
All this great pow’r is to the Church
That she o’er all her foes may tread.
All this great pow’r is to the Church
That she o’er all her foes may tread.
2
Oh, what a fact! Oh, what a bliss!
That I of Christ a member am.
With all the saints I blend as one
And share the life of the new man.
Joined to our great ascended Head,
We’ll be the Church of His own plan.
Joined to our great ascended Head,
We’ll be the Church of His own plan.
3
Oh, what a breadth! Oh, what a length!
The height, the depth unsearchable!
Christ the Lord is unlimited,
So vast, immense, immeas’rable.
All that He is and all He has
Is now our life unspeakable.
All that He is and all He has
Is now our life unspeakable.

Copyright Living Stream Ministry. Used by permission.

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Un Hermano

Dec 13, 2025

Being Enlightened to See the Eternal Things
------------------------------
Scripture Reading: Eph. 1:3, 13-14, 17-23:

Verses 19 through 23 continue, “And what is the surpassing greatness of His power toward us who believe, according to the operation of the might of His strength, which He caused to operate in Christ in raising Him from the dead and seating Him at His right hand in the heavenlies, far above all rule and authority and power and Lordship and every name that is named not only in this age but also in that which is to come; and He subjected all things under His feet and gave Him to be Head over all things to the church, which is His Body, the fullness of the One who fills all in all. ” Have we ever thanked and praised the Lord for the fourfold power mentioned in these verses? Instead, we may have thanked the Lord for a good husband or wife, children, a job, a house, a car, or a college degree. We need to pray according to the prayer that the apostle Paul prayed in these verses, saying, “O Lord, I thank You not merely for the outward things but for the power toward us that operated in raising You from the dead, seating You at the right hand in the heavenlies far above all, subjecting all things under Your feet, and giving You to be Head over all things to the church. ” The reason we may not pray in this way is that we are blind to the eternal things. Behind our veil we may be able to see only a graduate degree, wife, husband, child, car, job, or house. We may not have seen the things beyond the veil. The veil must be taken away so that the eyes of our inner understanding may be enlightened to thoroughly see through to the eternal things in the heavenlies, including the hope of God’s calling, the riches of the glory of God’s inheritance in His saints, and the fourfold power that is toward us. When we see these matters, we will say, “Praise the Lord, Hallelujah! ”

Chapter 7 The Divine Spirit
with the Human Spirit in
the Epistles CWWL, 1966, (LSM)

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Un Hermano

Dec 13, 2025

IX. TRANSMITTING TO US THE
POWER WHICH HE CAUSED
TO OPERATE IN CHRIST
-------------------------------------------

When God the Father transmits Himself to us, He transmits to us the power which He caused to operate in Christ. Ephesians 1:19-20 say, “And what is the surpassing greatness of His power toward us who believe, according to the operation of the might of His strength, which He caused to operate in Christ in raising Him from the dead and seating Him at His right hand in the heavenlies. ” The power of God toward the believers is the surpassingly great power according to the operation of the might of His strength, which He caused to operate in Christ. Therefore, God’s power toward us is the same as the power that He caused to operate in Christ. Christ is the Head and we believers are His Body. The Body participates in all the power that the Head experienced.

Truth Lessons
LESSON 26: THE EXPERIENCE
AND ENJOYMENT OF GOD
AS THE FATHER IN THE LOVE
OF THE TRIUNE GOD (LSM)

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Nertil Semani

Wethersfield, CT, United States

Jan 22, 2023

Amen. Lavdi Perendise ne jete te jeteve.

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Andrea Villanueva

United States

Apr 29, 2018

With ALL the Saints we can know and apprehend ALL the vast dimensions of God!

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Vali Balla

Albania

Jan 5, 2017

Oh, what a breadth! Oh, what a length!
The height, the depth unsearchable!
Christ the Lord is unlimited,
So vast, immense, immeas’rable.
All that He is and all He has
Is now our life unspeakable.

Read more