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About Numbered Notation

The numbers are the notes of a scale

Numbered notation (jianpu, 简谱) writes a melody as numbers instead of notes on a staff. You do not need to read music: take one small step at a time and press Play on any example to hear it while each number lights up. Sound only starts when you press Play.

Instead of notes on a staff, each note is a number from 1 to 7. They are the seven steps of the scale you already know: do re mi fa sol la ti. After 7 the scale starts again at 1.

The seven numbers with their names. Press Play and say each name as its number lights up.
Sing along: do re mi fa sol, and back down to do.

If you can sing do re mi, you can already sing every number from 1 to 7. Tap or click any number to hear just that note.

“1=C” tells you where to start

At the top left of the sheet you will see something like 1=C. It means the number 1 (do) is the note C, and every other number counts up from there. 1=G means do is G, so the whole tune sits a little higher. Nothing else changes: the same numbers make the same shape, only higher or lower.

1=C: do is C.
1=G: the same numbers, starting higher.

Not sure where C is? On a piano it is the white key just left of the two black keys. Or ignore the letter and start on any note that is comfortable for your voice: the tune only has to keep its shape. The − and + key buttons on a hymn page shift the key for you.

Dots make a note higher or lower

A dot above a number means one octave higher. A dot below means one octave lower. Two dots mean two octaves. No dot is the middle range, where most of a tune lives. The name stays the same; only the height changes.

The same number at three heights: dot below, no dot, dot above.
A tune that climbs: it starts on a low sol and ends on a high do.

How long each note lasts

Tap your foot at a steady pace: each tap is a beat. A plain number lasts one beat, so you sing a new number on every tap. Dashes, lines and dots change that.

A plain number is one beat

Four numbers, four beats: one number for each tap.

A dash holds the note longer

Each dash adds one beat. The 5 lasts two beats and the 3 lasts four.

A line underneath makes it shorter

One line is half a beat, so two underlined numbers share one beat. (Two lines are a quarter of a beat.)

A dot after makes it half as long again

A dot after a number adds half its length. The first 5 lasts a beat and a half, and the short 3 fills the rest of the second beat.

0 means rest

A 0 is silence for one beat. Keep counting and keep tapping, but do not sing. Dashes after a 0 make the silence longer, just as they hold a note longer.

Sing 1 3 5, stay quiet for one beat, then come back down. Rests light up too, so you can feel the pause.

Bar lines and the time signature

Tall lines cut the music into bars, each holding the same number of beats. The two small numbers at the start, like 4/4 or 3/4, say how many: 4/4 is four beats in every bar, 3/4 is three. The first beat of each bar is the strongest, so lean on it a little. A double line with a thick edge marks the end.

4/4: count 1 2 3 4, 1 2 3 4. The first beat of each bar sounds a little louder.
3/4: count 1 2 3, 1 2 3, the lilt of a waltz.

Curves: ties and slurs

A curve over numbers joins them. If it joins two of the same number, it is a tie: sing the note once and hold it for both. If it joins different numbers, it is a slur: sing them all on one syllable, gliding from one to the next.

A tie: the 5 is sung once and held across the bar line, six beats in all.
A slur: “Him” is sung on two notes, 3 then 2.

The words sit under the numbers

Each number gets one syllable, written right underneath it. A short dash after part of a word means the word carries on under the next number. If a number has nothing under it, it belongs to a curve or a dash: keep singing the syllable you are on.

Read left to right, one syllable for each number: Twin-kle, twin-kle, lit-tle star.

Repeat signs and 1. 2. endings

A bar line with two dots, :|, means go back and sing that part again, from the matching |: sign (or from the start if there is none). Sometimes the repeat has two endings. Sing ending 1. the first time; on the repeat, skip it and sing ending 2. instead.

Play it: you hear the 1. ending, the repeat, then the 2. ending. Watch the highlight jump back.

Minor keys: “6=A”

A song in a minor key, which usually sounds more serious or tender, is labeled like 6=A instead of 1=C. It means the number 6 (la) is the home note, here A. The numbers keep their usual names; the tune simply feels at home on 6 and often ends there. 6=A uses the same notes as 1=C.

It starts and ends on 6 (la), the home note. Listen to the darker colour.

Put it together: a line of a hymn

This is the first line of hymn 8, “Praise God, from whom all blessings flow”, written in numbered notation. Try the slow tempo first, and sing the words as each number lights up.

1=G in 4/4. Three silent beats, then “Praise” on beat 4. The dots under 7, 6 and 5 mean those notes dip one octave lower.

Check yourself

Four quick questions, with no score and no pressure. Tap an answer to see right away why it is right or wrong. You can always try another answer.

Tap the number that is held the longest.

Tap the 5 that is one octave higher than the first 5.

What does a 0 mean?

Under 1=G, which note is the number 1?

Try it on a hymn

You opened this from a hymn that has a Numbered view, so you can try it right now.

  1. Look at the top left of the sheet: the key, such as 1=D, and the time signature, such as 3/4.
  2. Find the first number and sing it. Then follow the numbers from left to right with the words underneath, one syllable for each number. Press Play in the player to hear the recording while you follow.
  3. Letters above the numbers (C, G7) are chords for a guitarist or pianist. Ignore them while you learn the tune.
  4. To be guided, open the Learn tab and press Play. Under Display, set Learn notation to Numbered (or choose Numbered on the Lead Sheet tab first). For hymns that have numbered lines, each line of numbers scrolls into view in time with the recording while a bouncing ball follows the words; other hymns show the piano notation there. The Speed menu slows it down.

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We praise Thee, O God

Worship of the Father His Redemption

English40
1
We praise Thee, O God,
For the Son of Thy love,
For our Savior who died and
Is now gone above.
 
Hallelujah! Thine the glory,
Hallelujah! Amen;
Hallelujah! Thine the glory,
We praise Thee again.
2
We praise Thee, O God,
For Thy Spirit of light,
Who has shown us our Savior,
And scattered our night.
3
All glory and praise
To Thee, Father of love,
For through Jesus’ redemption
Thy heart we may prove.
4
We praise Thee again;
We are filled with Thy love,
And each heart is rekindled
With fire from above.

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Flora Forbes

London, Ontario, Canada

Aug 2, 2016

I listened to this powerful hymn tonight and it is my personal prayer!

I didn't know who had written the hymn but I was interested to learn that it was a Scot! I was born in Glasgow, Scotland.

The Lord brought the words to my mind "revive me" and I immediately did a search for this beautiful hymn. I believe it was Gaither Muscians who were singing it.

I am reading a beautiful story about Lilias Trotter who had given up the opportunity for "a brilliant career as an artist to serve Christ" as a missionary in Algeria, North Africa for forty years! It was while reading this inspiring story that the Lord brought to my mind the words "revive me" and I remembered the hymn!

May the Lord revive me and His Church!
Shalom!
Flora

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Esther

Jul 7, 2016

Revive us Father and bring about revival of healings and miracles in every area of our lives and nations on earth. In Jesus name. Amen!!!

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Maureen Byer

Feb 23, 2016

This hymn is a blessing to known that the Lord is Reviving us again back to our 1st Love which is Him and Him alone, His WORD and His SPIRIT.

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Shalom

Houston, Texas, United States

Aug 2, 2015

O Lord Jesus!

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Bill Bernasconi

Wappingers Falls, New York, United States

Nov 8, 2014

What a beautiful song of praise.

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Rev. Ezekiel Lekyes Dampo

Kaduna, Nigeria

Feb 5, 2014

This song made a great impression on me after watching the evangelical film titled "Peace Child." Shot in an African setting, this song indeed calls forth the praise of the Almighty for great things he has done and is doing and will continue to do.

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Enyinnaya Appolos

Abuja, Nigeria

Aug 31, 2013

While I was growing up in Isiko, a hamlet in Ngwaland in Abia State, this hymn was one of my favorite hymns in the NAH of the Seventh-day Adventist Church, we sing it every Sabbath, from the Igbo hymn, Abu Otuto...though the hymn is not included in the current SDAH hymnal of the Seventh-day Adventist Church, I still enjoy singing the hymn to God's glory. It is still fresh in my memory, how as little children, we used to hum stanzas as the adult sing, and join them shouting the chorus: "Hallelujah! Thine the glory, Hallelujah! Amen; Hallelujah! Thine the glory, We praise Thee again (revive us again)."

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Steve Miller

Detroit, MI, United States

Jun 3, 2013

William P. MacKay was a Scottish physician turned minister.

The title of this song is "Revive us again". The original last line of the chorus is "Revive us again."

The original 3rd and last stanzas are:

---------------
All glory and praise
To the Lamb that was slain
Who has borne all our sins
And has cleansed ev'ry stain.
-------------
Revive us again --
Fill each heart with Thy love;
May each soul be rekindled
With fire from above.
---------------
There is also another verse that comes after the 3rd verse:
All glory and praise
To the God of all grace,
Who hast brought us, and sought us,
And guided our ways.

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Jun Oller

Tagaytay, Cavite, Philippines

Mar 2, 2013

WE PRAISE YOU, FATHER! Halellujah!

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Odinma

Bronx, NY, United States

Jan 25, 2013

I join the Heavens in praises to Thee O God!

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